Three anniversaries of ‘firsts’ have been in a state of convergence for me this fall. Number one is my daughter’s first wedding anniversary. The next is the fourth anniversary of my first visit to Utah. And, the last one is the third anniversary of my first article being published here at Photography Life. Each of them in their own way has caused me to think about why many of us replace our camera gear on a frequent basis…and quite likely do so needlessly.
Wide-angle lenses are incredibly popular for landscape photographers, but they can be very tricky to use. The main problem is that these lenses are so different from the way we normally see the world, which makes it easy to use them incorrectly. Still, wide-angle lenses are one of the most important tools that you have at your disposal, and — used well — they can lead to spectacular photos. This article covers everything you need to know to make the most of your wide-angle lens.
Big thanks to everyone who had a chance to come and join us at the Fstoppers + PL event last night – it is always great to meet our friends and readers! Now it is time to meet for another event, which will take place tomorrow at the Central Park in New York. John and I we will be hosting a photo walk, which everyone is welcome to join! The weather is supposed to be really nice and we thought it would be a good opportunity to do some photography, talk about photography and finally sit down at a dinner table and share some meals. It will also be a good opportunity to review your photos and provide some feedback, because we are here to help our fellow photographers. It will be a great event and we would like to invite everyone to participate!
With Nikon announcing the new 70-200mm f/2.8E FL VR just two days ago, it was a bit surprising for us to see a pre-production sample circulating at the Nikon booth at the PhotoPlus Expo today. We had a chance to check out the lens and while we were not allowed to take any pictures with it, Nikon allowed us to do a quick video about the handling aspect of the lens. I was certainly concerned about the reversal of the zoom and focus rings on the new 70-200mm f/2.8E FL VR and today John and I were able to see whether it presents a potential problem with handling. Unfortunately, both us were in agreement, that it was not a good decision on behalf of Nikon to make this design change.
John Bosley and I are attending the PhotoPlus Expo in New York this week and after meeting our friends Lee and Patrick from Fstoppers at the show, we decided to organize a little joint get together tomorrow evening (10/21/2016). If you are in the area, please join us at 8 PM at the Cromton Ale House located at the following address: 159 W 26th St, New York, NY 10001 (map details below). It is a pretty big building, so we should be able to accommodate a large crowd of fellow photographers. John and I are also planning to organize a photo walk on the weekend (a free event), if the weather permits – so join us tomorrow to help us plan the photo walk!
Every seven to ten years, Nikon updates its top-of-the-line, flagship lenses with the most current technology and tries to push the performance envelope of new lenses to their new technical limits. We have been waiting for this update for a long time and Nikon finally delivered the new AF-S Nikkor 70-200mm f/2.8E FL ED VR. As expected, this lens looks absolutely stunning in every way. Nikon completely redesigned the lens from the ground up and delivered a true stunner – the new 70-200mm f/2.8 now features a fluorite element to make it roughly 100 grams lighter (which is a huge achievement for this type of a lens). The lens is now of “E” type with an electronic diaphragm, instead of the traditional mechanical lever to change aperture. Vibration Reduction / Image Stabilization has been reworked and vastly improved over its predecessor, with up to 4 stops of compensation. The lens is now comprised of a total of 22 elements, with all the latest coating technologies, including Nano and fluorine coating applied to lens elements, with lens optimized for incredible sharpness across the frame. And based on improvements towards maximum reproduction ratio, it looks like Nikon took efforts to significantly reduce the focus breathing issue that was present on the VR II version of the lens. All this does not come cheap though – the new Nikon 70-200mm f/2.8E FL ED VR will retail for $2,799.95 MSRP, which is $400 higher than what its predecessor sold at when it was announced.
It’s been a while, almost 5 months since my last post, so lets see where the typing leads me and if I can still remember how to write an engaging article. Now I do remember a little thing called a “pre-nup” that I have with the readers of PL. It kind of goes like this: “I’ll try and give you some of my thoughts and ideas on how I do things, you might read or not read it all, however you will try and leave anything behind you don’t find useful in this article and move on with your life without attacking me”. Phew! Now we got that over we can start – LOL (Laughing Out Loud), you are welcome to try that once in a while :)
Camera shake can be a real hassle and pain when shooing off a tripod. Sometimes camera shake can be completely eliminated with a couple of simple steps and other times, it can be quite painful and sometimes even impossible to deal with. How does one reduce camera shake? Are remote shutter releases helpful in reducing camera shake? Is it possible to eliminate it completely? Since I see this issue so often in the field, I decided to write a detailed article that deals specifically with the challenges of dealing with camera shake when shooting from a tripod.
If I were to tell you that there is a website out there that steals photos you post on the Internet and sells them without your permission, how would you react? I bet you would not be happy. Earlier this week, our very own Thomas Stirr reached out to me, asking what I would do with a website called “WallPart.com” that sells posters of my photographs. At first, I didn’t think it would be bad, since my photos get taken without permission all the time and they often end up being on some unknown sites (mostly outside of the USA). But this one did tick me off a bit more than usual, since not only did it contain a boatload of my images sold at a ridiculous price of $5.59 for a 6×4 print, but it also contained images of pretty much every photographer I typed into the search field. And based on the Alexa rank of the website, the site has been growing at an incredibly fast rate, with close to 60% of hits coming from search engines. That’s pretty alarming, given that the majority of people ending up on the website are coming from the USA. So if you have been posting your work online, it is either already on this website, or fairly soon it will end up there. So what should you and I do about these thieves?
Asian photographers who live and work in Asia, and especially in developing countries like Myanmar, don’t often get much attention in the West. This is now beginning to change, but only slowly. One such photographer breaking through is Burma’s most famous all around lensman, Kyaw Kyaw Winn.