When I’m not scratching ever upwards toward the pinnacle of the high-stakes editorial bird photography world I find it helps my bottom line to prostitute myself as an HPLS. It’s not a pretty job, but imagine how ugly the world would appear if it weren’t for the services of us Human Powered Light Stands. When were not schlepping monolights, downloading memory cards, witnessing model releases, or checking to make sure the model’s sports bra isn’t wrinkled, we’re usually found holding the Venerable Shiny Disk.
This review is for three Impact Muslin Backgrounds and an Impact Background Support System. I have always loved backdrops and how they can convert any space into a studio. By setting up a studio backdrop, you can create a whole new feel for a shoot and they are versatile and easy to use. I chose to set these up in my living room and home office space, but if you are tight for space in your home, a garage makes a perfect studio as well.
If you do photography in a studio, you probably have a few shot bags laying around. This very small shot bag has a variety of uses.
This is a review of the Impact Light Kit Bag. For my studio lighting, I use a set of four Alien Bees heads along with a variety of light stands and modifiers. When I’m shooting on location, I prefer to make as few trips to and from my car as possible, so the fewer bags I have to carry, the better. For the past few years the bag I’ve been using for my lights has served me well, but I wanted to try something a little bigger and see if I could fit even more into it. Let’s see if this bag from Impact is going to work for my needs.
This is a review for the Impact’s Beauty Dish Reflector Kit with an adapter for the Paul C Buff Alien Bee Strobe. The Reflector kit includes a 20″ Beauty Dish Reflector, Honeycomb Grid for 20″ Beauty Dish Reflector, and a diffuse sock.
As photographers, light is something we are constantly concerned about. We need some sort of light source coming in, but from where and how much is always the question. A soft sun glow during the early hours of the morning or right before sunset is ideal, but often times wedding ceremonies or a client’s schedule does not allow for those prime shooting times. Light can take a normally plain image and transform it into a powerful and exciting picture, but what happens when you are dealing with harsh midday, overhead lighting? Luckily, there are a couple ways of dealing with this problem while still achieving beautiful pictures that both you and your clients will be happy with.
Food can be photographed anywhere and anytime, given that a photographer has the right tools for the project. Photographing in a controlled environment indoors like in a full professional studio or a mini self-made studio can take a lot of effort to set up and can be very costly. But what if you do not have the required tools for the job or cannot afford a good lighting setup initially? You resort to using natural daylight, which is free for all, thankfully. And while daylight is available for us every day to use, it can be challenging to work with. In this short article, I will provide some tips on photographing food outdoors and talk about using very inexpensive tools that will make a huge difference when dealing with harsh lighting.