Nikon has been on the roll in the past few years, releasing one amazing lens after another. We have seen a refresh of the f/1.8 prime lens line with some amazing optics, but those craving for more have been patiently waiting for a modern replacement of such lenses as the Nikon 105mm f/2 DC and Nikon 135mm f/2 DC, absolutely amazing and beautiful lenses in every way, capable of rendering stunning bokeh for portraiture. Well, the waiting for the first lens replacement is finally over, because today Nikon gave us something truly groundbreaking – the Nikon AF-S NIKKOR 105mm f/1.4E ED. While the de-focus control feature on the previous 105mm f/2 lens allowed one to modify the bokeh rendering of the lens, it would end up changing the field of view and it was a bit hard to get used to utilizing that feature effectively for many photographers. Plus, the maximum aperture of f/2 put it in competition with the superb Nikon 85mm f/1.4G (review soon to be updated), as the latter is a faster lens and has superb rendering capabilities wide open. For these and other reasons, many photographers having been choosing the 85mm f/1.4G over the 105mm f/2 DC for portraiture, while the 135mm f/2 DC remained untouched. Now that the 105mm f/1.4E is out, let’s talk about what is so amazing about this gem and why we can mark today as an important milestone in the history of lens making.
Have you ever heard someone say that a telephoto lens “compresses” the background or “flattens” an image? What exactly does this mean? The perceived distance between your subject and the rest of the scene is dependent on two things: where you stand relative to your subject to take the photo and the focal length of the lens you choose. In this short article, I want to discuss this type of perspective distortion, and how to use it to compose exciting photographs.
For Part 7 of our How Was This Picture Taken series, I have another portrait for you. Our last related article was a complete spoof and a joke (for those who did not get that it was an April Fool’s joke, including our “sell-out” to Canon!), so this time we will get back to our more serious regular scheduled programming. Compared to the last one, hopefully you can learn something from this one :)
You have probably already read some great articles at Photography Life regarding framing of your subjects and all the rules that are applicable while doing so (if you have not, check out the section on composition in the photography tips for beginners page). This time around, I want to draw your attention to framing subjects with natural elements to create compelling images. For me personally, photographing is like narrating a story, so I often find it important to incorporate the surrounding elements of the scene along with my subjects. While you can certainly take fantastic photos isolating your subjects with creamy bokeh, I believe that decorating your shots with creative framing will help you add some substance and a pleasant visual appeal to enhance the story.
The nomadic Rautes are the last hunters-gatherers of the Himalayas. The Rautes, who call themselves Kings of Forests, subsist on langur and macaque monkeys, wild yams, rice and a few kinds of vegetables traded from local farmers. Their main occupation is to trade and exchange of wooden items in nearby villages and bazaars. They migrate from river valleys up to middle hills in the Western parts of Nepal living in temporary camps hidden away from the villages in remote parts of the forests.
Every once in a while, I bump into a great idea that I wish I came up with myself. Recently, I came across such an idea – a website called “KeepSnap” and I thought that the concept behind it was very smart. Many of us photographers often go to the streets and events armed with cameras, in hopes of finding something or someone interesting to photograph. And sometimes we do indeed come across fascinating people that we immediately get attracted to, wanting to take their pictures. Many of us can relate to such situations. While I was photographing a beautiful sunset in the mountains last fall, I saw a couple, sitting on chairs and enjoying the sunset and the surrounding beautiful scenery. I approached them and asked for a permission to photograph. They not only immediately agreed, but also requested me to take more photographs, because they had not been photographed for many years! I took a few photos, including some close-ups. When I showed the photos to them, they were really excited and they were ready to pay me for preserving their moment of happiness and joy.
Earlier this week I posted a portrait as the next installment to our How Was This Picture Taken series. Most of our readers took this as an opportunity to stretch their brains a bit and try to use visual clues within an image to figure out how it was taken. They are rewarded all of the internet points.* A few, missing the entire point of the post in an effort to be “right”, decided to go directly to the image’s EXIF data and rattle off the technical details of the image. They are rewarded zero internet points.*
*internet points are imaginary, useless and non-redeemable for anything except for maybe bragging rights
One of the common misunderstandings in photography has to do with the focal length of a lens, or its optical distortion properties. Many photographers claim that a wider angle lens will distort facial features either because of the lens distortion, or the focal length of the lens being too short. In this article and the accompanying video (which is extracted from our upcoming Photography Life Basics Video), we will prove that focal length has nothing to do with distorting a subject’s face and the additional information on lens distortion will explain in detail exactly what gets impacted by lens distortion.