Nikon 300mm f/4E PF ED VR Review

Nikon AF-S NIKKOR 300mm f4E PF ED VR

It has been 15 years since Nikon produced the last iteration of its budget 300mm lens, so the new Nikkor 300mm f/4E PF ED VR was something many enthusiasts and professionals have been patiently waiting for. Although the previous generation Nikkor 300mm f/4D AF-S is an excellent lens optically, it lacks image stabilization, new generation coating and other new technologies that Nikon has been integrating into modern lenses. I have personally been a huge fan of the 300mm f/4D AF-S lens and have owned it for many years, loving the lens for its superb optical performance, fast autofocus, light weight and compact size, making it my ultimate travel lens for wildlife photography – a perfect companion for hand-held shooting. Because it was so good with the 1.4x teleconverter, I practically always kept the teleconverter attached to the lens, making it a very nice 420mm f/5.6 combination. When Nikon finally announced the new 300mm f/4E VR lens, I got very excited, because Nikon completely redesigned the lens. In fact, with close to a 50% reduction in weight and a 30% reduction in physical size, we are not dealing with another redesign or update – this is a completely different lens.

Please note that this is an active and ongoing review of the lens. I am planning to expand coverage and update the review with a lot more information within the next few weeks.

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Nikon TC-14E III vs TC-14E II Performance Comparison

Nikon TC-14E III

I am currently in the process of testing the Nikkor 400mm f/2.8E FL lens in my Imatest lab and I am simultaneously also measuring the performance of the new Nikon TC-14E III teleconverter and comparing it to the older TC-14E II. Although I am planning to review the teleconverter separately, I decided to give our readers a glimpse of the teleconverter performance when compared to its predecessor in terms of sharpness. To make it easy to compare differences, I converted all numbers to percentages (detailed numbers will be posted in the reviews).

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Nikon TC-14E III Announcement

Nikon TC-14E III

Along with the 400mm f/2.8E VR lens, Nikon has also announced the TC-14E III 1.4x teleconverter. The older TC-14E II version has been out since 2001 and Nikon finally decided to update it, most likely to match the performance of the new generation super telephoto lenses like the new Nikon 400mm f/2.8E VR and Nikon 800mm f/5.6E VR. The now previous-generation TC-14E II has always been praised by our team at Photography Life, thanks to its superb performance and very little performance degradation that is almost unnoticeable to the eye when using with most super telephoto lenses (see our article on how teleconverters impact image quality). In fact, my copy of the TC-14E II stays glued to my wildlife travel companion, the Nikkor 300mm f/4D AF-S (see my in-depth review) and I only detach it when I need to use the teleconverter with the 70-200mm f/2.8G VR, 200-400mm f/4G VR or other telephoto lenses.

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Sigma 120-300mm f/2.8 DG OS HSM Review

Sigma 120-300mm f/2.8 DG OS HSM

This is an in-depth review of the Sigma 120-300mm f/2.8 DG OS HSM Sport, a high-end super telephoto lens with a versatile zoom range and a wide constant aperture of f/2.8, designed for wildlife, sports and portrait photographers. This is the third iteration of the lens. Its predecessor, the Sigma 120-300mm f/2.8 EX DG OS APO HSM was released back in 2005 with identical optical design. What has changed, is the exterior make and appearance of the lens (along with the tripod collar and tripod foot), the new rigorous quality control that Sigma has implemented on its new lines of high quality lenses, and the ability to attach a USB dock for fine tuning the autofocus operation of the lens. In this review, I will go over the technical specifications of the lens, talk about its optical features and performance with and without teleconverters, and compare it to other super telephoto lenses like Nikon 200-400mm f/4G VR and Nikon 300mm f/2.8G VR II.

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Sigma 2.0x Teleconverter Review

Sigma 2x EX DG Tele Converter

This is a detailed review of the Sigma 2.0x Teleconverter EX APO DG for the Nikon mount. I had a chance to test out this teleconverter, along with the 1.4x Sigma teleconverter when working with the Sigma 120-300mm f/2.8 lens, so I wanted to share some of my findings and compare the teleconverter to its Nikon counterpart, the Nikkor TC-20E III. In this review, I will go over the optical characteristics of the Sigma 2.0x teleconverter and talk about its performance when using both Sigma and Nikon super telephoto lenses.

