Nikon has just announced two highly anticipated super telephoto lenses for sports and wildlife photography, the AF-S Nikkor 500mm f/4E FL ED VR and the 600mm f/4E FL ED VR. After Nikon released the 800mm f/5.6E VR and the 400mm f/2.8E VR lenses, it was a matter of time before the 500mm and 600mm lenses got updated with the latest and greatest optical designs and technology. As before, Nikon has completely revamped the optical formula of these new lenses, shredding as much as 20% off the total weight on the 500mm and 25% off the total weight on the 600mm! Now the new 600mm f/4E VR weighs as much as the 400mm f/2.8E VR, which is incredible. Considering how hand-holdable the 400mm f/2.8E VR is, both of these new lenses open up a lot of amazing opportunities to get closer to action.
During the past few years, Nikon has been slowly replacing its high-end super telephoto lenses with newer technology using lightweight fluorite lens elements, shredding off a lot of weight and making additional improvements to lens designs, making the already strong lenses even better. After the 800mm f/5.6E VR monster, it was time for Nikon to update its legendary 400mm f/2.8G VR with the newer version, so that’s how the Nikkor 400mm f/2.8E FL VR came to life. Although Nikon is planning to update every super telephoto lens in its line-up with lighter lenses featuring fluorite elements (which includes the 200mm f/2, 300mm f/2.8, 500mm f/4 and 600mm f/4 lenses), Nikon decided to start with the 400mm f/2.8, because it is one of the lenses that would get the most benefit from the fluorite lens design. Weighing in at a whopping 4.6 kg, the previous generation 400mm f/2.8G VR was a monster of a lens to handle and impractical to hand-hold (it was quite a bit front-heavy). Although it is quite a versatile lens and works remarkably well with all three Nikon teleconverters, its weight and size were its main disadvantages, making a lot of photographers opt for other super telephoto Nikkor lenses like the 500mm f/4 instead. The newly designed 400mm f/2.8E FL VR is a whole different lens in comparison – weighing 3.8 kg, the lens is now similar in weight as the 500mm f/4G VR, which is a great engineering achievement! Let’s take a closer look at this lens.
When I offered to review the Nikon Coolpix P900 for Photography Life, I told Nasim I felt like a comedian rooting for Sarah Palin to become president so he’d have four more years of material. C’mon, 24-2000mm zoom combined with a 1:2.3” sensor? The comedic potential seemed endless. But what if it didn’t suck?
Earlier this year I had a chance to go on a safari to the Serengeti to see the Great Migration and other wonders. After reading Gord Aker’s excellent article about his trip to Africa I thought it could be interesting to make a field report and share my experience with the brand new Sigma 150-600mm Sport which accompanied me during the trip.
In advance of the Photography Life’s full review on the Sigma Sport 150-600mm f/5-6.3 DG OS HSM/S superzoom, I thought readers may like to see a few sample images along with some initial thoughts about shooting with this lens hand-held. Before getting into this brief article I’d like to extend a big ‘thank you’ to Photography Life reader Michael Wroblewski, who very generously let me borrow his copy of the Sigma 150-600mm Sport lens so I could do some shooting at Bird Kingdom in Niagara Falls, Ontario.
Just a day after Sigma announced its 24mm f/1.4 Art lens, it has now also announced both pricing and availability of the Sigma 24mm f/1.4 Art lens. I honestly expected over $1K price for this quality of the lens, so I was a bit shocked to see that the lens will be sold at $849, which is tremendous value if you compare it to Nikon and Canon 24mm f/1.4 counterparts. Another much anticipated lens, the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary is also available for pre-order for $1,089, which is priced right around the same as the Tamron 150-600mm which we highly praised in our in-depth review. Both lenses are expected to ship around March 20, 2015.
It always amazes me how I can live in an area for so long and be completely unaware of some fascinating image subjects. Thanks to Ray Miller, a local Photography Life reader, I had the chance to photograph a small group of Tundra Swans in their winter migration home on the Niagara River in Ontario.
If you are wondering how the new Nikon 300mm f/4E PF ED VR lens renders images, take a look at the below high-resolution image samples captured by Robert Bösch and Drew Gurian. To open these images in high resolution, please right click and save them to your computer, or open them up individually in new windows (clicking on the image will show them in low resolution). As I find more high resolution images from this lens, I will post more in this article.
Nikon has just announced a couple of new products during the Consumer Electronics Show 2015, among which is a lens that many of us have been waiting for a long time. I will start the coverage with this lens, because after seeing the details of the announcement earlier today, I knew that it was something to be truly excited about. As many of our readers know, the Nikkor 300mm f/4D AF-S lens has been my favorite budget telephoto lens for many years now. It is optically superb, has amazingly fast and accurate autofocus, works really well with 1.4x and now even with 1.7x teleconverters (with the new generation Nikon DSLRs like D750), it is compact, lightweight and priced just right. In short, it is a lens with amazing value for many wildlife and sports photographers. Despite all these strengths, the lens has not been updated for 15 years and it lacks image stabilization. Although rumors about an update have been circulating on the Internet for a few years now, it has not seen the light of the day, until today. The all-new Nikkor 300mm f/4E PF ED VR is not just an update though, it is a completely different lens.