This review is for three Impact Muslin Backgrounds and an Impact Background Support System. I have always loved backdrops and how they can convert any space into a studio. By setting up a studio backdrop, you can create a whole new feel for a shoot and they are versatile and easy to use. I chose to set these up in my living room and home office space, but if you are tight for space in your home, a garage makes a perfect studio as well.
Let’s be completely honest – other than style, leather half-cases for mirrorless cameras serve just about no purpose. It really is all about style – not protection, not ergonomic improvement, none of that. Any change in those areas is, more often than not, unintentional. A side effect. So, when talking about such an accessory, what matters most is design and quality of the product. One is only ever going to pay good money for an accessory that’s not actually that practical or sensible to own if it looks great and is made with utmost precision. Gariz, a small Korean camera accessory manufacturer few have even heard of, has its hands full, so to speak.
Last year I had a chance to test and review the ioSafe 1513+ storage unit, which I found to be an amazing device that not only provides data protection against fire, flood and other potential disasters, but also does it with superb performance, thanks to the Synology DSM architecture. With its relatively steep price, hefty size and heavy weight, the ioSafe 1513+ might not be an ideal choice for everyday backup needs though. For smaller environments with lower storage and performance needs, ioSafe also offers a much more budget-friendly option, the ioSafe 214. I have been using the ioSafe 214 for the past 4 months for my personal and business needs and I decided to review the unit and share it with our readers, based on my overall experience so far.
This is an in-depth review of the manual focus Zeiss Distagon T* 35mm f/2.0 ZF.2, a second generation 35mm f/2 prime lens from Zeiss for Nikon and Canon mounts. The lens samples I tested were for the Nikon F mount, although you can get the same lens for the Canon EF mount. The Zeiss 35mm f/2.0 ZF.2 is a professional-grade fixed wide-angle lens targeted at enthusiasts and professionals that need high quality optics for different types of photography, including landscape, architecture, portrait and astrophotography. Similar to other Zeiss prime lenses, the lens is designed to work on both FX and DX sensor cameras (equivalent field of view of approx 52.5mm on DX) and yields amazing clarity and contrast throughout the frame.
This is a review of the Think Tank Airport Roller Derby rolling camera bag. When I first saw that Think Tank had released a new 4 wheel camera bag, I was immediately curious. I had been using the Airport 4-Sight since it first came out and was very happy with it, but had filled it with as much gear as could fit in it and simply needed more room. The Roller Derby is a larger bag that looks like it has a few improvements over the 4-Sight. Could it become my new camera bag?
We’re pleased to have one of Arizona’s top professional photographers, Dawn Kish, share her experience field testing two waterproof DSLR housings on a Grand Canyon raft adventure. Dawn is not only a regular shooter for magazines such as National Geographic Adventure and Arizona Highways, but a former river guide as well. For a quick one-minute video review of these two housings in action, scroll to the bottom of this post. For the more detailed analysis, read on.
What to do when you are out in the field with amazing scenery to shoot, a handful of exhausted camera batteries, and no electric outlets in sight? Self-disembowlment comes to mind, but wait, there are better options. I was recently on an 18-day Grand Canyon rafting trip and faced with the above dilemma. One option I utilized was a small waterproof solar charging system from Voltaic. The unit I tested was a beta version as far as the waterproof housing went, but other than the housing, it used the components of Voltaic’s 17 Watt Solar Charger Kit ($265 MSRP).
Like most photographers I have a few different gear bags and none of them seems to be the perfect solution to meet all of my needs. I further compound this problem by buying more gear, then kicking myself in the butt when my storage and transport issues get even more complicated.
The battery grip has to be the most overpriced accessory in photography. Think about it – it’s a plastic/composite case filled with batteries and a few switches – that’s it. How come a Nikon MB-D12 costs $399 and the batteries aren’t even included? The Nikon D3300 body costs a bit more and it comes with a battery (and a 24mp sensor + EXPEED 4 processor, etc. etc). Heck, for 50 bucks you can buy a similarly-sized plastic case filled with batteries and switches that has 16 programmable modes, multiple movable parts and will do a heck of a job massaging your back when you are in pain, post-processing those wedding photos from the couple that will probably get divorced before you are done. So why use a battery grip?
Being a professional photographer, I constantly deal with a large flow of photographs that need to be imported, processed and backed up as part of the workflow process. Although I do everything I can to keep several copies of my photo library on different computers and storage devices, it is still a lot of data to keep track of continuously. Every time I revisit my backup strategy and make changes to it, whether by altering the process or introducing new software or hardware, the thought of potentially losing all of my images scares me to death. Years of hard work, client files and resulting terabytes of data make me nervous whenever I think about potential failures and disasters. Taking backups off-site is not something one can easily do continuously and transferring gigabytes of freshly photographed RAW material to the cloud is not only impractical, but can also get quite costly. And despite our attempts in keeping multiple copies of data at home or in our business offices, what if a real disaster takes place? Floods, tornadoes, hurricanes and fire could strike any time and can be very costly to recover from. What if you had a storage solution that offered fire and water protection, with the capability to withstand temperatures up to 1550°F and protect data from floods up to 10 feet deep, submerged fully in water for 3 days straight? What if this storage solution offered scalability, incredibly fast performance and RAID-level protection utilizing the best of the breed platform? That’s where ioSafe products come in, which are specifically built for protection against such disasters. These unique solutions are powered by the award winning Synology DSM, the platform that I have been a fan of for the past few years.