MIOPS Smart Camera Trigger is a camera and flash trigger in a single unit. It provides seven different triggering modes, including lightning, sound, and laser. It also functions as an intervalometer for timelapse photography. It has an HDR mode, a scenario mode, and a DIY mode. With the smartphone app, you can also use the trigger in four shutter release modes: cable release, press and hold, press and lock, and timed release. The past few days I have had a lot of fun playing with my MIOPS Trigger, and I would like to share my experiences with you.
It has been 15 years since Nikon produced the last iteration of its budget 300mm lens, so the new Nikkor 300mm f/4E PF ED VR was something many enthusiasts and professionals have been patiently waiting for. Although the previous generation Nikkor 300mm f/4D AF-S is an excellent lens optically, it lacks image stabilization, new generation coating and other new technologies that Nikon has been integrating into modern lenses. I have personally been a huge fan of the 300mm f/4D AF-S lens and have owned it for many years, loving the lens for its superb optical performance, fast autofocus, light weight and compact size, making it my ultimate travel lens for wildlife photography – a perfect companion for hand-held shooting. Because it was so good with the 1.4x teleconverter, I practically always kept the teleconverter attached to the lens, making it a very nice 420mm f/5.6 combination. When Nikon finally announced the new 300mm f/4E VR lens, I got very excited, because Nikon completely redesigned the lens. In fact, with close to a 50% reduction in weight and a 30% reduction in physical size, we are not dealing with another redesign or update – this is a completely different lens.
UPDATE: The review has been updated – missing Imatest charts and lens comparisons have been added based on two additional lens samples.
Many photographers who want to upgrade their tripod are stuck choosing between high-end aluminum tripods and low-end carbon fiber models. These two types of tripod tend to be similar in price, which makes the decision even more difficult. I have been trying out the carbon fiber Oben CC-2461 tripod over the past few months, along with the accompanying BE-126T ballhead. This review covers my experiences and recommendations for photographers trying to decide on a tripod at this price point.
Ever since Nikon debuted the 24mm f/1.4G ED lens five years ago, the lens has been a popular choice among professionals and serious amateurs, thanks to its excellent optical formula and coating technologies that yield crisp and pleasing images. However, its high price point and the relatively heavy weight made it a rather specialized tool, so a cheaper and lighter f/1.8 version of the lens was much needed to complement the 20mm f/1.8G and the 28mm f/1.8G lenses. Nikon filled this gap with the Nikkor 24mm f/1.8G ED in August of 2015, finally addressing the needs of many photographers like me, who had been wanting such a lens for a while now. When I finally received my copy of the lens, I wondered how it would compare optically not only to its older f/1.4G brother (which I used to own and love), but also to other popular 24mm primes such as the Sigma 24mm f/1.4 Art and the Samyang 24mm f/1.4. After getting a hold of all three, I hit the road with the purpose to find out which lens would serve as my dedicated 24mm prime in the future. In this review, I will not only discuss the Nikon 24mm f/1.8G lens in detail, but also compare it to the above-mentioned 24mm primes.
A couple of weeks back, AT&T sent me a ZTE Spro 2 Smart Projector to review and give away to one of our readers. I loved the idea of doing this, not only because it is a neat little smart device that you can use as a mobile hotspot and as a projector, but also because with the holiday spirit, why not gift one of these away to one of PL’s readers? After-all, our site is all about giving! Speaking of gifts, hope you’ll get what you need this holiday season, because it does not always happen. What do you do with those unwanted gifts then? I find regifting to work the best. For example, on my birthday earlier this year I received a gift card to a store I never shop from, so I decided to regift it to a friend who does. Worked out nicely and I did not even have to think much about buying a present! Now the question is, if you win this giveaway, will it be a keeper? Anyway, before I go into the giveaway details, let’s take a closer look at what the ZTE Spro 2 is capable of and what you can use it for.
