What are the best Nikon lenses for wedding photography? This question comes up so often via comments and emails from our readers, that I was first going to include it in our Photography FAQ section, but then decided to write a separate article and elaborate on the subject a little more. Specifically, I want to not only write about what lenses I think are the best for weddings, but also why and in which cases we use a particular lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far. If you have a favorite lens of yours for wedding photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and pictures (if you have any that you would like to share).
NOTE: I have recently posted the detailed Nikon 300mm f/2.8 VR II Review.
I have been super busy performing tests on over 12 lenses (more on that later), including the Nikon 300mm f/2.8G VR II and the new Nikon TC-20E III. It was very painful to find the TC-20E III, but I got one on my hands and I have been extensively testing it with the Nikon 300mm f/2.8G VR II and Nikon 70-200mm f/2.8G VR II. I have also been comparing the results with my Nikon 200-400mm f/4.0G VR, so I will soon publish some very interesting findings for those, who are interested in high performance telephoto gear for sports and wildlife photography.
I’m currently testing the new Nikon 300mm f/2.8G VR II and doing as much bird photography as possible to see how it performs in various situations, especially with teleconverters. I received it a couple of weeks ago, but my schedule went hectic and I have not received the new Nikon TC-20E III, which I really wanted to test this lens with. The Nikon TC-20E III is nowhere to be found at the moment and I was able to get a copy by renting it through LensRentals.com for now. I also needed the TC-20E III to complete my Nikon 70-200mm f/2.8G VR II review and wanted to test it with all of my telephoto lenses after hearing so much about its great performance. The TC-20E III is arriving at the end of this week, so I am planning to get out and shoot as much as possible during the weekend and next week.
Nikon has just announced the new AF-S Nikon 200-400mm f/4G ED VR II, which replaces the legendary 2004 model. Nikon has been updating their line of super telephotos with VR II lately and this 200-400mm lens is an expected update. The last lens to get VR II was the Nikon 300mm f/2.8G VR II that was announced in December of 2009.
This is an in-depth review of the Nikon AF-S 70-300mm f/4.5-5.6G VR lens that was released back in August 2006 together with the Nikon D80. The Nikon 70-300mm VR lens is targeted towards sports, nature and wildlife photographers that need a lightweight, versatile telephoto lens with great optics and vibration reduction technology, at an affordable price. The lens works on both Nikon FX (full-frame) and DX (cropped) sensors and has an equivalent field of view of approximately 105-450mm on DX sensors, which makes the lens particularly good for reaching distant subjects. The Nikon 70-300mm f/4.5-5.6G ID-ED VR lens features two “ED” (extra low dispersion) glass elements that are used in all Nikon professional lenses, providing higher contrast, lower chromatic aberration and higher resolution, due to less air bubbles and glass deformities within the glass elements. In addition, the lens sports the latest vibration reduction “VR II” technology, giving up to 4 full stops of advantage over non-VR lenses at low shutter speeds. Vibration Reduction, especially the latest VR II generation, makes this lens particularly useful for hand-held shooting while hiking and traveling. Autofocus is practically silent, thanks to the Silent Wave Motor (AF-S) within the lens.
In photography, the term bokeh represents the quality of the magical out-of-focus blur that makes it look like the subject is isolated from the background. It is visually appealing for us to see a photograph with a soft, creamy and beautiful background. It helps concentrate our eyes on a single area and creates a sense of depth and dimension on an otherwise flat-looking image. Let me share a few tips on how you could obtain maximum bokeh from your camera setup.
There are two types of corporate photography – event photography and portrait photography. Event photography means taking pictures of employees and guests in corporate events such as conferences, birthday parties, Christmas parties, receptions and sales events. Corporate portrait photography means taking formal pictures of employees for websites, magazines and other various publications. In this article, I will provide some tips on how to photograph corporate events.
This is an in-depth review of the new professional Nikon AF-S 70-200mm F/2.8G ED VR II lens that was released in July of 2009. The Nikon 70-200mm lens is a professional-grade lens that was introduced by Nikon in early 80’s in a shape of 80-200mm f/2.8 constant aperture lens for professional news, sports, wildlife and portrait photographers. Since then, Nikon has been enhancing and redesigning the lens every 4-5 years, making it faster, sharper and more versatile by enhancing the optics and introducing new features.
Nikon has just released an update to the superb Nikon 300mm f/2.8 lens, along with an update to the TC-20E teleconverter. The new lens is now called “AF-S Nikkor 300mm f/2.8G ED VR II” and the TC is “Nikon AF-S TC-20E III”. Both are targeted for professional sports, nature and wildlife photographers that need the best of the class. The Nikon 300mm f/2.8 lenses have always been the sharpest lenses in Nikon’s arsenal – that’s why Nikon calls them the “pinnacle of image quality”. There is a big reason why the teleconverter was released together with the 300mm f/2.8 lens, because normally 2x teleconverters substantially degrade image quality on most lenses, but not this one. The 300mm line is known to work best with all teleconverters, including the 2x TC.
If you own a DSLR or a point and shoot with an optical zoom, I’m sure that every once in a while you see a beautiful moon and you think about taking a picture of it, especially when the moon is full and beautiful. There are other times when you spot a news announcement about a Lunar Eclipse and you think about capturing the moment, but do not know how to do it right. Or you want to capture the moon together with a foreground object such as a house or a lone tree, but the picture is not coming out right because the moon is much smaller and looks like a white blob. If you had any of these situations or simply want to find out how to take a picture of the moon with a digital camera, then this guide is for you.