With the Photo Plus show, a lot of manufacturers including Nikon, Canon, Sony, Pentax and Sigma have announced great promotions in the form of instant savings ranging from $50 all the way to thousands of dollars. Canon is basically discounting every DSLR, including the new Canon 5DS R (which is currently $300 off), and if you go for some specific kits like the Canon 7D with 28-135mm lens, you can save up to $750. The new Canon 7D II has been discounted heavily too. You can purchase it with the Pixma Pro-100 printer for $1,249 after a $350 mail-in rebate, which is a pretty sweet deal. If you shoot Nikon, the “Buy Together and Save” program is still actively going, with savings up to $1,100 when you get the D810 with the 24-120mm lens. And speaking of the D810, the camera itself has been heavily discounted by a whopping $500, so if you don’t need to buy a lens, you can grab the D810 body only for $2,800. B&H will sweeten the deal even more by giving you a 2% reward card and a few accessories worth another $100.
Just a quick report for those who are wondering about the Sony A7R II file sizes and storage options after upgrading to firmware 2.00 and enabling uncompressed RAW. First of all, file sizes in fact do look much bigger in comparison! Here is a short summary of Lossy / Compressed RAW vs Uncompressed: 43 MB vs 86 MB – the file size basically doubles! Ouch, that means not only slower write times to your memory card, but also twice less images to save on them too. And if you keep the original RAW file, it will also double your storage and backup requirements. If you do not like this, there is one workaround – to use Adobe’s DNG converter. If you import your images into Lightroom, you can convert uncompressed RAW files to DNG upon import, or you can use the free Adobe DNG converter software before you start the import. The good news is, this process will create a lossless compressed DNG file, which means that you will end up with a much smaller file. How much smaller? Take a look at this small table:
Today is a good day in the Sony world, because the firmware 2.00 containing 14-bit Uncompressed RAW is available for download for the Sony A7R II! Finally, Sony added this option to the camera, which means you can now take a full advantage of the 42 MP Sony sensor in the A7R II, without damaging image quality. While the uncompressed RAW images will be much larger in size (roughly 2x the size), it is definitely worth using this option for critical shooting, particularly when shooting night scenes where sky posterization issues and artifacts around subjects are most pronounced. With the uncompressed option, you can enjoy seeing images that look like the ones from the Nikon D810 below:
We are in the process of reviewing the Sony A7R II mirrorless camera and we thought it would be a good idea to provide our recommended settings for this camera, since many of our readers have been asking for it. With a powerful 42 MP sensor and a pretty long list of features including native 4K video recording capability, the Sony A7R II is a high-end interchangeable lens mirrorless camera designed for serious enthusiasts and professionals. In this article, we will provide some information on what settings we use and shortly explain what some of the important ones do. The Sony A7-series cameras have a myriad of different settings and buttons, which can be confusing to understand, so the below information is provided as a guide for those who struggle with the cameras.
I am currently in the beautiful San Juan Mountains of Colorado, getting ready to conduct my annual Colorado Fall Workshops. Although some of the areas have not turned in their full fall color glory yet, it is just a matter of days at this point to witness the stunning transformation of the scenery before winter rolls its cold in. A breathtaking visual spectacle; something I love indulging myself in, together with some of the most amazing people from all over the world – our readers who will be arriving later this week to join the workshops. As I was trying to catch up with work earlier today, I realized that I was about 30 minutes away from sunset. I looked outside and was disappointed to see a bunch of thick clouds covering the sky. At first, I thought I would just stay and work, but then the thought of potentially losing a sunset opportunity crossed my mind, so I grabbed the Sony A7R II (which I am currently testing) and off I went to quickly get to the first overlook of the glorious Mt Sneffels.
I recently sold my D810 to get the Sony A7R II after it was announced by Sony, so I received it less than a week ago after ordering from Amazon. The specs were too tempting, especially with Nikon being somewhat stagnant in regards to innovation on the mirrorless front. Although I loved my D810 for landscape images, lugging the camera and tripod when going on vacation or hiking with a 20 month old child, has it’s challenges. The thoughts of a lighter set-up and the 5-axis image stabilization is what finally pushed me over; the 42MP BSI sensor was just the icing on the cake as I would have gone to Sony even if they stuck with 36MP.
It is hard to visit any photography website without noticing extensive fanfare being paid to the mirrorless camera niche. Some tout it as the savior of the mid-to-high end camera market. Others have dubbed it the “DSLR killer.” A number of prominent photographers have created videos and articles articulating how mirrorless innovations caused them to shed pounds from their bag and reintroduce them to the joy of photography. And why shouldn’t they? The market for traditional point-and-shoot cameras is in a free fall as smartphones increase in usage, quality, and capabilities. Traditional DSLR sales continue to fall as well. The industry certainly needs something to cheer about. And of course, photography websites need something to write about.
Without a doubt, one of the most anticipated camera releases this year is the Sony A7R II, a mirrorless monster with world’s first 42.4 MP BSI CMOS sensor and a slew of features, such as in-body image stabilization, electronic first-curtain shutter, completely silent electronic shutter, high-resolution electronic viewfinder and 4K video recording, to make it worth seriously looking into. We have written about this release last week and based on our readers’ feedback, many are excited about the Sony A7R II release. I have been personally waiting for this camera for years, because it brings pretty much everything I want in a compact mirrorless camera – Sony did a great job in addressing most of my concerns that I have expressed on previous iterations of the A7 line. Although battery life is still a concern and 14-bit lossless / uncompressed RAW support is only a promise by Sony at this time, I will still go ahead and order the Sony A7R II for myself for a number of reasons. First, the camera already has most of the features that I want in a mirrorless camera. Second, with Zeiss backing up Sony with their new Loxia and Batis lines of lenses, along with Sony’s own high-quality primes, I don’t have any more concerns about native lenses. Lastly, the A7R II will be my reference camera for evaluating Sony-mount lenses, which I am planning to test and review more of. Sony has been working hard on the A7 line and it these cameras have now reached the point of maturity, so I consider them safe to invest in. In fact, if the A7R II turns out to be as good as the specifications promise, I might start using it heavily for my landscape photography needs. Well, today is an exciting day, because you can pre-order your copy of the Sony A7R II!
Today is a big day in the photography world, because Sony has just unleashed a true monster, the Sony A7R II, something that will seriously impact the photography industry. This is the camera that I have been personally waiting for, this is the game changer. I know this sounds a bit over-hyped and potentially over-promising, but as I was reviewing the Sony A7R, I asked myself “what would be an ideal mirrorless system look like for landscape photography?”. Based on my experience shooting with the Sony A7 II and Sony A7R, the wishlist included: lower-noise shutter, vibration-free shutter mechanism with EFCS (electronic first-curtain shutter), electronic silent shutter, high-resolution sensor with superb dynamic range, in-camera body image stabilization (IBIS) and full 14-bit RAW support. Well, the Sony A7R II today not only includes most of the items from my wishlist (the 14-bit RAW support is unclear at this time), but it also comes with more – this camera will be the first to feature a full-frame 42.4 MP BSI CMOS sensor, which means better low-light performance. Sony claims an improvement of two stops, which is huge. Faster sensor readouts also allow the A7R II to capture 4K video at 30p/25p/24p (with Super 35 support), making this camera highly desirable for both digital photography and videography needs. On top of this, the A7R II will come with a much more advanced AF system with 399 AF points (based on on-sensor phase detection points) and will be able to autofocus with third party lenses. Its OLED electronic viewfinder has been refined with impressive 0.78x magnification. This is why I called this camera a “game changer”, as it has more to offer than anything else on the market today. It sets a new benchmark, setting a new challenge for not only Nikon and Canon, but also medium format camera manufacturers. After this announcement, Canon’s 5DS already sounds unattractive and the camera has not even hit the shelves yet (sorry Canon fans, but we weren’t that enthusiastic after finding out that Canon did nothing to improve the dynamic range on the 5DS). And with Zeiss backing up Sony with its amazing Loxia and Batis lines of lenses and Sony working hard on releasing high-quality lenses, the Sony mirrorless system is gaining traction quicker than anyone anticipated. The only drawback of this announcement is the price – the Sony A7R II will be Sony’s most expensive mirrorless camera to date, with its MSRP price of $3,200.
Sony unleashed the Sony A7 and the A7R in October of 2013. With the Sony A7 aimed for general use sporting a 24 MP sensor and hybrid autofocus, the A7R differs primarily with its 36 MP sensor, therefore making the A7R more suitable for specific types of photography that need high resolution such as landscape, architecture, studio and product photography. I had an opportunity to test both cameras in 2014, however, I did not have a chance to write detailed reviews for a number of different reasons. Hence, this is more of a catch-up type of a review showcasing some images from my recent trips, along with the usual analysis.