We are continuing our education series from some of the best photographers in Colorado and this time we are proud to feature Mario Masitti, who is without a doubt, one of the most successful high school senior photographers in the nation, not just Colorado. In this article, Mario will shed some light on high school senior photography and share his technique, style, gear and provide some sound advice for aspiring photographers. We hope you enjoy reading this article and learning from him.
In the world of photography, nothing happens without light. In most cases, there are two types of light that photographers work with: natural light and artificial light. Although I often find myself using artificial light sources, I prefer using natural light whenever possible and consider myself to be a natural light photographer. One of the tools that has made the biggest difference to my natural light photography (and, for that matter, studio photography) is a reflector. In this guide, I will show you how to use a reflector effectively to enhance your photographs by simply bouncing natural light.
Most of the cover photos for famous magazines and different publications are taken with very simple photographic tools. If you carefully look at the photos, you can probably tell what the light source is from the shadows that fall on the model and roughly understand what really went into making that specific production. While anyone can take a photo using the same tools, it, does not necessarily mean that you will end up with the same cover page.
Hello my dear Photography Life readers. I am glad to be back again after a long break! Baby Jasmine is growing fast and she is now a little more accommodating, letting her mommy do some work here and there. I hope you won’t mind the gradual transition of my persona to the world of photography and helping out my hubby, who has been too busy with his new ideas, the lens database, never-ending reviews and a slew of other things I have little idea about :)
As promised in my Nikon D800 for Wedding Photography article that I wrote a couple of days ago, I am continuing the series and this time with the Nikon 50mm f/1.8G lens. As I noted in my Nikon 50mm f/1.8G review, Lola and I really love this lens for everyday and commercial photography. Because I was so impressed with the lens, I ended up replacing the Nikon 50mm f/1.4G with the f/1.8G version last year. While we still own the 50mm f/1.4G, we made it a backup lens, which is now pretty much permanently attached to the Nikon D700 (also used as a backup camera).
There are times when you wish to manipulate light sources but don’t always have the luxury of having an assistant to position and hold a reflector. The Impact 42″ 5-in-1 Reflector with Lightstand and Holder Kit comes in handy during such situations, as it allows you to tinker with different lighting angles, position the reflector, lock it in place, and carry on with your shoot. It is like having an assistant when one is not available (albeit a rather silent one!). It also comes in handy when it is not convenient to take multiple lights with you on a photo shoot. The reflector kit can act as a “second light” by maximizing the effects of a single light.
Many of our previous Mastering Lightroom series articles focused on specific Lightroom 4 features and tools, as well as ways of using them in your everyday workflow. I’ve explained how to use the Basic Panel and talked about the Tone Curve in great detail. We’ve also learned how to use External Editors, Spot Removal Tool and Virtual Copies. However, simply learning what each feature does is not our goal with these articles. After all, theory makes sense only when put to practice. In the end, we want to teach you how to actually edit your images, start to finish, no matter the subject or scene or desired result. We want you to be able to use what Lightroom has to offer without thinking about it, just as we should use our cameras and lenses. Learning what each tool does individually is essential, but what matters in the end is how we make them work in conjunction with one another. Perhaps then it is time to shift away from features and theory for a while and move towards editing images to achieve desired look in practice? There are many aspects of Lightroom we haven’t covered so far. Many tools, options, modules and tabs yet await our attention. But this time, instead of explaining specific settings, we will do some simple portrait post-processing focusing most of all on color and tones.
As you know from reading this site, Impact makes a number of excellent products that offer quite a bit of bang for your photography buck. The Impact 22″ Beauty Dish Reflector Kit represents a solid value for those that want to engage in portrait photography, but don’t want to pay more for a beauty dish kit than they paid for their portrait lens.
I’ve always admired landscapes and portraits taken by much more talented photographers than myself. Looking at their work – take landscapes photographed by Nasim – I see a world completely different to my own. I see colorful forests and tall mountains inviting me, tempting me. It’s as if they’re saying – come. We look gorgeous from every angle. Come. We are the very bones of Earth. We have valleys and rivers, there are canyons and caves, meadows and snowy peaks to be found. Whatever the time of day, whatever the season or weather, we look gorgeous from every angle. Much unlike the nature around my home, you know. All I’d need to do is choose the one angle I like most. How wonderful would that be.
Winter can be a very beautiful time of the year, especially if you live in a region that gets plenty of snow. We all know how children love the snow – there are endless possibilities for having fun and cold weather is usually not enough to stop them from enjoying it. On one hand, winter poses a beautiful time of the year for photography, particularly landscapes and portraits, and can be equally refreshing for wildlife photographers. On the other hand, it creates certain problems that are hard to figure out for beginner photographers, let alone their cameras. In this article, I will give you tips on how to photograph in winter and end up with well exposed, beautiful color images. I will also provide you with suggestions on when to go out to photograph and how to use snow to your advantage.