Announced just eight months after the Sigma 100-400mm F/5-6.3 DG OS HSM Contemporary lens, the Tamron 100-400mm f/4.5-6.3 Di VC USD gives photographers a similarly priced alternative to the highly successful Sigma offering. Both lenses compete in a market segment that remains unexploited by the likes of Canon and Nikon.
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QNAP TS-453BT3 Review
In this in-depth review of the QNAP TS-453BT3, we will go through the pros and cons of this 4-bay storage array and see how well it works for photography and videography needs. While there are many large and advanced storage arrays out there (some of which we reviewed in the past here at PL), most photographers simply don’t need that much storage, as well as the complexity and expenses that come with them. The TS-453BT3 is specifically designed to address…
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Venus Optics Laowa 12mm f/2.8 Zero-D Review
One of the widest lenses on the market today is the Laowa 12mm f/2.8 Zero-D, made by Venus Optics. Not only is this lens rectilinear (not a fisheye), but Venus Optics claims it has almost no distortion whatsoever. With so few 12mm lenses available today, anyone who needs an ultra-ultra wide has likely considered this one with some interest. Our review below covers everything you need to know about the 12mm f/2.8, both good and bad.
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Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Review
The following is a review of the Sigma 100-400mm F/5-6.3 DG OS HSM Contemporary lens which was released in February of 2017 as part of Sigma’s affordable “Contemporary” lens lineup. The introduction of the Sigma 100-400mm F/5-6.3 DG OS HSM C lens is a logical one for the company as it competes in a market segment that remains unexploited by the likes of Canon and Nikon.
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Nikon Z6 Review
This is an in-depth review of the Nikon Z6, a 24 MP mirrorless camera announced in August 2018 alongside the higher resolution Nikon Z7. The Z6 and Z7 marked Nikon’s entry into the full-frame mirrorless market, a category of camera that many Nikon shooters had anticipated anxiously for years. But it was always a question of “when,” not “if” Nikon would satisfy the mirrorless hunger, as the demand for such cameras remained steady and even increased despite the camera market’s…
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DJI Mavic 2 Pro Review
In this review of the DJI Mavic 2 Pro, we will take a closer look at how the drone performs for both aerial photography and videography. After testing out the Mavic Air last year, I realized just how useful compact drones have become for many creatives out there. Being able to photograph a scene from above gives a completely different perspective for a photographer, while videographers often rely on aerial footage to showcase a particular subject or a location. And…
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Nikon Z 24-70mm f/4 S Review
This is an in-depth review of the new Nikon NIKKOR Z 24-70mm f/4 S that was released together with the 35mm f/1.8 S and 50mm f/1.8 S as the first Z-series Nikon lenses. To see exactly how the lens measures up, we tested four different samples of the 24-70mm f/4 for our comprehensive review below. After all, this is one of the most important lenses Nikon has announced in recent years.
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BenQ SW271 Monitor Review
Earlier last year I had a chance to test the BenQ SW320 monitor, which turned out to be a solid choice for my photography needs. I was able to calibrate the display using both BenQ’s native Palette Master Element software and DisplayCAL, which provided me with great results at the end (you can see my calibration results in my detailed BenQ SW320 Review). I wanted to explore BenQ’s product line even further and this time I will be taking a…
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Sony A7 III Review
This is an in-depth review of the Sony A7 III, the third iteration of the company’s ‘entry-level’ full-frame mirrorless camera that Sony released in the spring of 2018. Calling the A7 series ‘entry-level’ is a bit misleading, rather it is less specialized and seeks to appeal to a broader range of photographers at an accessible price point. It doesn’t offer the same high resolution as the A7R series, the same low-light and video-centric features of the A7S series or the…
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Sony FE 70-300mm f/4.5-5.6 G OSS Review
A traditional weakness of Sony’s FE lens lineup has been the number of options available at the telephoto end of the range. The issue has been somewhat rectified in recent years with the release of the Sony FE 70-300mm f/4.5-5.6 G OSS, Sony FE 100-400mm f/4.5-5.6 GM OSS and Sony FE 400mm f/2.8 GM OSS lenses, with the latter two options commanding hefty price tags of $2,499 and $12,999 respectively. Of these three options, only the Sony FE 70-300mm f/4.5-5.6…
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