Nowadays, it is not unusual to hear about photographers being asked by their clients to do video work for them. For many photographers adding video to their list of services can be a bit intimidating, especially when it could entail making some investments in video-related gear. While it is certainly possible to spend many thousands of dollars on additional gear, most people wouldn’t want to put that much money at risk when first venturing into this area. If you choose gear wisely you can keep your investment at a modest level while adding a significant amount of production value for your clients.
There are two kinds of photographers. Those who admit they crop, and those who claim they don’t. The latter are glistening bastions of photographic purity whose souls glow at a constant Zone 10. They graciously lecture us heathens on the evils of cropping and try to exorcise the post-processing devils from our souls. They abhor us croppers, whom they consider inferior photographers – low down scum worse than fixer stains or a piece of grit in a bulk loader. They realize that cropping leads to even more sinful behavior, such as high speed bursts and shamelessly shooting above base ISO. I could go on, but they’ll pick up where I left off in the comments section.
Less philosophy and more actual photography this time, leading the eye into a scene is one of the tenets of composition (at least for me) and there is a multitude of ways in which this can happen. An image of something or somewhere can be a more rewarding experience for the viewer if they are led into, through or across it, spending longer to absorb and take in the scene. Advanced photographers will (I hope) forgive the simplicity of this article; I am no kind of expert on composition but I thought I would share some ideas.
Sincere apologies that this isn’t a gear review or announcement; undoubtedly one of those will be along shortly. In fact, in keeping with most of my articles, this probably won’t educate or inform you. But I’m hoping it will do something far more important than that. I’m hoping it will encourage you to take leave of your daily toil and do some actual photography.
Big thanks to everyone who supported us in our launch of our very first photography video – PL Level 1 Photography Basics. Since the launch, we have enhanced the video quite a bit by cleaning up the sound, adding more visuals and text to guide our readers better. In addition, we have just added a brand new Chapter 11, with detailed menu guides for four different camera types: Nikon Entry-Level DSLR, Nikon Pro-Level DSLR, Canon Entry-Level DSLR and Canon Pro-Level DSLR. That’s another 3.5 hours of video that we have added to the already extensive 5 hour course! And that’s the beauty of this course – we will continue to enhance it in the future and if we feel that something needs to be added or changed, we will do so, making our courses some of the most thorough, up to date and complete photography courses out there.
Your choice of focal length will affect what you see. Would you agree with that? What if I also said that your choice of focal length will affect how you see? That’s a whole different story, now isn’t it? Instead of discussing how focal length affects your view when you look into the viewfinder, I want to talk about how focal length can affect how you look at everything around you before you ever even see it in the viewfinder.
When it comes to photographing wildlife, I’m nowhere near the lofty eminence of John Sherman or Tom Redd (both of whom I had the privilege of meeting in Colorado earlier this month), but I’ll make use of any opportunity I can. Photographing the grey seals on the Norfolk coast was an annual autumnal pilgrimage for me but the last couple of years I was remiss in not making the journey.
After almost a year of hard work, John and I are excited to finally release our first photography course “Level 1: Photography Basics“. It has been an awesome experience creating this video and I can proudly say that we have done our best to produce truly educational material for our readers to learn from. Compressing years of photography knowledge and experience into a 5 hour course was not easy, but we managed to do it! Although this is our first commercial product, we have huge plans for making more of such videos in the future, as detailed below.
This may not help anyone’s photography much but I recently had the opportunity to enjoy a childhood fantasy by driving the car from the 80s TV show Knight Rider (yes, I really am that sad). Obviously I took my camera with me to get some shots and I thought I might share some ideas about photographing cars.
We don’t really get much choice here in the rain capital of the Universe (well, ok, it’s not quite Cherrapunji but it feels like it sometimes). But rather than avoiding the wet and water one can see it as … wait for it … yep, an opportunity to do some shooting.