Alpha Whiskey likes to have a good time. So when a few female friends invited me to Cuba recently for some sun, swimming and pina coladas I simply couldn’t resist. A fascinating and beautiful country full of contrasts and colour, Cuba offered me such a welcome respite that I took far fewer images on this trip than I usually do, preferring to enjoy the company of my friends while killing infinite brain cells with pungent cigars and delicious cocktails soaked in Havana Club. But beauty is beauty and when I could manage a steady hand I attempted to capture a few postcards.
Whether you are traveling domestically or internationally, there is always a chance that you might get mugged or get your camera equipment stolen. As photographers, we tend to explore remote locations, some of which might be unsafe to visit. Unfortunately, many thieves and muggers know the value of camera gear and they often target photographers and photo businesses, since they can quickly resell the stolen goods and make a ton of money. After traveling to a number of different countries, I decided to share a few tips on keeping your camera gear safe when traveling that I gathered myself and from our readers who were generous enough to share them with us.
In this article, I will recommend 10 most scenic places to photograph in Athens based on my three trips to the Greek capital. Everybody associates Athens with ancient temples – notably the Acropolis. I will give you a few tips not only on how to get the best shooting angles for Acropolis but also recommendations on many other subjects that you should not miss. This article is complementary to a great guide on photographing in Greece, where you can find further tips for attractive photographic locations in this country.
Many photographers do not like waking up very early to take pictures at sunrise, preferring to sleep in and spend the energy to shoot during the day and at sunset instead. While photographing at sunset can yield stunning photographs, there are specific advantages to photographing at sunrise that are worth discussing. Let’s take a look at the topic of sunrise vs sunset in photography in more detail and see why you might be better off shooting early in the morning.
Greece is one of those countries one must visit in their lifetime, thanks to its rich historic and cultural heritage, stunning landmarks and its natural beauty. Although there are many spots to check out in Greece, I will guide you through some of the most ancient and beautiful parts of this amazing country.
It would have been titled Why Technical Stuff Doesn’t Matter but I figured this kind of fluff speaks for itself. A little embarrassed to be sharing my travel snapshots but we all need occasional reminders to stop reading and actually go out and shoot.
Along with normal how-to articles and essays, I’ve always liked reading and writing very technical, nitty-gritty articles about photography — sometimes, articles on topics that rarely come up while actually taking pictures. In fact, I usually don’t even use my own sharpest aperture charts in the field, as useful as they are, since I don’t like carrying around charts. So, then, does all that technical stuff matter? Is it even worth talking about in the first place? These questions are very important to ask, since most people don’t want waste their time on topics that are unnecessary for their photography — do these articles actually help? There are no easy answers, but a recent trip I took to Death Valley makes a compelling argument for why some of this highly-technical information really does matter.
Don’t groan! I’ll try to be brief. I had some time to kill the other week so I decided to spend a couple of days of it in Vilnius, the capital city of Lithuania. I have no idea why I chose Vilnius; maybe I closed my eyes and landed my finger on a map of Europe. But it easily entertained a short trip. It’s a beautiful, if small, city with resplendent architecture from several periods and the colourful rendering typical of buildings in Central and Eastern Europe.
It is no secret that I love using ultra wide-angle lenses for my landscape photography. I was especially excited when I received the new Sigma 12-24mm f/4 DG HSM Art lens just before I departed for my winter Iceland workshop. It has an amazing 122-degree angle of view at 12mm. Many photographers have a difficult time using ultra wide-angle lenses correctly when composing a scene. Why? The simple answer is that they do not get close enough to their subject.
I have a confession: I have a love/hate relationship with seascapes. Sometimes I feel like they are easy, monotonous and a little bit of a sham — an easy way to impress others without having to put in the requisite amount of work. On such days I vow never to shoot a seascape again. And then there are moments when I cannot resist the pull of the ocean. When the sky looks like it will go up in flames at sunset casting it’s glow on everything the light touches — the sand, the rocks, the water. When the tide is high and the waves crashing violently into the surf promise dramatic foregrounds. ‘This will be my greatest seascape,’ I tell myself as I pick up my gear and head for the beach, bracing for the challenge ahead.