I enjoy taking panoramic images of landscapes, cityscapes, street art or any other time when the view exceeds the frame. While an increasing number of cameras (particularly smartphones) are offering an in-camera panoramic mode, individual images and good stitching software is essential for high quality images.
This is a follow-up article to the tutorial I published a few days ago on how to create a panorama image in Lightroom. In the article, I used a very simple and straightforward panorama image which could be merged without any errors virtually on first try. The image did not have a main object of interest and only a few points that needed critical precision during stitching process. I chose this image for the sake of convenience – I didn’t want it to cause any apparent problems while I tried to explain how to seamlessly include Photoshop or any other panorama merging software in your Lightroom workflow. However, we all understand that, more often than not and especially with Brenizer method panoramas that I love so much, the stitching process is far from being perfectly accurate every time. More complex panoramas require several tries before the stitching is done properly, or manual correction. But how do you manually correct a panorama that you are trying to merge through Lightroom? It is actually easier than you may think and is unlikely to upset your workflow in any way.
A while ago, I wrote an article explaining how to use Lightroom with external editors. Since then, I’ve been asked specifically about merging panorama images. In this article, I will show you all the steps you need to take to successfully merge a panorama and have it back in your Library with minimal fuss. I will be using Lightroom 5.2 and Photoshop CS5, but the process is virtually identical with (reasonably) older versions of both software tools. This tutorial will focus on the process of stitching a panorama image while using Adobe Photoshop Lightroom as the heart of your post-processing and image management workflow.
A while ago, I posted an article asking for your feedback. We were all very thrilled to see so many of you comment (even though I didn’t get to answer all of the comments, we already have a list of things we will be working very hard on during the coming months). One suggestion, made by Marcin (thank you!), was of particular interest to me. “What inspires us?”, he asked. Let me rephrase that – who inspires us?
Here are some photos that I decided to share with you from Yellowstone NP and Glacier NP from my trip across the Western USA. I have not done much processing on these yet, which I am hoping to do during the next few weeks. The images from Yellowstone NP are from the Nikon D5100 that I was testing – all images from my Nikon D3s were on the card that I unfortunately lost somewhere in Yosemite NP. All landscape images of Yellowstone are lost, so I only have some wildlife + wildflower shots to show.
I’m finishing up working on the images from Yellowstone, which I will post tomorrow. Meanwhile, here is a shot of a Kiva that I captured at Mesa Verde National Park:
While driving through a local state park with my family, I saw this beautiful sunset and decided to take some pictures of it with my iPhone (I know, I left the real camera at home). I took a few shots and then realized that the scene did not quite fit the frame, so I put the phone in vertical position and took a few vertical shots using the same technique I describe in my “Panoramic Photography Howto” article. The only problem was, I could not lock the exposure or change white balance on the phone… So, here is the result:
I wrote this tutorial for those who want to learn about panoramic photography and how to photograph and stitch panoramas using a point and shoot or DSLR camera. The technique consists of two parts – photographing a scene using a camera and then using special software to align and stitch those images together to form a single panoramic image. I will go over both and will show you how to create stunning panoramic images of any subject, including landscapes.
Here is the promised panoramic version of the Dead Horse Point at sunrise. The full version is comprised of 8 vertical images, measuring approximately 32 megapixels with an aspect ratio of 2:1.