Our landscape photography tutorial has taken us from Colorado to Wyoming to Montana, and we have filmed in some amazing locations along the way. Cell coverage is hard to find in this area of the country, but there is no shortage of beautiful landscapes to photograph. After packing up and heading out of Grand Teton National Park, we took a short detour through Yellowstone on the way to Montana. This was the first visit for both John and I, and it did not disappoint – I wish that we had more time to spend in such an amazing place! Still, with our filming schedule, we had to make the most of the couple of days that we had.
After almost a week of filming, we just packed up and left Grand Teton National Park. We were very lucky to capture some great light, and we had a few clear nights to take good Milky Way photos as well. We’re now heading to Yellowstone for some photos — hopefully avoiding the crazy tourists — and then going north to film some videos throughout Montana.
A couple of days ago, John Bosley and I flew out to Colorado to meet up with Nasim. We’re in the first stages of another exciting video for Photography Life: an advanced landscape photography tutorial. We’ve had this particular project in mind for a while, and it feels great to start putting our plans into action. After landing in Denver, the three of us stopped for some food and camping supplies, and then we hit the road to Grand Teton National Park. [Read more…]
I’ve been quite busy with client work lately and I decided that I needed a break. So, today I headed out to photograph birds-in-flight with my Nikon 1 J5. As most folks know, this camera does not have a viewfinder, so I used four, thick elastic bands to attach my Zacuto Z-Finder to the rear of the J5. It ended up being reasonably snug against the back of the camera. While not particularly elegant looking, it did get the job done.
Photographing the humpback whales of Tonga has been on my personal bucket list for a number of years and finally in 2015 I got to spend nearly three weeks in Neiafu, the main town in the Vavu’a island group in the north of the archipelago, where the majority of the whale watching takes place. The 170+ islands that make up the nation of Tonga are stretched out over a 800km long archipelago, located about 1600 km north-east of New Zealand in the western Pacific Ocean and are basically a long way from everywhere – even for Australians like me!
In today’s digital photography age, most novice bird photographers are happy just capturing a bird portrait with their cameras. After a while, the natural progression is to try and capture some action shots of birds in flight, but that is where most avian photographers struggle. Why? The answer is quite simple; they don’t have enough shutter speed!
I just got back from a trip to Yellowstone National Park to test out the Nikon D500, Nikon D5 and Pentax K-1 DSLRs (reviews to be posted soon) and I wanted to share my experience, specifically my frustrations with visiting and photographing this amazing location, which has been my top spot for many years for photographing both wildlife and landscapes. I spent a week in Yellowstone and my original plan was to stay there for longer if needed, depending on how much wildlife I would encounter. But I had to cut my trip short, because I was just getting tired of seeing the same behavioral patterns of park visitors over and over again – to the point where it was just getting absurd, abusive and downright stupid.
There are some basic aspects of photography that one would have to strive to master no matter what type of photography you do – and these are light, composition, content, timing, camera settings, presentation. There is plenty of information on these subjects that is well written and very useful. In this article I wanted to bring attention to some less thought of elements of my photography (mainly wildlife) that I find are extremely important, and why they are important to me. These same topics also happen to be items that were heavily commented on by readers in my past articles on PL.
Have you ever heard someone say that a telephoto lens “compresses” the background or “flattens” an image? What exactly does this mean? The perceived distance between your subject and the rest of the scene is dependent on two things: where you stand relative to your subject to take the photo and the focal length of the lens you choose. In this short article, I want to discuss this type of perspective distortion, and how to use it to compose exciting photographs.