Even though the new and upcoming full-frame Pentax DSLR camera will support existing brand lenses for APS-C sensor cameras, Ricoh realizes full and well that having a 35mm camera is only part of the package. Lenses are simply crucial to make such a system make any sense at all. That is why Ricoh-Pentax has announced two new lenses designed to cover the image circle of a full-frame sensor, the HD Pentax-D FA * 70-200mm f/2.8ED DC AW and HD Pentax-D FA 150-450mm f/4.5-5.6ED DC AW. It’s quite the mouthful, isn’t it? But I am focusing on the wrong things as both lenses, along with the upcoming full-frame camera, mark a new chapter in the history of the famous brand. Let’s take a closer look, then.
In advance of my upcoming hands-on review of the 1 Nikon CX 70-300 f/4.5-5.6 telephoto zoom lens I thought readers may like to see some sample bird images. It is late in the season in Southern Ontario and many birds have already migrated. Never-the-less I was able to get a few different species captured in flight.
In the popular movie, “For Love Of The Game,” starring Kevin Costner and Kelly Preston, an aging major league baseball pitcher makes the gut-wrenching decision to retire from the game of baseball. The title of the movie reflects the pitcher’s response to the club owner regarding his decision. He walks away because he cares too much about the game to stay on beyond his time. A recent event in the Grand Teton National Park, the area where my wife, Tanya, and I recently vacationed, reminded me of the sentiment behind this movie title.
This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for enthusiasts and professionals that are looking for a high quality, versatile zoom lens for a variety of needs, including wildlife photography. Although many DSLR lens manufacturers have been making telephoto zoom lenses that cover long ranges, whether looking at Sigma’s 50-500mm / 150-500mm lenses, Canon’s 100-400mm or Nikon’s 80-400mm, none of them can reach the focal length of 600mm natively without teleconverters. And as we have discovered in our Nikon 80-400mm f/4.5-5.6G VR review, attaching teleconverters on slower zoom lenses is generally not a good idea, since there is a bit too much of sharpness loss / image degradation, or even potential loss of autofocus capability. Thus, the Tamron 150-600mm f/5-6.3 is a rather unique lens in this group, which is why our team at Photography Life has been anxious to get a hold of the lens for a while now.
Recently a Photography Life contributor, Alpha Whiskey, posted a great article here on some techniques that we can use to challenge ourselves as photographers. Finding ways to grow and stimulate our individual creativity is one of the most important things we can do to advance our skill level. I gave myself one such challenge this week and I thought I would share the results of it with you with images taken at the Metro Toronto Zoo.
Despite all the recent photowalks shooting urban ephemera, my primary interest in photography was always wildlife and animal photography.
For the past 8 months or so I have been shooting a lot of static and perched birds with a Nikon 1 V2, FT-1 adapter, my Nikkor 70-200 f/4 VR lens and TC-17E II teleconverter. This set-up gives me an equivalent field-of-view of 918mm @ a rather slow f/6.7. Even though the teleconverter does cause some loss of sharpness I’ve been happy with the results as you can see from the sample below.
Grimsby Ontario is on the raptor migration route and every year the town holds an indoor “RaptorFest” event at the local hockey arena during which various presentations of live birds, and educational initiatives are conducted. A fast, mid-range telephoto like the Nikkor 200mm f/2G VR would be the perfect lens to photograph birds during this indoor event. Like most people, I don’t have the $6,000 or so it would take to own the 200mm Nikkor…but I thought I might have a reasonable solution in my camera bag.
This is an in-depth review of the Sigma 120-300mm f/2.8 DG OS HSM Sport, a high-end super telephoto lens with a versatile zoom range and a wide constant aperture of f/2.8, designed for wildlife, sports and portrait photographers. This is the third iteration of the lens. Its predecessor, the Sigma 120-300mm f/2.8 EX DG OS APO HSM was released back in 2005 with identical optical design. What has changed, is the exterior make and appearance of the lens (along with the tripod collar and tripod foot), the new rigorous quality control that Sigma has implemented on its new lines of high quality lenses, and the ability to attach a USB dock for fine tuning the autofocus operation of the lens. In this review, I will go over the technical specifications of the lens, talk about its optical features and performance with and without teleconverters, and compare it to other super telephoto lenses like Nikon 200-400mm f/4G VR and Nikon 300mm f/2.8G VR II.
This is an in-depth review of the Nikon 800mm f/5.6E FL ED VR, an exotic super telephoto lens designed for wildlife and sports photographers. Nikon first teased us with its plans to release an 800mm lens in July of 2012, with an official announcement that followed in January of 2013 (along with the Nikon 18-35mm f/3.5-4.5G ED lens). Nikon has not updated its manual focus 800mm f/5.6 ED-IF lens for over 25 years, so it was about time to introduce an autofocus version of the lens to the market. The Nikon 800mm f/5.6 VR is a significant milestone for the Nikkor line, because this is the first lens to have the letters “FL” on the lens name, which indicate that fluorite elements are used in its optical design. Although Canon has been using fluorite elements in its exotic super telephoto lenses for a while now, Nikon historically has only used fluorite elements in its medical / microscope lenses. So in a way, this is the first lens of its kind for Nikon.