It is always exciting to see great lens announcements, because lenses play such a huge role in making images and making them appear special. This week we have seen two such announcements from Tamron. Without a doubt, the most exciting announcement is the Tamron SP 70-200mm f/2.8 Di VC USD G2 designed for full-frame cameras from both Nikon and Canon. I am personally intrigued by the Tamron SP 70-200mm f/2.8, since that lens is going to retail for a mere $1,299 – that’s less than half the price of what Nikon sells its high-end Nikkor 70-200mm f/2.8E FL VR for! I don’t know how Tamron managed to price its 70-200mm so low, but at this price, I almost wonder what corners Tamron had to cut to make it happen. After reviewing its MTF charts and other lens specifications, I could not really find any…
A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless system can get very confusing. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Discontinued systems such as Pentax K-01, Ricoh GXR, Pentax Q and Samsung NX have been removed. The list is sorted alphabetically and had to be split into two parts to fit. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our and our readers’ prior experience using the cameras. I have also published an article comparing mirrorless systems, where I go into a lot more detail about lenses and other important considerations.
We have so many different camera systems available today, that it is getting tougher and tougher to choose between them, especially for those who are just starting out. With mirrorless systems on the rise and advancing at a much faster pace than DSLRs in terms of technology, one might wonder which mirrorless systems are worth a serious consideration. In this article, I want to go over the different mirrorless systems and give my subjective take on each system, stating which ones are the best and the worst, by my order of preference. All of the information presented in the article is based on not only my personal observation and experience, but also the feedback I have been gathering from other sources, including our PL readers.
2017 is a huge year for Nikon, as it marks the 100th anniversary of the company. A century of innovation in creation of optical instruments, binoculars, telescopes, microscopes, engineering tools, medical tools, precision instruments, scanners, cameras, lenses and other accessories is something Nikon is planning to celebrate on July 25th, 2017. Our team at PL congratulates Nikon with this big achievement and we hope to see Nikon continue to innovate for many years to come! At the same time, we are hoping that the celebration of the 100 year anniversary of the company will come with great announcements – after-all, it is a perfect time to release something truly special for Nikon fans, isn’t it? What is it going to be? A Nikon Df II with anniversary edition versions of some prime lenses? The first full-frame Nikon mirrorless camera? Or perhaps a refresh of the existing camera models in the forms of the Nikon D620, D760 and D820? It is hard to say at this time, but we are hoping to see a bunch of releases in 2017!
Nighttime photography is something that a lot of photographers enjoy; I certainly do, along with countless others. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. However, more than almost any other genre, night photography also challenges your camera equipment to its most extreme. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their low-light performance and depth of field. I cover 20 lenses in this article, so it’s pretty extensive — hopefully, you’ll learn something new about the equipment you need in order to capture good star and nighttime landscape photos.
This is an in-depth review of the Nikon 85mm f/1.4G AF-S lens that was announced with three other lenses in August of 2010. Ever since the manual focus AI-s version of the Nikon 85mm f/1.4 lens was introduced back in 1981, the Nikon 85mm f/1.4 lenses have been used as references for superb sharpness, best-looking bokeh and beautiful color renditions. The last autofocus AF-D version of the lens produced in 1995, the Nikon 85mm f/1.4D, was often called the “king of bokeh”, yielding extremely pleasing out-of-focus areas, in addition to producing sharp, colorful images when shooting wide open. Its legendary performance made the Nikon 85mm f/1.4D lens a must-have for portrait photographers and many professionals heavily relied on this lens for many years for their commercial work (and some still do). The Nikkor 85mm f/1.4G lens is the latest update to the 85mm f/1.4 line, which replaced the outdated AF-D version with newer optical and technology innovations from Nikon. In this review, I will not only provide information on the Nikon 85mm f/1.4G lens, but will also compare it to both the older Nikon 85mm f/1.4D and the lighter and smaller Nikon 85mm f/1.8G.
This is an in-depth review of the Nikon 24-120mm f/4G ED VR lens that was released in August of 2010. The constant maximum aperture, mid-range Nikon 24-120mm f/4 VR zoom lens was a major update to the Nikon 24-120mm f/3.5-5.6G VR, which had been known at the time for being a sub-par lens optically. Shortly after the 24-120mm f/4G VR was announced, Nikon discontinued its variable-aperture predecessor and made the 24-120mm f/4G VR into a premium kit lens to be bundled with higher-end full-frame cameras. I have been using the Nikon 24-120mm f/4G VR for a number of years now and I decided to update the existing review with more image samples, additional information and up-to-date lab measurements.
It took Nikon nine years to finally release an update to its popular workhorse standard zoom lens in the form of the Nikon 24-70mm f/2.8E ED VR, which gained a few new features compared to its predecessor, including the much desired image stabilization. Nikon engineers have always put extra effort and emphasis on updated professional-grade lens designs, typically delivering outstanding performance. However, the release of the Nikon 24-70mm f/2.8E ED VR lens has been one of the most controversial in Nikon’s recent history, thanks to the negative attention it received from the photography community. Many reviewers criticized the lens heavily for its performance, claiming it to be a soft lens when compared to its predecessor, the Nikon 24-70mm f/2.8G. And some even put it as the winner in the “worst lens release of 2015” category. Did Nikon engineers really screw up in updating one of the most popular pro-grade lenses? That’s exactly what I wanted to find out when I started reviewing the 24-70mm f/2.8E VR lens.
This is an in-depth review of the Nikon 24-70mm f/2.8G ED lens that was released back in August of 2007 together with the 14-24mm f/2.8G ED lens. I have owned a number of different copies of the Nikon 24-70mm for many years, pretty much from the day the lens was announced and I have probably spent the most amount of time in the field shooting with this lens. Since it is a workhorse pro-level lens, I have used it for many different types of photography – from portraiture to landscapes. I have used it in hot summer days and freezing sub-zero temperatures; carried it from wet and humid climates to dry and dusty environments. Throughout many years of use and abuse, the 24-70mm f/2.8G ED has never let me down, so overtime, it became one of my most used Nikkor zoom lenses in my arsenal.
While John and I were attending the Photo Plus show in New York, we had an opportunity to interview Lindsay Silverman, Senior Product Manager at Nikon USA. The highlight of the show were obviously the newly announced Nikon 70-200mm f/2.8E FL VR, along with the 19mm f/4E PC-E lenses. Both are premium offerings specifically targeted towards working professionals, so we could definitely see quite a bit of people approaching the Nikon booth to see pre-production samples of these lenses. Although we have already provided our initial report on the handling concerns when using the new 70-200mm f/2.8E FL VR, in this particular interview, Lindsay explains the reasoning behind the swapping of the zoom and focus rings. According to him, the new change is actually better for handling, as detailed below: