While reviewing the Sony A7 II, I had a chance to test and play with every Sony FE lens made as of February of 2015. The list includes the following lenses: Sony FE 35mm f/2.8, Sony FE 55mm f/1.8, Sony FE 16-35mm f/4 OSS, Sony FE 24-70mm f/4 OSS, Sony FE 28-70mm f/3.5-5.6 OSS and Sony FE 70-200mm f/4 OSS. Since I also simultaneously had the Sony A7R and A7S bodies (reviews to follow soon), I decided to measure MTF performance of each lens using Imatest and see how they perform individually. While I am planning to review all of these lenses in detail within the next few months, I thought putting together some data for our readers might be helpful, perhaps for those of our readers who either already own the A7 system, or those who are planning to invest in it. The below numbers are based on two different samples of each lens (I always do my best to test at least two due to sample variation) and the numbers I present are for the lens that showed the best results. Unfortunately, due to the shutter shock issue of the Sony A7R camera, I was not able to reliably test the Sony FE 70-200mm f/4 OSS lens, particularly at anything longer than 100mm. I will have to retest that lens when Sony adds electronic front curtain shutter feature to the A7R, or releases a newer 36 MP+ body with built-in EFCS (yes, the shutter shock on the A7R is pretty significant). I don’t yet have access to the newly announced Sony FE lenses or the Zeiss Loxia lenses, so I will test those separately as soon as I get my hands on them.
October 16 of 2013 marks an important milestone in the history of photography, because it is the date when Sony announced world’s first full-frame mirrorless cameras, the Sony A7 and A7R. The Sony A7, being the cheaper model aimed for general use, sports a 24 MP sensor and offers hybrid autofocus, while the A7R with its high resolution 36 MP sensor is targeted at more specific types of photography including landscape, architecture, studio and product photography. Since the official release of these cameras, I had a chance to test both in 2014 as soon as they were available. However, I did not write detailed reviews for a number of reasons including native lens shortage and availability, all kinds of initial firmware bugs and lags, shutter vibrations (A7R), slow start up time, compressed RAW, terrible menu system, poor battery life and a number of other annoying issues. On top of that, 2014 was also a year of personal transformation for me, so I was incredibly busy trying to shuffle a lot of things at the same time. To put it short, my lack of time and my negative experience with these cameras contributed to reviews being put off for a later date. When Sony released the A7S a bit later, I did not see drastic changes aside from the camera sensor, so I put off reviewing that camera for a while as well. However, when Sony announced the second iteration of the A7-series, the A7 II, I immediately requested a review unit for evaluation. By then, Sony already had a few more native lenses to choose from and I had high hopes that Sony perhaps addressed many of the concerns from the original A7 in this new camera. In addition, the Sony A7 II came with in-body image stabilization (IBIS), which interested me a lot – with so many different adapters available for other lens mounts, the A7 II looked rather promising as a versatile tool that could stabilize pretty much any lens on the market. And that in itself sounded really good, so off I went with my journey to assess the new Sony A7 II.
Although Black Friday is supposed to be “the day” for great deals, I’ll admit that I was not all that impressed with what Nikon had to offer, aside from a couple of fine deals on lower-end cameras. Well, it is Cyber Monday today and things are looking much more interesting, with some great deals from Nikon definitely worth looking at. The Nikon Coolpix A did not sell all that well for $579 on Black Friday, but it seems like Nikon is either releasing a replacement, or just wants to clear off the shelves, since the price has been slashed even more – the Nikon Coolpix A is on sale for $499, for today only until the stock is gone (about 10% of the stock has already been claimed). At this price, the little camera with a large APS-C sensor is a great deal, so if you need a small pocketable travel camera, you might want to check it out! In addition to this, there are a few other deals like the Nikon 1 V2 kit for $499 that I found and picked for our readers. If I find anything else worth posting today, I will update this article.
Have you ever traveled to the shopping mall in search of a product, only to be met by dozens of similar options to choose between? Lowest-price vs best-value, long-lasting vs quick-acting, eco-friendly vs cost-effective: we are drowning in possibilities that years ago didn’t exist. Perhaps nowhere is the epidemic of choice more prevalent than in the digital camera world today. Since I began reviewing mirrorless cameras a couple of years ago with my partner Mathieu Gasquet, I’ve been surprised by just how many models exist for each brand. For instance, in the six years since mirrorless cameras first began to appear on the market, a total of thirty-six Micro Four Thirds system cameras and nineteen Sony E-mount cameras have been released, an astonishing number if you consider that new film cameras would be released only every two or three years.
Today we have some great deals to share with our readers. The Fuji X-T1, which we highly praised in our X-T1 review, is currently on sale at B&H Photo Video. For $1,299, which is the price of the X-T1 body, you get the camera, along with the VG-XT1 Vertical Battery Grip, a spare NP W-126 battery and a SanDisk 32GB Ultra microSDHC card thrown in for free, a savings of $320.
We are continuing our series of recommended settings for cameras and this time we have the Sony A6000, an advanced interchangeable lens camera designed for enthusiasts and professionals. In this article, I want to provide some information on what settings I use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The Sony A6000 has a myriad of settings that can be confusing to understand, so the below information is provided as a guide for those that struggle and just want to get started with a basic understanding of these settings.
Yesterday, while thinking about the upcoming wedding that I have to shoot, I glanced at my trusty old D700. The rubber is coming off in places and needs to be glued back on, nothing serious. Two of the batteries that I have need replacing. The plastic screen protector has a few minor scratches on it, but would you expect anything else? No. Those are just minor signs of careful use. In every single way, it’s a damn good camera. And then I wondered, would I recommend it to a beginner looking for an affordable entry into the full-frame world? Oh yes, definitely. And it’s not the only one. So if you are a beginner – either to DSLRs or digital photography – and want to potentially improve the quality of your family pictures, to, perhaps, photograph your son’s football games with more confidence or even start your own photography business, there are a lot of used, older cameras you could go for and not regret it. Let us glance through some of them.
In our continuous attempt to improve our lens database and provide all the necessary information about various lens manufacturers as well as individual lenses, we’ve already discussed different abbreviations used to describe Sigma, Fujinon, Nikon and Canon lenses. In this article, I will talk about the most popular abbreviations used with Sony lenses.
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Sony DSLRs, SLTs and mirrorless cameras in Lightroom. Please see our other articles on getting accurate colors for Nikon, Canon and Fuji cameras.
After months of waiting for the manufacturer to modify the chemical properties of the Sensor Gel Stick so that it works perfectly well with the new Sony cameras and heavy testing, we are happy to announce that we will soon be shipping the Sony version of the product to our customers. I have received a couple of sample units last week and I am happy to say that the product worked very well with the Sony A6000 and A7R mirrorless cameras. The manufacturer assured us that the Sony version will work with ALL Sony cameras without problems, but just to be sure, we did perform our own tests and found no problems! If you own a Sony mirrorless camera and would like to use the Sensor Gel Stick, you can now pre-order it from our store.