Earlier this year I had a chance to go on a safari to the Serengeti to see the Great Migration and other wonders. After reading Gord Aker’s excellent article about his trip to Africa I thought it could be interesting to make a field report and share my experience with the brand new Sigma 150-600mm Sport which accompanied me during the trip.
About a week ago, my inbox started filling up with new forum topic notifications. A day later, Nasim contacted me stating the exact same thing with a hint of fear in his voice – that, our dear readers, was how we experienced your reaction to the introduction of a new mini-project here on Photography Life. That slight shock me and my friend felt after seeing how enthusiastically the idea was received is of the good sort. All the work that’s been submitted is a compliment to us, and also an emphasis on just how much of a commitment Weekly Critique really is. What have we gotten ourselves into!
It was no easy task, choosing the images for this week’s article. As I said, though, these decisions were very subjective and in no way showcase what we believe to be “good” or “bad” work. With that in mind, let’s take a closer look at photographs submitted by Rick Keller, Levi Obarr and Betty.
Without question there is a skill component in photography. Understanding our gear, lighting, composition and post processing are all important ingredients when creating images. Photography captures specific moments in time and on occasion it can be extremely helpful when Lady Luck is on our side. Most of us can remember particular instances when we just happened to be at the right place at the right time to capture an image. Maybe it was the expression on a child’s face. A rainbow. Or perhaps one of those sunsets that can simply take our breath away. On occasion Lady Luck has ridden shotgun with me, sometimes when capturing nature images.
If you live in a warm sub-tropical or tropical climate, or holiday in one, you’ve likely seen many small lizards scurrying about and you may have tried to photograph them. Often times this is not as easy as it first appears as these small critters tend to be quite skittish and can disappear in a blink of an eye. In addition, they tend to be quite small so unless you can get close enough to them these lizards can end up as minor subjects in your overall image.
There is nothing more appealing than grabbing your gear, draining the last vestiges of your current account, and heading off to some distant and exotic location. The more conscientious of us may look into the possible dangers to us or our gear and plan accordingly, even going so far as to take a painful premium on our insurance to cover the additional risk. Not only does this provide you with financial security, it gives peace of mind. Personally the latter is a godsend when I find myself in conditions to which I would normally never subject my equipment. Doing so enables me to get shots I would otherwise have never made. The picture below for example, was taken almost waist deep in a swamp with my old sigma 150-500mm f/5-6.3 DG OS HSM.
I had a chance to play with the new Canon 7D Mark II this past weekend and I wanted to provide a little bit of feedback regarding the performance of this speed monster. I received my copy of the camera earlier last week, along with the Canon EF 400mm f/5.6L lens, so that I could exclusively photograph wildlife with this setup. The Canon 7D Mark II is specifically targeted at sports and wildlife photographers, so I did not think it would make much sense to evaluate the camera for everyday photography needs. With the Canon 6D being in the same price range, it is a given that a full-frame camera would be much more desirable in terms of image quality for other photography needs.
Exactly after two years since the Nikon D4 announcement, Nikon made the D4s public at the 2014 Consumer Electronics Show (CES) on January 6, 2014. Although the camera was not ready for a full announcement, Nikon wanted to have something to show at the CES, so it only hinted about the development of the camera and its intentions to preview it. The camera was officially announced at the end of February and the first units started to ship shortly after in March. The Nikon D4s is a modest upgrade over the D4, with very slight ergonomic changes, expanded ISO range, faster image processor, faster wired / Ethernet speed, improved battery capacity and a bunch of new firmware options. As an incremental update, the Nikon D4s basically solidified the already superb D4 and made it even better.
It has been close to three years since Nikon announced the D4 and our readers might be wondering why I am only now reviewing the camera, especially given the fact that it has already been replaced by the Nikon D4s. While working on the D4s review, I thought that it would be a good idea to revisit the older D4 – better late than never! Since the camera came out, I have used it on several occasions for both personal and business needs, and a number of our team members have owned or still own the D4. Hence, the information and images that I gathered for this review represent a collective effort between our team at Photography Life.
We have just returned from 13 days in the Botswana bush with our good friend Moses Ntema, owner of Unlimited Tours and Safaris operating out of Maun, Botswana. This mobile tented safari was designed to take advantage of the late dry season predator/prey action in three diverse areas of Botswana: The Savuti Marsh in the Mabebe Depression (Chobe NP), the Khwai riverine ecosystem and the rich flood plains from The Blackpools to Third Bridge in the Moremi Game Reserve (including the Bodumatau area). This was our third trip with Moses and Unlimited Safaris having previously visited The Central Kalahari Game Reserve (CKGR) and Duba Plains in addition to other locations in Tanzania and the Okavango Delta.
Just when my wallet was getting over the hangover from buying a D810, along comes the Nikon D750, a 24mp full frame DSLR with an improved AF-system and 30 percent faster burst rate than the D810. Both are great attributes for the wildlife shooter. Moreover, the D750 sports a new 24mp sensor that’s touted as even better than that in the D600 and D610. I always liked the files my D600 cranked out – could the D750 files look just as yummy and have even less noise? I told myself not to touch the D750, that nothing good could from having a fling while still on my D810 honeymoon, but the D750 was so light and sleek and I was oh so weak…