There are no times of day more famous for photography than “Golden Hour” — sunrise and sunset. Although great light can happen at any time, the edges of the day are perhaps the most consistent sources of inspiration you can find. Still, just because they’re beautiful doesn’t mean they’re easy to photograph. In this article, I’ll cover some suggestions for capturing sunrise and sunset as well as possible, including tips for exposure, creativity, and post-processing.
It is no secret that the fall / autumn season attracts many photographers to the most scenic locations of the world. Photographing fall foliage is a rewarding experience, as it presents very unique opportunities when capturing the transformation of otherwise boring locations into stunning displays of color. I have been photographing fall colors for many years now and I have been fortunate to acquire some knowledge on what specific tools and photography techniques work best in the field. Having just come back from a fall photography workshop in southwest Colorado, where I had a chance to spend time with some amazing photographers from all over the US, I wanted to share a few tips with our readers on how to best capture fall foliage.
One of the most frequently asked questions from our readers and friends is related to picking a good monitor for photography needs. It seems like the market is over-saturated with all kinds of choices, whether you visit a local store or browse through an online catalog. There are so many monitors for different budgets, and some models might leave you wondering why they are so expensive compared to others. Since there is no simple answer to this question, I decided to write a detailed article with my personal recommendations.
Many beginner photographers often wonder what camera settings they should use to get the best possible results with their current camera gear. While there is no set rule for camera settings that work well in every shooting environment, I noticed that there are some settings that I personally set on every camera I use, which are universal across all brands of cameras on the market. These are the “base” settings I set initially – once they are done, I rarely ever revisit them. In addition, there are particular camera modes that make the process of capturing images easier or quicker, especially for someone who is just starting out. Let’s go through these common camera settings in more detail!
With the upcoming total solar eclipse coming to North America on August 21, 2017, you might be wondering how you can take advantage of this once-in-a-lifetime opportunity to document and photograph this unique event. While photographing a solar eclipse might not sound like a big deal, there are a few very important considerations you have to keep in mind to avoid damage to your camera equipment or to your eyes. In this article, we will take a closer look at where you would want to physically be at the time of totality, what equipment you should have on hand, what safety precautions to take before, during and after the solar eclipse, and what framing and composition aspects to consider. Keep in mind that totality will only last a couple of minutes, so if you are not fully prepared, you might miss the opportunity to photograph this rare phenomenon.
Color calibration should definitely be an essential part of every photographer’s workflow. Otherwise, it is impossible to tell whether the colors that are displayed by your monitor are truly accurate and whether what you see will match the print. There are many ways to do it and the process can be fairly simple or complex, depending on how accurate you want to reproduce the colors and whether you are also printing your work in-house. The simple method involves a hardware colorimeter for color profiling your monitor for everyday photo editing and image viewing, and there is also an end-to-end professional-grade color profiling that requires very concise calibration of all display and output devices, such as printers. In this article, I will only focus on simple methods to make your monitor show more or less accurate colors, so that you could rely on it for everyday photography needs.
With new lenses getting more expensive all the time, many photographers choose to purchase used gear and save money. While certain lenses can only be bought new (at least for a while), the used lens market is often full of great lens choices, especially for someone on a tighter budget. In this article I will try to explain the benefits of buying used lenses, as well as give you some tips on how to buy used lenses on-location knowing you’ll get a high-quality piece of equipment you will be happy with for years to come.
Wondering about photographing fireworks on 4th of July, New Year or some other event / occasion? In this article, I will provide some basic tips on how to best capture fireworks, what type of equipment to use and what camera settings to use during the process. Although the process is relatively simple, there are some things that might be worth considering, as outlined below.
Have you ever wondered what the difference is between a snapshot and a virtual copy in Lightroom? They are both options that you can use to preserve image settings, but they work in very different ways. A while back I posted an article and video titled how to create a Lightroom snapshot that briefly explained what a snapshot is. We’ve also posted an article about virtual copies before. In this article, I want to explain the differences between a virtual copy and a snapshot in Lightroom, the benefits of each one, and when you might want to use one instead of the other.
One of the easiest ways to substantially improve the image quality of your daytime cityscapes is to use a circular polarizing filter. Putting a polarizing filter on your lens is like wearing a pair of polarized sunglasses over your eyes; the polarized glass blocks random light waves from passing through, creating a clearer image. Randomized light tends to be lower quality than direct light. As such, a polarizing filter will help ensure that only the sharpest, most colorful light hits your image sensor.