I got my Nikon D5 a week and a half ago and have been itching to try it out on some real world wildlife photography, but this time of year is tough for wildlife where I live and also the weather here has been insanely difficult the last week or so. This has really hampered my chances to try and get some photos with this new camera.
I am currently in Death Valley NP, shooting with a bunch of new gear including the Nikon 24-70mm f/2.8E VR, so I wanted to provide my early thoughts on this lens. Some of our readers sent me concerned emails, asking what I think about the 24-70mm f/2.8E VR, since apparently some others were quite unimpressed with this lens, even putting it into the category of “one of the worst lens releases of 2015”. I am not sure where these statements come from (sadly, my Internet connection here is really bad), but based on two samples of the Nikkor 24-70mm f/2.8E VR that I currently have access to, the new updated version seems to be an absolute gem. Based on my limited time pixel-peeping some of the images I have captured so far, it seems like Nikon has optimized the new 24-70mm differently when compared to its predecessor.
One of the most common knocks against the Nikon 1 product line has been its small CX sensor and its somewhat underwhelming dynamic range and colour depth performance. I wasn’t even mildly interested when I first read about the introduction of the Nikon 1 J5 as I initially assumed the camera would be using yet another Aptina sensor. Based on past experience this meant very little, if any, improvement in terms of sensor performance and image quality. After all, that had been the case with each successive S-series, J-series and V-series model that had been introduced. Since I don’t like using cameras without a viewfinder I just shrugged.
I’m Paolo and I have been a Fuji user for a little over a year now. Just like everyone else I was a DSLR shooter before but the weight got to me and I thought of trying unconventional brands. Started with the awesome but slow to “everything” X100 – that is before the firmware updates that made the X100 what it was supposed to be like, now. Anyway, that’s where my love and hate relationship with Fuji started. Well not really hate, it is such a strong word, more of frustrations which I have already gotten over with. I got my hands on a Fuji XF 18-135mm f/3.5-5.6 R LM OIS WR this February in time to shoot the famous Cebu City’s Sinulog Festival “Pit Senor!”. Thank you Marie Dela Cruz of Fuji Philippines for letting me try one!
This short article has a selection of sample images taken hand-held with the Nikon 1 V3 and Nikon 1 CX 70-300 lens at Bird Kingdom in Niagara Falls Canada. While I was intending on doing a full review of the Nikon 1 V3 a number of time sensitive client video projects have recently emerged. Unfortunately that means I will not be able to proceed with my planned full review any time soon. Instead I’ll provide a few initial impressions of this camera along with some sample images.
The purpose of this article is to share my initial impressions of the DxO ClearView anti-haze function which is contained in the Elite Version of DxO OpticsPro 10 software. As many Photography Life readers know, I’ve been using DxO OpticsPro as my main RAW processor for some time. I started out using DxO OpticsPro 8, then upgraded to 9 in order to get the PRIME noise reduction function, then upgraded again to OpticsPro 10 in order to get speed improvements with PRIME, some enhanced Smart Lighting presets, and the new ClearView anti-haze function. With each upgrade I felt my money was well spent.
In advance of my upcoming hands-on review of the 1 Nikon CX 70-300 f/4.5-5.6 telephoto zoom lens I thought readers may like to see some sample bird images. It is late in the season in Southern Ontario and many birds have already migrated. Never-the-less I was able to get a few different species captured in flight.
We have just returned from 13 days in the Botswana bush with our good friend Moses Ntema, owner of Unlimited Tours and Safaris operating out of Maun, Botswana. This mobile tented safari was designed to take advantage of the late dry season predator/prey action in three diverse areas of Botswana: The Savuti Marsh in the Mabebe Depression (Chobe NP), the Khwai riverine ecosystem and the rich flood plains from The Blackpools to Third Bridge in the Moremi Game Reserve (including the Bodumatau area). This was our third trip with Moses and Unlimited Safaris having previously visited The Central Kalahari Game Reserve (CKGR) and Duba Plains in addition to other locations in Tanzania and the Okavango Delta.
Since Nasim has been photographing the beautiful golden aspens in Ouray County, Colorado with members of the Photography Life community for the last few days, I thought I would provide some early thoughts and samples of photos taken with the new Nikon AF-S 20mm f/1.8G ED. Once Nasim is back in town, he will post a much more detailed review of this lens. I would call this a “Nasim Light Lens Review,” but that would be giving myself too much credit!
I know that many of our readers have been patiently waiting for me to publish my upcoming Nikon 70-200mm f/4G VR Review (Update: the review has been posted right here). While the review is under way, I have a lot of gear in my hands that I need to test and hence, it is a little delayed. Thanks to my friend David Bassett, I had a chance to play with the 70-200mm f/4 for the last couple of days until I receive my copy from B&H (should be arriving later this week, along with the Sigma 70-200mm and Tamron 70-200mm). One of the first things I did after I got the lens, was mount the lens on my D800E and test it in a lab environment for its resolution capabilities. As you can see from the below comparisons with my beloved Nikon 70-200mm f/2.8G VR II, the 70-200mm f/4G VR performed incredibly well. I am stunned and seriously in love – wife said that she doesn’t mind :) Once again, Nikon produced an absolute winner, a true gem that will quickly become a favorite lens by many. First, we had the 50mm f/1.8G, then the 85mm f/1.8G and now the 70-200mm f/4G. As I have said before, it is a good time to be a Nikonian! Superb camera bodies, excellent lenses – a great system overall.