Is Nikon’s New 500mm FL Too Sharp?

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And I guess the follow-up question would be “Could Verm come up with a more provocative title?” To put you at ease, these sample pics are all saved at web resolution so you needn’t don eye protection. This last weekend I had the pleasure of shooting with the new AF-S Nikkor 500mm f/4E FL ED VR. Here are some quickie sample pics and comments from the first few days of shooting. There’s more to come as I’ll be doing in-depth field tests and comparing results with the “old” Nikkor 500mm.

Is it sharp? I’ll let this spike answer.

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Super Telephoto Wildlife Photography – The Good and the Bad

Immature Bald Eagles fighting

If you have read any of my previous articles, then you would know I have two Nikkor super telephoto lenses and I often use them in wildlife photography. I also often mention that reach is important in wildlife photography and getting highly detailed and crisp images. Two of the super telephoto lenses I have are the 600mm f/4 prime and the 800mm f/5.6 prime and they are amazing lenses that give me amazing reach for wildlife, but this reach can also be a problem when multiple eyes are involved (ie: several animals in same frame).

Lets take a look at a nightmare photo to get with a 600mm lens at optimal distance requiring minimal cropping:

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Nikon 600mm f/4E VR Preview

Nikkor 600mm Comparison

This will just be a short article with my very first photograph taken with this wonderful lens and my first impressions. I have the 600mm f/4G VR and it has been an amazing lens for me and wildlife photography. I was worried when I bought the new lens as I really was in love with the old one and wasn’t sure if the new one would be as good. Obviously, I can’t evaluate and determine that in one day – I wish I could, but here is what I can share so far with you guys and gals.

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Wildlife Photography with a Short Telephoto Lens

Anhinga

If it isn’t obvious from the photos I share on Photography Life, the camera equipment I use makes it quite clear: I am not a wildlife photographer. In fact, my longest lens weighs in at 105mm — nowhere near the super-telephotos used by most wildlife pros. However, although I rarely seek out wildlife opportunities, animals do not avoid me. I have been fortunate enough to see everything from whales to reindeer while taking pictures, and I’ve learned some tips for photographing wildlife with a short telephoto lens along the way.

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Tips on Photographing Hand-Held with Telephoto Lenses

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With the introduction of lenses like the Tamron 150-600mm f/5-6.3 VC, more people than ever before are using long telephoto zoom lenses. Sometimes they are disappointed with their initial results when using these lenses hand-held, especially at slower shutter speeds. This short article provides some tips that can help improve hand-holding technique.

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Wildlife Photography Tips Part Four – Photo Selection

Eurasian Eagle Owl at Night

You have to forgive me; I have been off in my own little world trying to work two jobs so to speak. The most important job is the one that pays the bills and that’s managing my wife’s dental practice, somehow while doing that I am getting ready to attempt some serious selling of my photos at fairs and shows. Wish me luck. I have said it before, a writer I am not, however Photography Life has helped me many times, so I want to give back to the community. Let’s see where this long overdue article leads!

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Dumbing Down the D7200 – What Nikon Doesn’t Get About Wildlife Photography

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With the introduction of the D7200, Nikon yet again ignored the desires of wildlife photographers. They didn’t shrink the buffer like they did with the D7100 (in fact they gave it a welcome increase), but they retained the 17% frame rate slashing that started with the D7100 (in comparison to its predecessor the D7000).  Folks hoping Nikon would answer Canon’s release of the 10fps 7D Mark II are certainly disappointed. There are two things Nikon doesn’t seem to get about wildlife photography. First, wildlife photographers don’t want to pick either a DX or FX body to shoot with, we want one of each that will work together as a system – an FX body for great low-light capability and a DX option when we need extra reach. Both circumstances come up on an almost daily basis for the wildlife photographer. The second thing Nikon doesn’t get is that wildlife photography is no longer a pursuit reserved only for rich hobbyists.

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Weekly Critique Section #2

DharmeshJani_AsTheDayEnds

This article is the second part of a weekly critique section at Photography Life, where one or more of us will provide feedback and tips for reader-submitted photos. All of the images we feature come from the photo critique forum, and each one stands out to us in its own right. This week, I will be sharing my thoughts on two recent submissions to the photo critique forum: “As the Day Ends” by Jani Dharmesh, and “European Green Woodpecker” by Dusan Vainer.

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Gorilla Photography Tips

Gorilla Photography (8)

I have been fortunate over the years to see a few of the many great apes in the wild. My work includes photographs of some of the highly endangered species such as the mountain gorillas. In this article, I will present my thoughts on the best places to capture these wonderful animals on camera as well as some of the issues I have faced doing so. Finally, I will outline my suggestions for camera and lens selections.

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Sigma 150-600mm Sport Goes on a Safari

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Earlier this year I had a chance to go on a safari to the Serengeti to see the Great Migration and other wonders. After reading Gord Aker’s excellent article about his trip to Africa I thought it could be interesting to make a field report and share my experience with the brand new Sigma 150-600mm Sport which accompanied me during the trip.

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