Regular readers will know that we’ve published a lot of beginner content in the past few weeks, including several refreshes of our old articles. We’ve received emails ranging from “I hope you have a master plan, and this is just temporary” to “thank you for remembering us!” – and while our plan can look rough around the edges, we assure you that there is one, and we’ve been preparing for something big. The first step? Review month. We have a huge backlog of reviews for popular cameras, lenses, and software (i.e., Lightroom replacements) that we can’t wait to publish. We’ve decided to bundle them all together as part of a month-long extravaganza, including giveaways and a contest along the way. So, strap in and gear up for the First Annual Photography Life Review Month!
When Tamron introduced the Tamron SP 150-600mm f/5-6.3 VC a few years ago it really shook things up (Model A011, but hereafter I’ll call it the G1 for simplicity). Priced just over a grand, the G1 offered people the chance to get into wildlife photography without dumping five figures into a supertelephoto prime lens. Not only was it inexpensive, it was surprisingly sharp as well; much sharper than many of us expected a lens in that price range to be. Sigma followed up a few months later with not one, but two 150-600mm zooms, then Nikon joined the fray a year later with its Nikon 200-500mm zoom.
This is an in-depth review of the Tamron SP 15-30mm f/2.8 Di VC USD, world’s first f/2.8 image stabilized ultra-wide angle zoom lens for full frame cameras, the development of which was announced in September of 2014, with the lens officially released in January of 2015. It is a very unique lens not just because of its very useful focal length range with a constant aperture of f/2.8 throughout the zoom range, but because it features image stabilization – something you practically never find on ultra-wide angle lenses. For many years now, I have been shooting with the Nikkor 14-24mm f/2.8G lens, which is a monster of a lens when it comes to size, weight and performance – it truly is a legendary lens optically. But with its $2K price it is far from being an affordable choice, so Tamron decided to challenge the 14-24mm with the 15-30mm f/2.8 VC in a number of ways: longer focal length coverage extending to 30mm, built-in image stabilization and a more affordable price point of $1,200.
This is a detailed review of the Tamron SP 150-600mm f/5-6.3 Di VC USD, an ultra-telephoto zoom lens that was announced in November of 2013 for enthusiasts and professionals that are looking for a high quality, versatile zoom lens for a variety of needs, including wildlife photography. Although many DSLR lens manufacturers have been making telephoto zoom lenses that cover long ranges, whether looking at Sigma’s 50-500mm / 150-500mm lenses, Canon’s 100-400mm or Nikon’s 80-400mm, none of them can reach the focal length of 600mm natively without teleconverters. And as we have discovered in our Nikon 80-400mm f/4.5-5.6G VR review, attaching teleconverters on slower zoom lenses is generally not a good idea, since there is a bit too much of sharpness loss / image degradation, or even potential loss of autofocus capability. Thus, the Tamron 150-600mm f/5-6.3 is a rather unique lens in this group, which is why our team at Photography Life has been anxious to get a hold of the lens for a while now.
This is an in-depth review of the Tamron SP 24-70mm f/2.8 DI VC USD – world’s first image stabilized standard zoom lens for 35mm sensor cameras that was released in April of 2012. I have been shooting with the Nikon 24-70mm f/2.8G for a while and although I love it for its super fast and accurate autofocus and durability, it has its share of problems. It is huge and heavy, has rather poor corner performance at fast apertures and suffers from field curvature issues (where sharpness is not uniform across the frame). In addition, it lacks image stabilization, which I am a huge fan of. So when I found out that Tamron released a professional 24-70mm f/2.8 lens with image stabilization, I knew I wanted to test it out and compare it head to head to the Nikon 24-70mm f/2.8G.