A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless system can get very confusing. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Discontinued systems such as Pentax K-01, Ricoh GXR, Pentax Q and Samsung NX have been removed. The list is sorted alphabetically and had to be split into two parts to fit. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our and our readers’ prior experience using the cameras. I have also published an article comparing mirrorless systems, where I go into a lot more detail about lenses and other important considerations.
We have so many different camera systems available today, that it is getting tougher and tougher to choose between them, especially for those who are just starting out. With mirrorless systems on the rise and advancing at a much faster pace than DSLRs in terms of technology, one might wonder which mirrorless systems are worth a serious consideration. In this article, I want to go over the different mirrorless systems and give my subjective take on each system, stating which ones are the best and the worst, by my order of preference. All of the information presented in the article is based on not only my personal observation and experience, but also the feedback I have been gathering from other sources, including our PL readers.
Don’t worry folks, I’m not really back. This is just a random post on the fly. The new Olympus EM-1 Mark II has apparently been tested in Iceland recently by various review sites and as I was (coincidentally) recently in Iceland myself shooting with the four year old E-M5 Mark I, I thought I might demonstrate that one might not need the latest and greatest gear to return half decent images.
When Olympus first announced the M.Zuiko Digital ED 300mm f/4 IS PRO telephoto lens for the micro-four thirds format there was understandably much enthusiasm for its arrival. After all, it would give users the equivalent field of view of 600mm at F/4 in a far more compact and lighter lens than a DSLR equivalent. I wasn’t personally that aroused by the prospect but curiosity prompted me to ask Olympus if I could borrow the lens to write up a user experience and they very kindly lent me a copy.
For the past few weeks the United Kingdom has been undergoing a period of turbulent, momentous and mesmerising political events. Rest assured I have no intention of discussing politics here; this site is not for that. But there are decades when nothing much happens for weeks on end and then suddenly a week when a decade’s worth of events thunders down in a blurry, breakneck deluge. Instead of trying to keep up with the speed of our evolving future I felt like taking a moment to revisit the past and seek contemplation and reflection in the company of some of the architects of our history (you can tell I’m a simple guy).
Well, it was a pretty long drive back but my friend and I made excellent time. From Eastern Slovakia (where most of these shots are from) through the Czech Republic (where my friend is from), Germany, Holland, Belgium, France and then finally back home in the UK, we made it back home in just over 15 hours. And when you’re speeding along endless miles of motorways that all look the same there isn’t much opportunity to shoot anything.
Better ice up a cold one. It’s hot out there. But the heat is the least remarkable characteristic of Costa Rica, paling into an afterthought behind its truly exquisite flora and fauna. A natural wonderland of incredible wildlife, its inhabitants thrive in mangroves, lakes and under a lush rainforest canopy shrouded in cloud and mist.
Fog can actually be a welcome weather condition, and since England this morning was almost as foggy as this article I decided to seek out some deer, knowing that the fog, haze and mist would add a little atmosphere to the images.
There are probably more entertaining ways to spend a Sunday afternoon but this stunt display in a field in London was reasonably diverting. I had shot stunt shows before using a Nikon DSLR and the Nikkor 70-200mm f/2.8. But I knew my EM-5 had only contrast detection AF and was not really camera for shooting action. Nevertheless, there was only one way to find out how it would fare and I took it with me, along with the Olympus 40-150mm f/2.8 and 12-40mm f/2.8.
Olympus has announced another addition to its line of high-quality professional lenses. The Olympus M.Zuiko Digital ED 7-14mm f/2.8 Pro, which has a field of view equivalent to 14-28mm in 35mm format, sports a pretty complex optical formula, with 14 elements in 11 groups, 10 of which are comprised of special type of glass to reduce various optical aberrations. With its constant maximum aperture of f/2.8, the lens offers superb optical performance even at its widest aperture. In addition to having high-end optics, the lens is engineered to be both dustproof and splashproof. All this does not come cheap though – the Olympus 7-14mm f/2.8 Pro will retail for $1,299.99 when it starts shipping in June of this year.