Released in 2016 alongside the Sony FE 70-200mm f/2.8 GM OSS and Sony FE 1.4x Teleconverter, the Sony FE 2x Teleconverter is an essential addition to Sony’s full-frame E-mount lineup. Given the relative lack of dedicated telephoto options available to the mount, the Sony FE 2x Teleconverter dramatically enhances the versatility of the lenses it is compatible with: the Sony FE 70-200mm f/2.8 GM OSS, the Sony FE 100-400mm f/4.5-5.6 GM OSS and the recently released Sony 400mm f/2.8 GM…
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How to Use a Teleconverter
When using telephoto and macro lenses, it is often desirable to get tighter framing on a subject that is being photographed. One of the main reasons is to magnify the subject and improve its detail in order to show it best to the viewer, but another reason could be related to improved framing and composition – by focusing tightly on the subject, it is often possible to remove the visual clutter surrounding the subject, which ultimately simplifies and enhances composition.…
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Nikon 300mm f/4E PF ED VR Review
It has been 15 years since Nikon produced the last iteration of its budget 300mm lens, so the new Nikkor 300mm f/4E PF ED VR was something many enthusiasts and professionals have been patiently waiting for. Although the previous generation Nikkor 300mm f/4D AF-S is an excellent lens optically, it lacks image stabilization, new generation coating and other new technologies that Nikon has been integrating into modern lenses. I have personally been a huge fan of the 300mm f/4D AF-S…
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Nikon 400mm f/2.8E FL ED VR Review
During the past few years, Nikon has been slowly replacing its high-end super telephoto lenses with newer technology using lightweight fluorite lens elements, shredding off a lot of weight and making additional improvements to lens designs, making the already strong lenses even better. After the 800mm f/5.6E VR monster, it was time for Nikon to update its legendary 400mm f/2.8G VR with the newer version, so that’s how the Nikkor 400mm f/2.8E FL VR came to life. Although Nikon is…
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Nikon TC-14E III vs TC-14E II Performance Comparison
I am currently in the process of testing the Nikkor 400mm f/2.8E FL lens in my Imatest lab and I am simultaneously also measuring the performance of the new Nikon TC-14E III teleconverter and comparing it to the older TC-14E II. Although I am planning to review the teleconverter separately, I decided to give our readers a glimpse of the teleconverter performance when compared to its predecessor in terms of sharpness. To make it easy to compare differences, I converted…
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Sigma 120-300mm f/2.8 DG OS HSM Review
This is an in-depth review of the Sigma 120-300mm f/2.8 DG OS HSM Sport, a high-end super telephoto lens with a versatile zoom range and a wide constant aperture of f/2.8, designed for wildlife, sports and portrait photographers. This is the third iteration of the lens. Its predecessor, the Sigma 120-300mm f/2.8 EX DG OS APO HSM was released back in 2005 with identical optical design. What has changed, is the exterior make and appearance of the lens (along with…
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Sigma 2.0x Teleconverter Review
This is a detailed review of the Sigma 2.0x Teleconverter EX APO DG for the Nikon mount. I had a chance to test out this teleconverter, along with the 1.4x Sigma teleconverter when working with the Sigma 120-300mm f/2.8 lens, so I wanted to share some of my findings and compare the teleconverter to its Nikon counterpart, the Nikkor TC-20E III. In this review, I will go over the optical characteristics of the Sigma 2.0x teleconverter and talk about its…
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Nikon 800mm f/5.6E VR Review
This is an in-depth review of the Nikon 800mm f/5.6E FL ED VR, an exotic super telephoto lens designed for wildlife and sports photographers. Nikon first teased us with its plans to release an 800mm lens in July of 2012, with an official announcement that followed in January of 2013 (along with the Nikon 18-35mm f/3.5-4.5G ED lens). Nikon has not updated its manual focus 800mm f/5.6 ED-IF lens for over 25 years, so it was about time to introduce…
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Sigma 1.4x Teleconverter Review
