With almost all of our cameras featuring video capabilities (I’m looking at you, Nikon Df), most of you have probably considered going beyond the occasional family video. However, like photography, video requires post-processing for best results, and the prospect of buying After Effects, Premiere Pro, and SpeedGrade just to get your toes wet is daunting for many photographers. What you may not know is that you already have a powerful video-editing program in Adobe Photoshop CC, or CS6 Extended. This is an easy way for photographers to play around with film without purchasing hundreds of dollars worth of software, and is surprisingly effective. I’m certainly not a professional videographer as my example video will show, but I have enjoyed editing a few shorts, just for fun. The two most critical aspects of editing for video (not including cuts/sequencing) are color-grading and sharpening, both of which can be done relatively painlessly in Photoshop using tools you’re already experienced with.
One of our readers was kind enough to send a link to a YouTube video from NASA’s Solar Dynamics Obervatory (SDO), which has been capturing images of the whole sun 24 hours a day for the last 5 years. After putting together image sequences into a time-lapse, NASA created a stunning video that is absolutely worth watching. If you visit NASA’s official website, you can click on the Related Media link and see many more videos and images from SDO, which are all as amazing as the below video:
Having toured across Turkey as a teenager, I have so many wonderful memories of this beautiful and historic country. I instantly fell in love and have since been wanting to go back and revisit this magical place. Earlier this week, one of our readers sent an absolutely stunning video called “Watchtower of Turkey”, filmed by Leonardo Dalessandri, who spent 20 days in Turkey traveling thousands of miles and capturing both stills and video. The resulting three and a half minute film is absolutely stunning and definitely worth watching. I decided to share this video with our readers and I hope you enjoy this masterpiece as much as I did.
About a month ago, Canon Australia posted a short film titled “To The Ends of the Earth”, where adventure photographer and Canon Master Krystle Wright is shown taking pictures of rock climbers and divers in different conditions. I decided to share this video with our readers, because I found it to be beautiful and inspirational. I loved Krystle’s opening line “my biggest fear is regret”, because that’s exactly how I feel about many things in my life. Krystal lives and breathes photography and you can feel her deep connection with the craft in every second of the video, which is amazing. Very few of us can truly follow their passion and make it their way of life, so seeing someone not only achieve it, but also be very successful at it is truly inspirational for me personally. I hope you will enjoy the video as much as I did!
Like many photographers and videographers, I’ve found that there have been times when I really could have used a small, highly portable, adjustable light source. This most often occurred when I shooting close-up still images or video clips of industrial machinery where I couldn’t get my regular studio lighting to fit into cramped quarters. I began looking for a solution and came upon the Genaray LED-7100T On-Camera Light.
If you are like many professional photographers, you may be finding that more and more clients are asking if you can also do video for them when you’re on-site doing a photo shoot. Video can be a “strange new world” and you may be passing up some good opportunities. Most modern DSLRs are quite competent in shooting video, and you can use them to create industrial and commercial productions that are ideally suited for use at corporate functions, in sales presentations, as training aids, and as promotional spots on YouTube…so there is a great opportunity to expand your service offering by including video.
Generally, we try as much as possible not to re-publish stuff and provide our readers with original content. It does mean a lot of work needs to be done to write thorough articles and it takes equally as much time. But in the end, it proves to be more rewarding as well. However, every now and then we find something so spectacular, not sharing it with our readers would be a crime. The amazing century-old color photographs fell into that category. And so does Framed Network’s project.
This is a review of the Oben CTM-2400 4-Section Carbon Fiber Monopod. I have often thought a monopod would be useful to have in low-light situations such as wedding receptions. There are times when there’s almost enough light to get the shot, but my shutter speed is low enough that I’m worried about motion blur. A tripod can be cumbersome, especially at a wedding reception, so a monopod seems like the ideal compromise between having a stable camera and not taking up a lot of floor space with a tripod.
I have met a lot of great people. Many of them, while being truly brilliant at something, have a hard time understanding their potential. It is sad to see them just drift away wherever life takes them and not take a step of their own. Are you like that? Do you ever stop yourself from going out, meeting people, starting photography or videography projects? While no one can change that but you, I think a little bit of inspiration can go a long way.
The video recording capabilities in DSLRs have been the subject of lively discussions ever since video-capable DSLRs have been introduced (with Nikon D90 being the first). At first, some thought it was unnecessary and too cumbersome to be of any practical use, while others embraced the new possibilities and the small (in comparison to high-end video cameras) price they came with. Regardless, the first full-frame camera to do video (and Full HD, at that) – the Canon 5D Mark II – quickly became very popular among amateur cinematographers that could not afford high-end RED cameras. A compromise, but not a too painful one. Both the D90 and, slightly more so, the 5D Mark II offered a very broad lens selection, good to great low-light capabilities and, more importantly, brought aesthetics and shallow depth of field of modern photography into the world of videography.