For landscape photography, most of the time, you’ll end up using your camera’s base ISO. That’s the power of a tripod; it lets you set long enough shutter speeds to capture a bright photo, even in dark environments at low ISO values. However, settings like this do not work for all images. Sometimes, depending upon the landscape, you’ll need to raise your ISO in order to capture a successful photograph. This article dives into the most common of those situations.
Nighttime photography is something that a lot of photographers enjoy; I certainly do, along with countless others. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. However, more than almost any other genre, night photography also challenges your camera equipment to its most extreme. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their low-light performance and depth of field. I cover 20 lenses in this article, so it’s pretty extensive — hopefully, you’ll learn something new about the equipment you need in order to capture good star and nighttime landscape photos.
Everywhere in the world, across the course of a year, the sun will be below the horizon just about 50% of the time. Although it can take a while for sunset to fade away completely, it’s safe to say that we spend a huge portion of our lives under dark skies. Normally, nighttime isn’t something that people equate with being awake, of course, but landscape photographers are strange people. In fact, moonlight and the Milky Way can lead to some of the best photos you’ll take, and they are well worth exploring with your camera. In this article, I’ll go through the characteristics that make some lenses better than others for star and nighttime landscape photography.
Light, shapes, lines, forms — the foundations of photography. No matter what subjects you shoot, you’ll end up working with these features for every photo that you take. Architectural photography, though, takes it to another level, with its perfect geometrical lines and shapes that are hard to find anywhere else in the world. In this article, I will cover everything from indoor architectural photography to outdoor “urban landscapes” and cityscapes, including some tips and tricks that I use all the time in my own photos.
A quick note: Apologies that we have not posted an article this past week. Nasim and I have been in New Zealand since the beginning of December, and it has not been possible to publish anything without a reliable Internet connection. Our articles may still be sporadic until we get home at the end of December, so we appreciate your patience. For now, we have published our backlogged articles from recent days. Hopefully, the photos we bring back from this trip will be worth it!
A lot of landscape photographers are interested in focus stacking — combining multiple images of the same scene, each focused at different distances, into a single photo. This is a useful tool to have at your disposal, since it lets you take pictures in more situations than you otherwise could. For example, if elements of your photo are very close to your camera, focus stacking may be the only way to get a sharp shot. Although I don’t use this technique for every photo, it’s something that I keep in mind when I’m taking pictures in challenging conditions. This article gives an overview of focus stacking for landscape photography, including step-by-step instructions on how to focus stack photos in Photoshop. All of these tips are also relevant for other types of photography, not just landscapes.
In general, photographers are very good at deciding how much they like someone else’s photo. It isn’t hard — your first reaction to a shot is either positive or negative, and it typically doesn’t change much after that. Things get more complicated, though, when you’re talking about your own work. For me, at least, I find it tough to judge the quality of some photos I’ve taken. Sure, I know when a photo is awful, but what about the other shots? This article covers some tips for looking at your work with a better critical eye.
Wide-angle lenses are incredibly popular for landscape photographers, but they can be very tricky to use. The main problem is that these lenses are so different from the way we normally see the world, which makes it easy to use them incorrectly. Still, wide-angle lenses are one of the most important tools that you have at your disposal, and — used well — they can lead to spectacular photos. This article covers everything you need to know to make the most of your wide-angle lens.
Millions — perhaps billions — of people take pictures every day. Famous places and people have been photographed more times than anyone can count. All of this leads to the deluge of images that we are seeing online and in social media. Every time that a photographer visits a beautiful location for the first time, thousands of people already photographed it under the best possible conditions (and the worst conditions, and everywhere in between). Recently, I have heard more than a few people say that photography has become boring to them; everyone copies everyone else, and it doesn’t seem like there is anything new left to photograph and explore. Is that mindset justified? Can photographers still create unique photos?
Over the past two years, I have written a couple of articles about SmugMug’s website-building platform. There are many ways to build an online portfolio of your work, and SmugMug is one that I have recommended for a while (and use for my own website). If you have been thinking about SmugMug for your photos, there is a pretty nice sale going on now: 31% off any of their plans, expiring October 31. I haven’t seen a discount of more than 20% before, so this is a surprisingly good deal.
Update: It’s past October 31st, but the link still seems to be valid. I don’t know how long it’s going to last, but I’ll keep checking back and updating this article once I’ve noticed that the deal is gone.
Most of us think we have a good understanding of the camera settings that affect your RAW photos — it seems like common sense. However, the more that you look into it, the more complicated that this topic gets. In fact, no matter how much you know about your camera, chances are good that you have a few misconceptions about the camera settings that affect your RAW photos. Does high-ISO noise reduction change the way your camera records a RAW file? What about long exposure noise reduction? Color space? Or Active D-Lighting, for Nikon users? The answer to two of these four examples is yes. In this article, I will cover all the noteworthy camera settings that affect your camera’s RAW files, including some that you may not expect.