In this article, I will be responding to a detailed email from one of our readers, John D, who had a bad experience moving up from a CX to a DX camera. John started out with the Nikon 1 J1, then with hopes that he would get better results, tried out a Nikon D3300. After facing a number of issues listed below, he ended up returning the D3300. Since this type of a situation often happens to many photographers, whether they move from a cropped sensor camera to full-frame, from a mirrorless camera to a DSLR or the other way around, I thought it would be useful to share my thoughts on the matter with our readers.
Street photography is one of the most feared and uncertain types of photography, in which almost nothing is in your control and almost everything is based on luck, persistence and the ability to see and capture the moment. A lot of new photographers who like street photography for its classy/candid look and feel typically get nervous to actually do it, as it demands a lot of time & devotion, ability to interact with strangers and sometimes even ability to handle stress if things go wrong.
Aperture is a confusing topic for beginners in photography – it controls so many variables in your images, from exposure to depth of field, which can make it quite difficult to grasp initially. To make matters worse, the F-numbers of aperture are backwards from what you may expect! A small aperture is a large F-number, and a large aperture is a small F-number. I certainly was confused by aperture when I first started taking pictures, and it took me quite a while to really understand how it works. Nasim already covered aperture in-depth for beginners, but I wanted to pass along a quick diagram that I made – hopefully something that you will find useful. This chart covers the most important effects of aperture in photography, as well as common terms that photographers use to describe their settings.
When it comes to photo editing, both PC and Mac platforms can be very powerful and highly capable, with each having its own list of pros and cons. Choosing one platform over the other can be a difficult choice, because there are so many different aspects and variables to consider. Hardware, software, operating system, cost, design / aesthetics, simplicity, ease of use, stability, upgrade options, resale value, size and weight are some of the factors one might look into on both PCs and Macs to make the ultimate choice. And what makes it even tougher, is that some of these factors can carry very different weights. For example, cost and hardware are often the two major factors that influence purchasing decisions the most. So let’s take a look at a number of above-mentioned factors and see which platform is potentially a better choice for photography needs.
You are excited about your upcoming photo tour and have narrowed down the equipment you want to take with you. But what should you do next? How can you load the odds in your favor so that you come home with winning images? In Part I of this series I talked about how to choose and pack for your photography tour. In Part II, I would like to suggest some ideas for pre-tour preparation and on-tour tips. These suggestions will help you come home with photos worthy of a place on your wall.
Every once in a while, you will hear some photographers claim that lens filters are completely useless. Some will argue that only specific types of filters such as UV and protective filters are evil, while others will also include polarizing and ND filters into the mix, claiming that one could reproduce the effects of all those filters in post-processing software. Arguments for or against filters can spark a lot of heated debates in the photography community, similar to topics such as “Nikon vs Canon”, or “DSLR vs Mirrorless”. There are certainly some passionate individuals out there who are ready to stand their ground no matter what. And there is nothing wrong with that, as that’s what typically happens when there is truth on both side of the coin, depending on what angle you are looking at – there are certainly both pros and cons to using lens filters. Having been teaching photography for a number of years now, I have come across many different photographers of all skill levels in the field and I have come to realize that there is sadly quite a lot of misinformation out there regarding lens filters and their proper use. Many of us simply don’t know enough about not just filters themselves, but also their significant effect on our post-processing workflow. Although we have previously written many articles on lens filters, let’s explore filters once again and hopefully address some of the misconceptions about these important tools.
If you’re like me, you’ve planned a trip, had visions of coming home with an SD card full of National Geographic images, but ended up with a hard drive full of vacation snapshots. What can you do to better prepare for a trip when you really want to spend some quality time behind your camera? Consider taking a photography tour. You will find yourself among a group of like-minded people, all of whom are excited about spending several days dedicating time to photography. A tour can be a wonderful learning environment. And if you take the time to do some research and planning, you will end up at the right spot, at the right time, and you will come home with some exceptional photographs.
Noise is the sleet storm Satan drenches our photos in when we stupidly leave our tripod in the trunk thinking VR will save our lazy butt, but instead we end up shooting at quadruple digit ISOs. In this article, we will take a look at a couple of techniques on how to reduce noise and how to avoid it in the first place.
Nowadays, it is not unusual to hear about photographers being asked by their clients to do video work for them. For many photographers adding video to their list of services can be a bit intimidating, especially when it could entail making some investments in video-related gear. While it is certainly possible to spend many thousands of dollars on additional gear, most people wouldn’t want to put that much money at risk when first venturing into this area. If you choose gear wisely you can keep your investment at a modest level while adding a significant amount of production value for your clients.
There are two kinds of photographers. Those who admit they crop, and those who claim they don’t. The latter are glistening bastions of photographic purity whose souls glow at a constant Zone 10. They graciously lecture us heathens on the evils of cropping and try to exorcise the post-processing devils from our souls. They abhor us croppers, whom they consider inferior photographers – low down scum worse than fixer stains or a piece of grit in a bulk loader. They realize that cropping leads to even more sinful behavior, such as high speed bursts and shamelessly shooting above base ISO. I could go on, but they’ll pick up where I left off in the comments section.