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Nikon 800mm f/5.6E VR Review

Nikon 800mm f/5.6E FL ED VR

This is an in-depth review of the Nikon 800mm f/5.6E FL ED VR, an exotic super telephoto lens designed for wildlife and sports photographers. Nikon first teased us with its plans to release an 800mm lens in July of 2012, with an official announcement that followed in January of 2013 (along with the Nikon 18-35mm f/3.5-4.5G ED lens). Nikon has not updated its manual focus 800mm f/5.6 ED-IF lens for over 25 years, so it was about time to introduce an autofocus version of the lens to the market. The Nikon 800mm f/5.6 VR is a significant milestone for the Nikkor line, because this is the first lens to have the letters “FL” on the lens name, which indicate that fluorite elements are used in its optical design. Although Canon has been using fluorite elements in its exotic super telephoto lenses for a while now, Nikon historically has only used fluorite elements in its medical / microscope lenses. So in a way, this is the first lens of its kind for Nikon.

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Sigma 1.4x Teleconverter Review

Sigma 1.4x EX DG Tele Converter

This is a detailed review of the Sigma 1.4x Teleconverter EX APO DG for the Nikon mount. I had a chance to test out this teleconverter, along with the 2x Sigma teleconverter when working with the Sigma 120-300mm f/2.8 lens (review to be published within the next week), so I wanted to share some of my findings and compare the teleconverter to its Nikon counterpart, the Nikkor TC-14E II. In this review, I will go over the optical characteristics of the Sigma 1.4x teleconverter and talk about its performance when using both Sigma and Nikon super telephoto lenses.

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Nikon 300mm f/4D AF-S Review

Nikon 300mm f/4 AF-S

The original review of the Nikon 300mm f/4D AF-S lens was published back in 2009 and was very short. I decided to completely rewrite it, with all the latest information, MTF data, more feedback and sample images, so you are looking at an updated version. If you are a birder, you have only two budget choices for Nikon – either the Nikon 300mm f/4D IF-ED AF-S or the much more expensive Nikon 80-400mm VR that was introduced in 2013. All other semi-professional lenses by Nikon are not good enough/long enough for birding. The old 80-400mm f/4.5-5.6D VR was too slow to focus and a lot of people including myself expressed their frustration with it for fast moving birds. I have been using the Nikon 300mm f/4D lens for over 6 years now and have been very pleased with the results. I take it with me everywhere I go and have used it more than any other telephoto lens so far. It is relatively light and I primarily use it handheld for shooting birds and other wildlife of Colorado.

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DX or FX for Sports and Wildlife Photography

Dolphin Jump

It seems like the debate of DX vs FX for wildlife and sports photography is a never ending one. DX shooters argue that they get more reach, stating that DX is like a “built-in 1.5x teleconverter”, or that DX setups are lighter due to smaller lenses and less expensive, or that DX chops off the corners of lenses, thus reducing vignetting and other optical issues. On the opposite side of the fence, FX shooters argue that they get better image quality at pixel level, better viewfinder, less diffraction issues, better AF performance in low-light, etc. Seems like we have two camps, each defending their own side for various reasons. Having spent a number of years shooting both DX and FX starting from the first generation Nikon FX cameras and every single DX camera manufactured by Nikon to date, and having talked to a number of other photographers that shoot for a living, I came to a conclusion that there are some myths surrounding the DX format that need to be debunked. In this article, I will provide my personal insight to this topic and explain why I believe that FX is always better for photographing sports and wildlife. This article evolved as a result of recent discussions of the subject with some of our readers.

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Image Degradation with Nikon Teleconverters

AF-S Teleconverter TC-20E III

A fellow photographer recently asked me how much image degradation one would see with each Nikon teleconverter. As a nature photographer, I have been wondering myself about this for a while, but never had a chance to actually quantify what the image degradation figures would look like when using the TC-14E II, TC-17E II and the TC-20E III with Nikon lenses. I have been relying on field use and my vision so far and here is what I have thought about each teleconverter.

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