This is an in-depth review of the new Nikkor 500mm f/4E FL ED VR lens that Nikon introduced on July 1, 2015. I wrote the initial preview of the lens in a post titled “Is Nikon’s new 500mm FL too sharp?“, where some of our readers got engaged in interesting discussions and even talked about anti-aliasing filters and Nyquist frequency. Stuff that can melt your brain for sure! Today, we will be taking a closer look at the Nikon 500mm f/4E VR and see what this beast is all about.
Without a doubt, the Fuji X-T1 has been a huge success for Fujifilm, being one of the most rugged, versatile and very capable interchangeable-lens mirrorless cameras on the market. It did not take long for me to fall in love with it – after writing my in-depth review of the Fuji X-T1, I ended up buying one for myself. The X-T1 took the market by storm and many photographers ended up buying that camera either as a primary tool, or as a secondary camera to a full-frame DSLR. Despite the many offerings from Fuji, including the X-A2, X-E2, X-M1 and the X-Pro1, the X-T1 is the camera that made the most impact overall. The success of the X-T1 was the reason why Fuji decided to create a stripped down version of the same camera at a lower price point and that’s how the Fuji X-T10 was born.
Photographers have an interesting dilemma when choosing a bag for long hikes. Camera backpacks are great at holding cameras, but they tend to be poor choices for comfort on long hikes. For some people – those who rarely need to trek with their camera equipment – a traditional camera backpack may be more than enough. For landscape and travel photographers, however, or those who need to carry their equipment longer distances, technical hiking bags tend to be the only option. The issue with these bags is that they aren’t made with photographers in mind, meaning that gear access and tripod attachment is quite difficult. One of the companies trying to fix this problem is F-Stop Gear, who makes trekking-style backpacks with separate compartments for camera equipment. I have owned the F-Stop Loka UL since it was first released, and it has never disappointed me. So, when F-Stop announced their newest line of Mountain Series backpacks, I was excited to see some of the improvements that had been made. In this review, I will take a look at the brand new Sukha bag – at 70 liters, F-Stop Gear’s second-largest backpack.
Ever since Sigma announced their new direction with reorganizing new lenses into three different “Contemporary”, “Art” and “Sports” product lines, the company has been successfully rolling out a number of truly groundbreaking lenses. We were blown away by the optical quality of the Sigma 35mm f/1.4 Art lens, which topped our lens charts as one of the sharpest lenses we have seen to date. Then we welcomed the updated Sigma 50mm f/1.4 Art and were quite inspired by world’s first f/1.8 constant aperture zoom lens, the 18-35mm f/1.8 Art. Earlier this year, Sigma announced yet another addition to the “Art” line of lenses, again in the “world’s first” category, the Sigma 24-35mm f/2 DG HSM Art. Built on the concept of the 18-35mm f/1.8 Art, the 24-35mm f/2 was redesigned to cover the full-frame image circle, while maintaining the superb optical performance. The result was a larger and heavier lens, but one that was to challenge primes from 24mm to 35mm focal lengths. Set on to go head to head with such primes specifically, the biggest question I had was – could this lens actually optically challenge prime lenses? If it performed well optically, that’s a single lens which could potentially replace such lenses as the Nikkor 24mm f/1.8G, 28mm f/1.8G and 35mm f/1.8G in a single package – a rather tough challenge, as those lenses are quite strong performers on their own.
It is hard to visit any photography website without noticing extensive fanfare being paid to the mirrorless camera niche. Some tout it as the savior of the mid-to-high end camera market. Others have dubbed it the “DSLR killer.” A number of prominent photographers have created videos and articles articulating how mirrorless innovations caused them to shed pounds from their bag and reintroduce them to the joy of photography. And why shouldn’t they? The market for traditional point-and-shoot cameras is in a free fall as smartphones increase in usage, quality, and capabilities. Traditional DSLR sales continue to fall as well. The industry certainly needs something to cheer about. And of course, photography websites need something to write about.