I recently spent some time looking at CIPA data and wrote a few articles on my blog pertaining to these camera industry statistics. I thought Photography Life readers may find some of the data of interest. What follows are a few thoughts about the camera market, based on my interpretation of CIPA data. It should be noted that data is simply data and two people can look at the same information and arrive at differing interpretations. For folks who find the data of interest you can pop over to my blog to read a bit more. If you want to see the actual data reports I would encourage you to visit the CIPA website and access the data directly…then put on a pot of coffee, grab a calculator or open up Excel on your computer…and have some fun!
Lost in all the recent excitement of the Nikon D5/Nikon D500/Canon 1DXMkII/Pentax K-1/Sony a6300 and Fuji X-Pro 2 announcements was Nikon announcement of their new DL “premium compact” camera line-up. The DL line-up consists of three models all sporting fixed lenses, 1.0” 20.8 megapixel sensors and the new EXPEED 6A processor. The Nikon DL18-50 ($850) with its 18-50mm equivalent lens is there to tempt the landscape and architecture shooters. Street ‘togs and all-rounders are offered the DL24-85 ($650) with a 24-85mm equivalent lens. For nature and wildlife buffs the DL24-500 ($1000) sports a 21x superzoom 24-500mm equivalent lens.
Although Sony has already made the fourth iteration of its RX100 camera, sadly, I have not had a chance to test and review any of the earlier models. After the Sony RX100 IV was announced, I told myself that I had to give this camera a try. Partly because our readers have been asking about it and partly because it looked like a killer camera based on its long list of features. Right before my trip to Death Valley, I was able to obtain this little monster of a camera for a real field test. I am really glad I did, because I have been really impressed by the Sony RX100 IV – it turned out to be the best pocket-friendly point and shoot camera I have used to date. Let’s take a look at this camera in more detail and see what it has to offer in its tiny body.
There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.
When Nikon announced the new 24-2000mm equivalent Coolpix P900 it took the world of superzooms and put it into hyperzoom. Or is that hype-zoom? I’ll have the comprehensive review of this intriguing camera done soon, but to whet your appetite until then, wrap your mind around these shots of Grand Canyon’s Desert View Watchtower all taken from the same spot at Lipan Point, 1.8 miles away.
Sometimes we can get so caught up in the technical aspects of our gear that we forget that the most important things are the images we capture regardless of the gear we are using. Those images help to enshrine memories. They could be of family and friends, pets, events, or places that we have visited.
A Panasonic FZ28 super-zoom would never be considered as anything much more than a point-and-shoot camera by most folks. After all, its 10Mp sensor is a miniscule 1/2.33″ (6.08×4.56mm), with uninspiring dynamic range and colour depth, and very poor low light performance. But in my mind it will always be one of my favourite cameras because of the memories that it allowed me to capture. Like a sightseeing trip to Arizona and southeastern Utah.
Along with X100S, Fujifilm has also announced a new high-end compact camera. Replacing the very popular and attractively styled in recent Fujifilm X-series fashion, Fujifilm X10, the new camera retains all of predecessors’ strengths and gains a few more. With what X20 has to offer, it should end up as a very nice little camera for those who want a camera for simple occasions but with the usual flexibility of higher-end gear.
A couple of weeks ago I had an opportunity to visit Norman Koren, founder of Imatest, LLC. I have been fascinated by his software for a while now and after evaluating the software, decided to purchase it to use in our lens reviews. When I found out that his company is right here in Boulder, Colorado (where I lived for over 5 years), I gave him a call and asked if I could come over and interview him. Despite his busy and hectic schedule, he was able to accommodate me for an hour during his lunch time. Below is the text version of the interview.
Ever since I got a taste of some of the latest compact cameras from Fuji, Sony and Nikon, I have been thinking more and more about where we are headed in terms of cameras and lenses. What is the future of digital cameras and where will we be in 5 or even 10 years? This question came up in my conversation with a fellow photographer, so after discussing this topic for a little while, I decided to put some of my thoughts together and come up with what I think the future of digital cameras will be like.