This is a detailed review of the Sigma 1.4x Teleconverter EX APO DG for the Nikon mount. I had a chance to test out this teleconverter, along with the 2x Sigma teleconverter when working with the Sigma 120-300mm f/2.8 lens (review to be published within the next week), so I wanted to share some of my findings and compare the teleconverter to its Nikon counterpart, the Nikkor TC-14E II. In this review, I will go over the optical characteristics of…
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Nikon 300mm f/4D AF-S Review
The original review of the Nikon 300mm f/4D AF-S lens was published back in 2009 and was very short. I decided to completely rewrite it, with all the latest information, MTF data, more feedback and sample images, so you are looking at an updated version. If you are a birder, you have only two budget choices for Nikon – either the Nikon 300mm f/4D IF-ED AF-S or the much more expensive Nikon 80-400mm VR that was introduced in 2013. All…
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DX or FX for Sports and Wildlife Photography
It seems like the debate of DX vs FX for wildlife and sports photography is a never ending one. DX shooters argue that they get more reach, stating that DX is like a “built-in 1.5x teleconverter”, or that DX setups are lighter due to smaller lenses and less expensive, or that DX chops off the corners of lenses, thus reducing vignetting and other optical issues. On the opposite side of the fence, FX shooters argue that they get better image…
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Image Degradation with Nikon Teleconverters
A fellow photographer recently asked me how much image degradation one would see with each Nikon teleconverter. As a nature photographer, I have been wondering myself about this for a while, but never had a chance to actually quantify what the image degradation figures would look like when using the TC-14E II, TC-17E II and the TC-20E III with Nikon lenses. I have been relying on field use and my vision so far and here is what I have thought…
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Nikon 400mm f/2.8G VR Review
This is an in-depth review of the Nikon 400mm f/2.8G ED VR lens that was released in August of 2007, along with Nikon D3 and two other exotic super telephoto lenses. In this review, I will not only provide general information about the Nikon 400mm f/2.8 VR and its performance, but also how it works with all current Nikon teleconverters (TC-14E II, TC-17E II and TC-20E III) and how it compares to other telephoto lenses such as Nikon 70-200mm f/2.8G…
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Nikon TC-20E III Review
This is an in-depth review of the new Nikon TC-20E III teleconverter that was released in December of 2009, along with an updated version of the Nikon 300mm f/2.8G VR II lens. The Nikon TC-20E III is a major update to the existing Nikon TC-20E II teleconverter, sporting a brand new optical design with an aspherical element, which delivers better performance with many specialty telephoto lenses. The purpose of teleconverters is to increase the focal length of lenses, in other…
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Nikon 300mm f/2.8G VR II Review
This is an in-depth review of the Nikon 300mm f/2.8G ED VR II lens that was released in December of 2009, along with the TC-20E III teleconverter. When it comes to telephoto lenses, the Nikon 300mm f/2.8 line of lenses has always been a metric of sharpness, contrast and acuity. The Nikon 300mm f/2.8G VR II is no exception – it sports top of the line optical design and technology that are capable of resolving tons of details, delivering outstanding…
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Telephoto Lens Focal Length Comparison
Although I have already done a focal length comparison from 12mm to 500mm focal length before, I decided to do it once again for telephoto lenses. I receive quite a few emails from our readers, asking about telephoto lenses and focal lengths, specifically whether a focal length of a lens is going to be sufficient for bird and wildlife photography. The below images should give you a pretty good idea about field of view when using particular focal lengths, from…
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Nikon 70-200mm f/2.8G VR II Review
This is an in-depth review of the new professional Nikon AF-S 70-200mm F/2.8G ED VR II lens that was released in July of 2009. The Nikon 70-200mm lens is a professional-grade lens that was introduced by Nikon in early 80’s in a shape of 80-200mm f/2.8 constant aperture lens for professional news, sports, wildlife and portrait photographers. Since then, Nikon has been enhancing and redesigning the lens every 4-5 years, making it faster, sharper and more versatile by enhancing the…
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