It’s supposed to move you; to generate an emotional response. It’s about how it makes you feel, not just about how it looks. Anything from a single plain colour to highly complex dendritic patterns will have an effect of some kind. As photographers our judgement is sometimes so clouded by adherence to the strict parameters of good composition that we forget to see the subject and think about why we shot it. Was it really just about neatly filling a frame and fitting golden proportions? Or maybe something or someone intrigued us in that moment?
You have to forgive me; I have been off in my own little world trying to work two jobs so to speak. The most important job is the one that pays the bills and that’s managing my wife’s dental practice, somehow while doing that I am getting ready to attempt some serious selling of my photos at fairs and shows. Wish me luck. I have said it before, a writer I am not, however Photography Life has helped me many times, so I want to give back to the community. Let’s see where this long overdue article leads!
Although I am primarily a landscape photographer, I have recently found a great deal of enjoyment in photographing plants, both in botanic gardens and in the wild. Photographing these kinds of smaller scenes feels more meditative than photographing landscapes, as the process often includes slowing down, seeking out details, and taking time to craft photographs of sometimes tiny subjects. Another primary benefit of seeking out these kinds of subjects is their prevalence. Plants like those featured in this post can be found in almost any landscape or garden, which means it can be easy to find compelling subjects close to home. And, since many photographers pass by these kinds of scenes without a second thought, you have ample opportunity to make unique, creative photographs.
If you have experimented with long exposure photography, you may have seen light leakage issues in your images. For the uninitiated – your camera is a light tight body that is intended to allow light from one end only, and that’s the front of the lens. Light only enters when you press the shutter release. Normally, your camera wouldn’t allow light to enter through any other opening in the camera. However, unless you have a badly manufactured camera, there is typically only one source that could potentially harm your images, and that’s your camera’s viewfinder. Let’s talk about what you can do to mitigate light leaks during those long exposures.
Hey folks, my name is Siddhant Sahu, I am a 16 years old aspiring photographer from India. I have been shooting macro photographs for about a year now and I would try to encapsulate all I have learnt along my way in this short article. I believe that macro photography has the power of entering in a whole new world of tiny creatures. In fact with only modest piece of equipment you can shoot high magnification macro photographs. It’s good to mark the behavior of insects and how close you can approach some of them, but then again these are wild animals and there is no way to predict how exactly they will behave, each subject can be different, each background can be different. But with digital photography there is no penalty to shoot thousands and thousands of photos, and eventually someday among those thousands photos one particular would be usable enough. Anyone is capable of doing this, you don’t need the greatest lens or the newest camera out there. Macro photography is physically exhausting, challenging and requires a lot of patience and time consuming but you can get amazing results with fair piece of equipment.
Landscape photographers often use fog to help them create wonderful, moody images. You’ve likely seen one of those arresting photographs of a single tree shrouded by fog standing silently in a field.
Unless you have the luxury of close access to National Parks or scenic destinations or can travel during the off-seasons, visiting a destination for the first time is something hard to plan for. Prior to each trip, I always browse the internet to look for interesting locations I may want to visit. It’s especially hard to fully explore some National Parks such as the ones in Utah in only under a week. Therefore pre-planning some hiking trips doable by the whole family within the limited time is a must.
Most landscape photographers, myself included, love to photograph gigantic, thunderous, raging waterfalls, quiet little babbling brooks, and just about everything in between. Successfully photographing them is not always easy, though. Here are some tips that I am constantly reminding both myself and tour participants alike while in the field:
Long exposure photography can produce stunning photos. Nighttime shots can bring out unexpected detail and create amazing light effects. Daytime long exposure can create images with haunting moods and ethereal imagery. None of this is actually hard to achieve, but it does take a little thought and preparation. Here are some tips to ease you into long exposure photography.
Sometimes we can get so caught up in the technical aspects of our gear that we forget that the most important things are the images we capture regardless of the gear we are using. Those images help to enshrine memories. They could be of family and friends, pets, events, or places that we have visited.
A Panasonic FZ28 super-zoom would never be considered as anything much more than a point-and-shoot camera by most folks. After all, its 10Mp sensor is a miniscule 1/2.33″ (6.08×4.56mm), with uninspiring dynamic range and colour depth, and very poor low light performance. But in my mind it will always be one of my favourite cameras because of the memories that it allowed me to capture. Like a sightseeing trip to Arizona and southeastern Utah.