There are no times of day more famous for photography than “Golden Hour” — sunrise and sunset. Although great light can happen at any time, the edges of the day are perhaps the most consistent sources of inspiration you can find. Still, just because they’re beautiful doesn’t mean they’re easy to photograph. In this article, I’ll cover some suggestions for capturing sunrise and sunset as well as possible, including tips for exposure, creativity, and post-processing.
Many photographers do not like waking up very early to take pictures at sunrise, preferring to sleep in and spend the energy to shoot during the day and at sunset instead. While photographing at sunset can yield stunning photographs, there are specific advantages to photographing at sunrise that are worth discussing. Let’s take a look at the topic of sunrise vs sunset in photography in more detail and see why you might be better off shooting early in the morning.
Four seasons is a marvelous gift of our planet to landscape photographers, at least in certain parts of the world. In the past, I preferred anything but winter. I always impatiently awaited fall colors, peaking around late October and beginning of November, or the lush green tones of mid-April. But in the past few years, I learned to love winter too. Well at least when there is snow and frost. Here are my tips on how to photograph snow in cold weather.
After a week in Ireland, I have seen some incredible sights. This is a beautiful country, and the people are incredibly warm and welcoming. Although most days here have been rainy, I’ve tried to make the most of foggy landscapes and simply enjoy my time in such a unique place. However, the weather has made it difficult to take colorful sunrise and sunset photos, which is a bit unfortunate — it is no secret that golden hour is a wonderful time to take pictures. Still, there has been one incredible morning for photography so far. In just a few minutes, the sky turned from a dull sheet of gray into a magnificent show of color, and a rainbow appeared during the best light. In this article, I’ll cover the entire story and thought process behind my favorite photo from this beautiful sunrise.
When photographing landscapes and including a bright source of light like the Sun, we often end up getting quite a bit of ghosting and flare in images. Although seeing lens flare is quite normal in both images and video (in fact, videographers and movie makers often purposefully add ghosting and flare to their footage to make the scene look more natural), sometimes the effect can heavily harm images. Since every lens reacts differently to bright sources of light, with some having special coatings and optical optimizations in place to reduce such effects, the effect of ghosting and flare and its damage are not something that can be easily predicted – there are too many variables involved, like focal length, optical design, coating, light source angle and even dust within the lens. So what do you do when you have a beautiful sunrise / sunset moment and you want to capture it with the sun in the frame without traces of ghosting / flare? I have been using a “finger the sun” technique for many years and today I want to explain how this technique works and how you can use it to create stunning, dramatic landscape images.
I love Death Valley. Despite its name, it is one of the most stunning places on this planet to visit, enjoy and photograph. While I have been to many areas of the park, every time I visit, I find something new to explore. Since my first visit to Death Valley back in 2009, one place that really got me hooked was Zabriskie Point. Thanks to its vivid colors, delicate shapes and beautiful contours, it is truly a magical place to be. However, in spite of my continuous attempts to capture the place in its grande beauty, I have been constantly treated with bland blue skies, overcast days and whenever I got even a hint of color, it would always seem to be taking place elsewhere – not in the direction where my camera was pointed at. By now, I lost count of how many times I have attempted to photograph Zabriskie Point at sunrise (my guess is over 20), it really has been a place of zero luck for me, my archenemy.
Do you dream of pictures? Most passionate photographers do. Some dream of a beautiful location with the right lighting, while others dream of perhaps a perfect subject in a perfect environment. Whatever the dream is, the goal is to create a unique, beautiful image that will trigger the emotions of the viewer, touching their deepest senses and ultimately creating a very positive experience – a picture worth a thousand words…
I have so much gear to test, that I’m having a tough time to get out and shoot. Last week I woke up early for some birding at a nearby park and saw this sunrise on the way:
Our readers kindly asked us to provide high resolution versions of Delicate Arch and Sunrise shots from my last trip to Utah, to be used as desktop wallpapers. Here are the two images in 2560×1600 resolution for widescreen monitors: