How do you create clean compositions in a messy environment? It’s a problem every wedding photographer has as bridal prep rarely just means the bride. Bridesmaids, moms and grandmas could all be getting ready in the same location. This inevitably means, for want of a better word, a messy room. Make up brushes, hair dryers, spare clothes. You name it, it will be on the floor or on the work surfaces. So how do you overcome the detritus and create beautiful photographs? In this article, we will explore three tips and tricks that you can experiment with to create clean photographs and hide unsightly objects.
When a wedding photographer suddenly finds himself in beautiful landscapes with no people to photograph, what does he do? He becomes a landscape photographer! Well, let’s be honest… I’m definitely not a landscape photographer. I’m more of a guy traveling through some amazing places with a couple of landscape photographers who happens to point his camera at the same stuff they do. So what was this experience like? Glad you asked!
Every once in a while, I bump into a great idea that I wish I came up with myself. Recently, I came across such an idea – a website called “KeepSnap” and I thought that the concept behind it was very smart. Many of us photographers often go to the streets and events armed with cameras, in hopes of finding something or someone interesting to photograph. And sometimes we do indeed come across fascinating people that we immediately get attracted to, wanting to take their pictures. Many of us can relate to such situations. While I was photographing a beautiful sunset in the mountains last fall, I saw a couple, sitting on chairs and enjoying the sunset and the surrounding beautiful scenery. I approached them and asked for a permission to photograph. They not only immediately agreed, but also requested me to take more photographs, because they had not been photographed for many years! I took a few photos, including some close-ups. When I showed the photos to them, they were really excited and they were ready to pay me for preserving their moment of happiness and joy.
A lot of wedding photographers think their work is mostly for the bride, and I can see why. Usually, it’s the bride who spends countless hours looking for the right person to capture the best day of her life, sometimes even years before the actual wedding. I’ve had men contact me more than once, of course, but eight times out of ten, it is the bride’s letter that reaches me. Every little detail has to be perfect, and brides-to-be are more than happy to dive into the planning to make sure it is exactly like that. On the wedding day itself, it is the bride that receives the most attention and most admiration. Not to say the groom is secondary – oh no. His admiration and attention are the most important, he is her knight in shining armour, so to speak. And yet, she is the princess. So if she is happy, he is happy, isn’t that how they say it? Strangely enough, I’ve found that it is not the bride that is hardest to impress with your work. After all, if she’s chosen you, she already knows, more or less, what to expect. And the groom? That is a somewhat different story.
Have you ever had a surreal experience when you’ve walked through a doorway and once on the other side you’ve entered into a strange, foreign land where people speak in tongues, and you feel completely lost and helpless?
I have a simple question for you. Why do you enjoy photography? When I first asked myself this question, I thought, “Well, it’s obvious, isn’t it? It’s what I do for a living! I never get tired of picking up my camera and “going to work.” But this doesn’t really answer the question, does it? It just states that I enjoy photography.
I have a rather peculiar confession to make, something I’ve not spoken of loudly to all that many people before. Here goes: whenever someone asks me what I do in life, what I do for a living, I always cringe slightly. Now, I do not mean Photography Life – I am very proud to work here and enjoy writing interesting articles immensely (whether I manage to write something interesting is a different matter altogether, but I dare say I do every now and then). No. I always cringe before saying I am a wedding photographer.
If you weren’t already aware, Nikon’s newest DSLR, the Nikon D810, was just released on July 18. For the announcement history, features, sample images and other current D810 posts, you can search Photography Life’s archives. When I saw the camera’s features, a few of them got me immediately excited. I don’t consider myself to be a photographer who has gear lust and must always have the newest camera body, regardless of how incremental the improvement may be. With that being said, as soon as it was announced I simply knew that I had to get the D810. Why? I’m glad you asked.
I am a big supporter of the “get to know your gear” opinion. I strongly believe that the more you use something, the better you learn to take full advantage of the strengths of that particular piece of equipment, and the better you learn to manage its shortcomings without even thinking about it. To a point where they just disappear, in fact, and make the statement that gear does not matter as truthful as it is. Gear does not matter (to an extent), but knowing it and liking it does. This, I think, it the crucial link between equipment and photography itself.
Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty much become a staple of wedding photography. An engagement shoot is done after a couple gets engaged and it usually is captured before the wedding. Some photographers sell this session as a separate product and most photographers include this session in their wedding packages. Regardless of how you like to approach it, understanding the basics of photographing couples and knowing how to coordinate a shoot that involves more than one person is crucial. Hence, I decided to write a piece to explain what goes into the planning process of an engagement session.