After having some experience with seabirds in Scotland, Norway, Canada and Alaska we wanted to watch and photograph penguins in Antarctica and the sub Antarctic islands: But how to get there? There is no possibility of individual travel in and around this huge continent. So after some research we decided to use a cruise ship as a base for our travel plans. Fortunately in 1993 we were asked to share a book project on Antarctica by a German (Munich based) publisher. They had already sent a photographer to Antarctica and needed text material on nature, ecology and species accounts. Both of our studies we cramped with scientific stuff on exactly these topics. So we did half of the books text. The other half – a text essay – was done by a well known travel author. This book appeared during spring 1994 sold very well. So we used it to appeal for jobs as bilingual biology and geography lecturers on the German- an US-managed ship “World Discoverer.” We were invited to come to the agency in Hamburg and… we got our favourite trips!
I would like to preface this article by saying it is not intended as a “do this, don’t do that” sermon from the mount. To me, using a camera is akin to playing a guitar. It is simply an instrument that a person uses to achieve a particular outcome. And, like a guitar, there are many styles and approaches in how to “play it”. What works for me may not work or feel comfortable for you. So, if this article provides a few useful tidbits for some readers, it will have served its purpose.
There’s quite a bit of text in this article so I will be showing a range of images shot with my Nikon 1 V2 to provide some visual breaks, and also to help illustrate the capability of the Nikon 1 system.
Back in May of this year Nasim visited London and kindly invited local followers of PL on a photowalk. All the participants greatly enjoyed that experience and came away with pleasing images. Well, a couple of months ago, I met up again with one of those participants, Theresa, for a photowalk in London and we decided to challenge ourselves to take the same route again and capture new images from it.
Back in the day when I was working in corporate life, I gained quite a bit of experience creating and managing advertising, usually print based. When we designed ads, it became second nature for us to constantly think about fundamental concepts like visual depth, dominating elements, and ad balance. The goal was to achieve good eye flow in our ads. Since leaving corporate life I’ve tried to apply what I learned about advertising design to my photography. This article deals with something seldom discussed on photography sites: creating corner exits in our images to improve image eye flow.
In my recent Street Photography in Greece article I mentioned that I used DxO ViewPoint 2 to apply perspective adjustments to many of my street photography images. A number of readers contacted me outside of the discussion forum and asked me if I could demonstrate a couple of common adjustments that I do with this software as they were unfamiliar with it.
Having toured across Turkey as a teenager, I have so many wonderful memories of this beautiful and historic country. I instantly fell in love and have since been wanting to go back and revisit this magical place. Earlier this week, one of our readers sent an absolutely stunning video called “Watchtower of Turkey”, filmed by Leonardo Dalessandri, who spent 20 days in Turkey traveling thousands of miles and capturing both stills and video. The resulting three and a half minute film is absolutely stunning and definitely worth watching. I decided to share this video with our readers and I hope you enjoy this masterpiece as much as I did.
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we were able to go on a bus tour/island hopping holiday. While this type of holiday is not ideal from a photography standpoint it did allow us to cram a lot of sightseeing into a relatively short time frame. Greece is a very diverse and interesting country and I thought Photography Life readers may like to see some selected images.
I am a big supporter of the “get to know your gear” opinion. I strongly believe that the more you use something, the better you learn to take full advantage of the strengths of that particular piece of equipment, and the better you learn to manage its shortcomings without even thinking about it. To a point where they just disappear, in fact, and make the statement that gear does not matter as truthful as it is. Gear does not matter (to an extent), but knowing it and liking it does. This, I think, it the crucial link between equipment and photography itself.
Big thanks to our readers in London that came to participate in our London Photo Walk on Wednesday, May 14. Although many could not make it due to work, conflicts and the fact that we did it during the week, we had 24 people join us for the photo walk! It was an amazing experience for me personally to get a chance to meet our readers and photograph the beautiful and the historic city of London. Although I ended up only taking a single picture at the end of the day (yes, the group did get a good laugh at that!), I absolutely loved getting to know each and every person from the group. Here is a group photo of us right before we started the photo walk:
Every time each of us presses the shutter button on our camera we create the potential opportunity to time travel. To go back and experience events and emotions…and to relive memories.