There are some basic aspects of photography that one would have to strive to master no matter what type of photography you do – and these are light, composition, content, timing, camera settings, presentation. There is plenty of information on these subjects that is well written and very useful. In this article I wanted to bring attention to some less thought of elements of my photography (mainly wildlife) that I find are extremely important, and why they are important to me. These same topics also happen to be items that were heavily commented on by readers in my past articles on PL.
There are very few decisions in photography more personal than picking a set of lenses to use. With the incredible number of options available – no matter which brand of camera you use – it can seem impossible to find the right lenses for your needs. Personally, I have switched out my entire lens kit at least four times in the past four years, and many photographers have done so even more often than that! There are no perfect answers for someone looking for what lenses to buy, but I hope that the tips in this article can shed some light on some of the variables that you need to consider for a set of lenses, whether you use Nikon, Canon, Sony, or any other lens manufacturer.
Have you heard of the Orton Effect? This post-processing technique has been around since the 1980s, if not earlier, but the trend has exploded tremendously in the past few years. If you haven’t heard of it, you aren’t alone – it only recently began to gain mainstream popularity. And yet, in some ways, the Orton Effect is swallowing the modern world of landscape photography. This is barely an exaggeration; after seeing the Orton Effect in practice, you should be able to spot it in at least a third of the trending 500px landscape photos, as well as many winning photo contest entries. This article covers all the basics of the Orton Effect, including a tutorial on how to implement it in your own images – and a discussion on why you may not want to do so.
Have you ever heard someone say that a telephoto lens “compresses” the background or “flattens” an image? What exactly does this mean? The perceived distance between your subject and the rest of the scene is dependent on two things: where you stand relative to your subject to take the photo and the focal length of the lens you choose. In this short article, I want to discuss this type of perspective distortion, and how to use it to compose exciting photographs.
You have probably already read some great articles at Photography Life regarding framing of your subjects and all the rules that are applicable while doing so (if you have not, check out the section on composition in the photography tips for beginners page). This time around, I want to draw your attention to framing subjects with natural elements to create compelling images. For me personally, photographing is like narrating a story, so I often find it important to incorporate the surrounding elements of the scene along with my subjects. While you can certainly take fantastic photos isolating your subjects with creamy bokeh, I believe that decorating your shots with creative framing will help you add some substance and a pleasant visual appeal to enhance the story.
This is a second installment of how you can plan out an engagement session with your wedding clients. The first part of this article How to Photograph Engagement Sessions – Planning was posted a while ago and I thought it would be good to continue where we left off, so that I could jump into the process of photographing the session after that. Please give the above-mentioned article a quick read before reading the second installment below.
While Nasim is busy traveling, I am going to try to fill in for a few days and post some articles. Although there are a number of reasons why I have not been writing for PL for a while now, one of the main reasons has been simply lack of time! I hope our readers can forgive me for that, but going forward, I will do my best to show up a bit more often, since we need more female content here :) Anyway, since I get a lot of questions and requests from our readers regarding food photography (many of whom are novice photographers and food bloggers), I decided to do a quick review of Nicole S. Young’s book titled “Food Photography: From Snapshots to Great Shots” that I bought a few years back for my own personal use.
Perhaps the best-known hosting website for photographers is SmugMug, a platform that has been around since 2002. SmugMug acts as an online gallery space, letting you display your photos easily and – relatively – inexpensively. I have been using SmugMug exclusively for almost a year, and I have grown very familiar with its range of tools and capabilities. In general, I have been very impressed by SmugMug; for this review, I will cover some of its main uses and features, as well as the positives and negatives of using SmugMug to host your online gallery.
Have you ever wondered why you are instantly drawn to some photographs, but not to others? Or why some of your images lack that wow factor that you see in other’s. It may be related to how you compose your pictures. How a photograph is composed has a huge impact on how long we look at it. The longer our brain is allowed to wander through an image, the more likely we are to like it. Photographs that are not composed well do not have staying power, and are quickly discarded by our brain. In this article I want to discuss four very basic compositional tips. I won’t be talking about the “rule of thirds” or “leading lines”, but rather four pointers you should consider before you take a picture. These tips will save you a lot of post processing time, and will allow you to create much stronger images.
When photographic architecture, landscapes and even people, photographers often desire to increase detail and resolution, capture a wider angle or create a unique look that is impossible to achieve with standard camera gear. That’s where panorama photography comes in – it can be a great technique to utilize in order to accomplish such goals. Although the concept and the technique itself are fairly straightforward, panoramic photography often confuses many photographers. We often get many inquiries about this topic from our readers and one of the most frequently asked questions is about the specific type of gear to buy in order to produce stunning panoramas. And that’s certainly one of the biggest myths about panoramic photography – you rarely ever need such gear! Most of the panoramas I have stitched so far have been done without panoramic gear and although I do own a panoramic slider, I rarely ever get to use it. Read on to find out why!