In the first article of our Mastering Composition series, we discussed the definition of the term “composition”. We also outlined the main goal of composition and talked about why it is such an important part of any work of art. As we dive deeper, it is necessary to define two discrete types of composition with photographic context in mind. One such type is called “open composition”, while the other one, predictably, “closed composition”. These two types are further split into several smaller branches. Our readers have already mentioned some of them previously, such as symmetrical composition. These subtypes will be discussed in separate articles over the next few weeks. As before, an assignment for beginners is waiting for you to participate in at the end of the article.
With the first article in our new Mastering Composition series, it is only fitting that we start off by discussing the very definition of our main topic. In this article for beginner photographers, I will outline the general meaning of the term “composition” in art. I will also briefly discuss the goal of composition, define what a good composition is and why it is such an important part of any work of art. At the end of the article I will provide you with a simple question that is also a hint on what is to come in future articles.
Since Lightroom version 3, Adobe has been providing a Lens Corrections sub-module within the Develop Module to correct various optical issues commonly seen on all lenses. It is a very powerful and complex tool that can be applied to one or many photographs with a couple of quick steps, potentially saving many hours of post-processing time. In this article, I will explain what the Lens Corrections sub-module is, how it works and how you can effectively use it to correct optical issues in your photographs. I will also show you a method of adding a lens profile manually, if you have unsupported lenses in your arsenal.
You have heard it said, “Shoot first, ask questions later” but when it comes to wildlife photography, if you will ask questions first, you will get to shoot more later. This quick tip for the beginning wildlife photographer encourages you to ask questions. While you might go to a park to find wildlife, some photo ops might be in your own backyard, literally, and if not your own backyard, maybe in your friend’s or neighbor’s backyard.
Photographers are always looking for something new to invigorate their photography. Sometimes visiting the same old haunts or taking the same types of photographs can get stale. When I mention that I love visiting historic cemeteries, I get quite a few strange looks. Some consider it a bit morbid. Others, uncomfortable with the subject of death, can’t seem to fathom going to a cemetery unless they have no choice! Suffice to say that the notion of visiting a cemetery is not usually at the top of people’s “Things I Would Most LikeTo Do This Weekend” lists!
In my opinion, street photography is a significant craft, geared towards preserving human history and history of any given society. It helps us preserve once-in-a-lifetime moments and capture truly authentic imagery. As many of us start getting weary and tired by the polished, glossy magazine looks we encounter daily, random portraits photographed in streets preserve that originality a lot of us crave, once again reminding us of real subjects and objects around us. Street portraiture is a big chunk of street photography and documentary. Today, I want to concentrate on giving you some tips on street portraiture. I should also warn you that the pointers I give today may work better for female photographers, rather than for boys with cameras :)
As photographers, light is something we are constantly concerned about. We need some sort of light source coming in, but from where and how much is always the question. A soft sun glow during the early hours of the morning or right before sunset is ideal, but often times wedding ceremonies or a client’s schedule does not allow for those prime shooting times. Light can take a normally plain image and transform it into a powerful and exciting picture, but what happens when you are dealing with harsh midday, overhead lighting? Luckily, there are a couple ways of dealing with this problem while still achieving beautiful pictures that both you and your clients will be happy with.
If you took workshops and coursework on photography, chances are you’ve heard every mentor talk about understanding composition and learning to crop within the camera. Doing so will yield greatly composed photos and will limit your time in post production. But from time to time, you will come back with badly cropped photos which might have distracting elements in the background and the composition may not look spot on. If you are photographing portraits, even the slightest distraction may draw the viewer’s attention to something else than what you originally intended the viewer to concentrate on. At times like these, instead of deleting the photo, I want to give it another chance. Memories are precious and I do not mind cropping the photo to preserve what is important. Cropping images in post production will give you another chance to re-frame your shots and there are a number of different ways you can do this to achieve desirable results.
Of all things photography I love photographing family portraits. For me, family portraiture is generally more flexible than any other type of photography, and it gives me lots of opportunities to express my creativity. If you are thinking about getting into family portraiture or perhaps someone asked you to photograph their family, you might not know where to start and how to plan it all out. In this article, I will talk about photographing family portraits and provide some tips on simple things you can do to come back with photos that the family will treasure for years to come.
Summertime for wedding photographers in the northern hemisphere can be quite hectic! Since the beginning of May I have been shooting 3-5 portraits sessions and 1-2 weddings per week – that means before I have little time to process, edit, and complete a session/wedding before I am already onto the next one. It goes without saying that good time management is crucial for not falling behind. In this article, I will share a few time savings tips for busy photographers like me.