It’s something we all care about, right? Sharpness. As a landscape photographer, with very few exceptions, taking sharp photos will be an important part of your work. That’s why you’ve spent so much time learning about the technical side of photography — and so much money buying high-quality camera equipment. This article covers everything that matters if you want your landscape photos to have as much sharpness and detail as possible, including the 15 most important tips to keep in mind.
Normally, if you’re using a tripod, camera shake isn’t something you’ll have to worry very much about. However, there are some obvious exceptions. If you’ve ever found yourself taking pictures in heavy winds, you’ll know the difficulties of capturing sharp photos — particularly if you’re using a telephoto lens. This seems like an impossible situation; what do you do when a tripod isn’t enough to stop your camera from shaking? Luckily, there are ways to improve sharpness even in windy conditions and come away with photos that are completely usable. I’ll cover some of the most important here.
As a busy photographer who travels quite a bit both within the USA and overseas, I have gone through many types of gear in my camera bag. While some of the gear and accessories are absolute necessities I will not leave my home without, others can be very useful in particular situations or when traveling to other countries. In this article, I would like to go over my top must-have gear for travel and discuss why you might consider including them in your arsenal in the future.
Say that the sun just set, and you’re trying to take photos of the blue glow that now sits on the horizon. Seems like the perfect backdrop for a beautiful landscape, doesn’t it? But in order to capture the photo you want as well as possible, there’s one piece of camera equipment that is absolutely essential: a tripod. Landscape photography and tripods go hand in hand, but there’s a lot of important information about them that many photographers don’t know. In this article, I’ll cover the ins and outs of tripods, including what you need to know if you’re buying one yourself.
I have been looking for a small portable alternative to carting my tripod around with me for quite some time now. There have been many occasions when I’ve been out photographing and could have used the support that a tripod provides, but could not be bothered to lug my tripod with me. I have tried using a variety of small tabletop tripods. None of them were strong enough to support a DSLR and heavy lens. Beanbags are cumbersome to carry around as well. This past summer I stumbled upon a Kickstarter campaign for Platypod Pro Max, and I was intrigued. Could this possibly be the answer to my search?
Camera shake can be a real hassle and pain when shooing off a tripod. Sometimes camera shake can be completely eliminated with a couple of simple steps and other times, it can be quite painful and sometimes even impossible to deal with. How does one reduce camera shake? Are remote shutter releases helpful in reducing camera shake? Is it possible to eliminate it completely? Since I see this issue so often in the field, I decided to write a detailed article that specifically addresses how one can reduce camera shake when shooting on a tripod.
Many photographers who want to upgrade their tripod are stuck choosing between high-end aluminum tripods and low-end carbon fiber models. These two types of tripod tend to be similar in price, which makes the decision even more difficult. I have been trying out the carbon fiber Oben CC-2461 tripod over the past few months, along with the accompanying BE-126T ballhead. This review covers my experiences and recommendations for photographers trying to decide on a tripod at this price point.
Recently during the filming of a safety video project for a client I needed to capture some video footage looking straight down on a machine in operation. In order to film the required footage I used one of my existing tripods, which can be configured in a non-adjustable, lateral position. It occurred to me as I was fiddling around with this existing tripod that it would have been much easier to get the required video footage if I had a tripod with a range of lateral movement, rather than just one lateral position at 90-degrees. Since I’ve been pleased thus far with my other Oben tripod (CC-2491), I decided to give the Oben CC-2361L lateral tripod a try since it met my key shooting criteria for tripods.
Buying photography equipment for the first time is a daunting task. Useful guides exist to help beginners choose a good camera, but few newcomers realize that the camera itself is only the first of many pieces of equipment necessary to create a full setup for photography. In this guide, I will suggest a complete kit — everything from lens cloths to computer monitors — that will provide a beginner with high quality images (and room to grow) for a price of around 2000 US dollars.
I used to have a wooden tripod. It was not as bad as it sounds — other photographers were always fascinated by the design, and it was sturdier than you might expect. Unfortunately, despite weighing 4.2 pounds, it had a maximum height of just three feet. Plus, it was bulky. I brought this tripod along on a hiking trip, thinking that these problems wouldn’t be too bad. I was wrong. It was too big to sit well on my backpack, and its weight started to bother me on long hikes. I researched my other options, and carbon fiber tripods began to come up in my searches. I wanted the best possible weight-to-stability ratio, so I knew that I needed to save some money.
Through the course of my research, the tripod brand Really Right Stuff (RRS) began to emerge as the one of the “best” tripod manufacturers. I already had the BH-40 ballhead, which I was quite happy with, so I began to save up. I ultimately ordered the Really Right Stuff TQC-14, a top-of-the line travel tripod.