If you own a DSLR or a point and shoot with an optical zoom, I’m sure that every once in a while you see a beautiful moon and you think about taking a picture of it, especially when the moon is full and beautiful. There are other times when you spot a news announcement about a Lunar Eclipse and you think about capturing the moment, but do not know how to do it right. Or you want to capture the moon together with a foreground object such as a house or a lone tree, but the picture is not coming out right because the moon is much smaller and looks like a white blob. If you had any of these situations or simply want to find out how to take a picture of the moon with a digital camera, then this guide is for you.
Bird photography, especially wild bird photography can be quite challenging. There are many articles on the Internet that cover everything from “bird photography tips” to “the art of bird photography”, but I found that many of them are not detailed enough and do not contain as much information for an amateur bird photographer. After several years of photographing birds, I decided to write this “How to photograph birds” guide and include everything I know about taking good pictures of birds. Since most of the bird photography nowadays is done on digital, the instructions below would work great for digital cameras. If you are still shooting film, just skip the parts that do not apply to film (such as RAW format, etc). Parts of this article also apply to birding or bird watching, so if you like birds and just want to be able to approach and watch them closely, read the Locating Birds and Approaching Birds sections only.
Nikon has just announced the new Nikon D300s, so I decided to post a quick comparison between the old Nikon D300 and the new Nikon D300s.
This test shows focal length comparison on a 1.5 crop factor camera (all Nikon DX cameras) from 12mm to 500mm. All images were taken on Nikon D300 with ISO 200, f/10. The focal lengths are not 100% accurate because of different lens sizes and mounts (when short lenses such as the 50mm f/1.4 were used, the camera was mounted on the tripod, while zoom lenses had to be mounted via lens collars). The tripod was never moved (just slightly re-adjusted to focus on the top-left portion of the blue ornament). The 420 and 500mm shots are a little soft because of slight vibration and use of a teleconverter.