Love it or hate it, Adobe Lightroom has become one of the most popular post-processing and image management tools on the market. With its simple and intuitive interface, it is easy to learn and our team at Photography Life has provided many in-depth articles on using specific Lightroom features over the years. However, one of the biggest frustrations with Lightroom can be its poor performance, which can be especially disappointing when using the software on an older computer. In this article, we will go over a number of different techniques and settings in order to optimize Lightroom’s overall performance.
A few years ago, after a request, I started to photograph stage shows. Generally I would classify myself more as a landscape and wildlife photographer, but I was intrigued and certainly up for the challenge technically. My brief was pretty straightforward – no flash, to confine myself to a discreet location by the stage and photograph the main performance of a private school’s annual dance. Firstly, this was a pretty special private school with a great auditorium, professional level choreography and lighting and really high level production values. The performances are sometimes astonishing and the dancers often go on to professional careers.
This short article summarizes some of the feedback that I have received from seniors who have downsized their gear, or are thinking about doing so. The desire to downsize camera gear is not restricted to seniors! Some of the actions that seniors are taking may make sense for other photographers as well. It has been quite surprising to witness the number of comments and contacts that have occurred since my senior-related article, Senior Perspectives on Photography. I’d like to thank all of the readers who have contacted me and shared their personal experiences! Not only has it been an enjoyable experience to hear from all of you, but very enlightening as well. One of the common topics that these more ‘mature’ photographers wanted to discuss with me was their decision to downsize their gear. There was certainly a range of approaches that people have used to better align their gear with their photographic interests and their need for smaller, lighter camera gear.
Now that the Fuji X-T2 (see our detailed review) is out and other updates such as the Fuji X100F and X-T20 have also been already released, it is time to clear out the existing stock and make room for the latest and greatest. For this reason, until stock completely runs out, Fuji has decided to issue a $500 instant rebate towards the X-T1 and $200 rebates towards X100T and X-T10.
In this in-depth Wildlife Photography Tutorial, we put together some of the best material we have published to date on photographing wildlife. Most of the information comes from myself (Robert Andersen), but a few extra tips are shared by other talented PL team members like Tom Redd. Instead of creating separate articles on each topic, we thought it would be a good idea to compile everything into a single piece, so that our readers could get the best out of it and have a chance to follow the material in a logical progression. This tutorial is a work in progress and we will be adding more sections in the future, so make sure to bookmark it in your browser!
Fujifilm has just announced yet another set of “Kaizen” firmware updates that will soon be available for the Fuji X-T2 and Fuji X-Pro2 cameras. This is a major firmware upgrade release consisting of a total of 33 (!) updates and new features, which is very exciting. It is nice to be able to go back to a camera and discover new things you can do with it – almost creates a feeling of owning something entirely new. After seeing the announcement (the details of which are provided at the end of the article), I thought about other camera manufacturers and what they could learn from Fuji.
When Tamron introduced the Tamron SP 150-600mm f/5-6.3 VC a few years ago it really shook things up (Model A011, but hereafter I’ll call it the G1 for simplicity). Priced just over a grand, the G1 offered people the chance to get into wildlife photography without dumping five figures into a supertelephoto prime lens. Not only was it inexpensive, it was surprisingly sharp as well; much sharper than many of us expected a lens in that price range to be. Sigma followed up a few months later with not one, but two 150-600mm zooms, then Nikon joined the fray a year later with its Nikon 200-500mm zoom.
One of the areas within the camera that rarely ever gets touched, is the camera software, also known as “firmware”. Most modern electronic gadgets provide the ability to update their firmware by downloading fixes and updates through manufacturers’ websites and applying those updates on the devices. The firmware updates not only provide important fixes for identified bugs, but also provide brand new features that were absent when the device was shipped from the manufacturer. This ability to be able to update and run the latest version of firmware has become a standard among DLSR manufacturers, allowing end users to run the latest and greatest firmware on their cameras.
In this article, we gathered and compiled the available information on buffer capacity of all current Nikon DSLRs. The below table outlines many of the current and discontinued Nikon DSLR models, along with such information as sensor resolution, continuous shooting speed (fps) and RAW / JPEG buffer capacities. While most of the RAW buffer information is included, we decided not to bother with smaller JPEG sizes, since most cameras presented below can accommodate 100 or more of smaller JPEG images in their buffers.
Over the past few months I’ve been getting more and more emails from people doing some investigation of smaller sensor, mirrorless camera systems like Micro 4/3 and Nikon 1. Quite a few of them are like me in that they are seniors, or soon-to-be seniors, with an interest in bird photography. Most are looking for a smaller, lighter system that they can use for extended periods of time, rather than having to lug heavy DSLR bodies and lenses around.