A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless system can get very confusing. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Discontinued systems such as Pentax K-01, Ricoh GXR, Pentax Q and Samsung NX have been removed. The list is sorted alphabetically and had to be split into two parts to fit. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our and our readers’ prior experience using the cameras. I have also published an article comparing mirrorless systems, where I go into a lot more detail about lenses and other important considerations.
We have so many different camera systems available today, that it is getting tougher and tougher to choose between them, especially for those who are just starting out. With mirrorless systems on the rise and advancing at a much faster pace than DSLRs in terms of technology, one might wonder which mirrorless systems are worth a serious consideration. In this article, I want to go over the different mirrorless systems and give my subjective take on each system, stating which ones are the best and the worst, by my order of preference. All of the information presented in the article is based on not only my personal observation and experience, but also the feedback I have been gathering from other sources, including our PL readers.
Camera shake can be a real hassle and pain when shooing off a tripod. Sometimes camera shake can be completely eliminated with a couple of simple steps and other times, it can be quite painful and sometimes even impossible to deal with. How does one reduce camera shake? Are remote shutter releases helpful in reducing camera shake? Is it possible to eliminate it completely? Since I see this issue so often in the field, I decided to write a detailed article that specifically addresses how one can reduce camera shake when shooting on a tripod.
Without a doubt, Sony has been flooding the camera market with camera and lens announcements in the past few years. It has not even been a year since the company announced the Sony A6300 back in February and we already have another iteration of the camera in the form of the Sony A6500. I am not sure what the deal is with skipping iterations, but Sony went from A6000 directly to A6300 (skipping both A6100 and A6200) and it looks like there won’t ever be a Sony A6400 either. So why did Sony announce the A6500 this early? Based on the camera specs, one might think that Sony rushed with the A6300 in the first place, but looking at the price and the list of features, it appears that the A6500 isn’t meant to be a replacement for the A6300, but rather an introduction to a higher-end mirrorless camera. If we had NEX-3, NEX-5 and NEX-7 series cameras before, with a clear difference in features and price, now the higher model number is the indication of a superior camera. At $1,400, the A6500 is priced $400 higher than the A6300, but what exactly does the camera gain in comparison? Let’s take a look at all the new features.
In addition to the A6500 mirrorless camera, Sony has also announced an update to the RX100 and the new iteration is now called Sony RX100 V, as expected. While most of the camera specifications stayed the same (20 MP 1″ sensor and 24-70mm equivalent f/1.8-f/2.8 lens), the new RX100 V gains on-sensor phase-detection system to improve its autofocus performance. With a total of 315 phase-detection autofocus points spreading to over 65% of the frame, the camera snaps into focus almost immediately, at record-breaking 0.05 seconds.
Although Sony has already made the fourth iteration of its RX100 camera, sadly, I have not had a chance to test and review any of the earlier models. After the Sony RX100 IV was announced, I told myself that I had to give this camera a try. Partly because our readers have been asking about it and partly because it looked like a killer camera based on its long list of features. Right before my trip to Death Valley, I was able to obtain this little monster of a camera for a real field test. I am really glad I did, because I have been really impressed by the Sony RX100 IV – it turned out to be the best pocket-friendly point and shoot camera I have used to date. Let’s take a look at this camera in more detail and see what it has to offer in its tiny body.
Since the original release of the Sony RX100 back in 2012, the company has been pushing updates to the camera and releasing one new iteration every year. Which means that as of today, we have had a total of 5 such releases: RX100, RX100 II, RX100 III, RX100 IV amd RX100 V. Sporting a 1″ sensor and superb optics from Zeiss, these point and shoot cameras have been widely popular among photographers. And thanks to their compact size and low weight, the RX100 series cameras have been highly regarded as very capable, and yet pocket-able cameras that are perfect for such needs as travel photography. Unfortunately, due to the number of the RX100 series cameras, their differences in pricing and features, it has become increasingly difficult for potential buyers to understand the main differences between these cameras. In this article, I will be comparing the key features and specifications of the RX100-series cameras, which will hopefully make it easier to see what has changed between all the releases we have seen so far.
Along with the A6300 mirrorless camera, Sony today also announced three professional-grade lenses for the full-frame FE mount, the Sony FE 85mm f/1.4 GM, Sony FE 24-70mm f/2.8 GM and Sony FE 70-200mm f/2.8 GM OSS and two 1.4x and 2.0x teleconverters. Because of the premium nature of these lenses, Sony gave these lenses a new “G Master” (GM) label; which is basically one step above the current “G Series” lenses. All these lenses are fully designed by Sony engineers, have advanced optical formulas, coating technologies and other advancements that are designed specifically for Sony’s A7-series full-frame cameras, and as a result, also have rather steep price tags. Since many DSLR shooters have been staying away from the Sony full-frame mirrorless line due to the absence of truly professional f/1.4 and f/2.8 lenses, Sony decided to address that gap with the GM-series lenses. Looks like this is the first step and more GM lenses will follow in the future. Let’s take a look at these lenses in more detail and see what they have to offer.
Today is a big day in the world of photography, because Sony announced a camera that might challenge DSLRs in terms of autofocus speed in accuracy. The much-anticipated update to the Sony A6000 we reviewed earlier is finally out and it looks like it was well worth the wait. The Sony A6300 is the first mirrorless camera that is specifically aimed at capturing fast-moving action, thanks to its “4D” autofocus system with a whopping 425 phase-detection autofocus points. The camera breaks the world record in terms of the number and the spread of these autofocus points, reaching all the way to the far end corners of the frame, allowing fast-moving subjects to be tracked and captured at up to 11 frames per second. Although with its 24 MP APS-C sensor the camera probably won’t have the necessary buffer to be able to shoot action for prolonged periods of time like the Nikon D5 or Canon 1DX Mark II can, even shorter bursts with fast and accurate autofocus are going to make a huge difference. Couple all these capabilities with the 4K video capture (up to 100 Mbps) along with its MSRP of $999, and we’ve got one of the most desirably mirrorless cameras on the market.
One of my resolutions for 2016 is to do a better job at timely completion of projects, and one of such tasks is to catch up with all the long-overdue reviews of gear that I had a chance to use, but never had a chance to write about. I will start off by reviewing the Sony A6000, an interchangeable lens mirrorless camera that has been Sony’s flagship APS-C product since it was released almost two years ago (and soon to be be replaced with a Sony A6100). Sony dumped the “NEX” name in its line of mirrorless APS-C products and merged everything into the “Alpha” ecosystem with the launch of the A3000, A5000 and A6000 cameras, so it looks like all the future iterations of these cameras will be labeled similarly. Let’s take a look at the A6000 in more detail, see what it has to offer and compare it to other popular mirrorless cameras on the market.