It has only been 8 months since Nikon announced the D810 and today the company announced a very specialized camera for astrophotographers, the Nikon D810A. In essence, the D810A is pretty much identical to the existing D810 – the camera has exactly the same body build, ergonomics, sensor, etc. What has changed is the filter stack in front of the sensor, which contains a modified infrared filter that is more sensitive to super low light emitted by the stars and nebulas (specifically, the hydrogen alpha wavelength). In addition, Nikon implemented additional shutter speeds (4, 5, 8, 10, 15, 20, 30, 60, 120, 180, 240, 300, 600 and 900 seconds) to give more flexibility for astrophotography needs. While the announcement is certainly big for astrophotographers, because it is world’s first full-frame astrophotography DSLR camera, I do have a few concerns about this particular release. Having done a bit of research in astrophotography last year (my primary interest was in deep space object photography using specialized mounts and CCD sensors), I learned a little bit about the tools and what’s needed.
The choice of the first camera system is an exciting one. Why would it not be? You get to pick the first camera to buy, the first lens, and you spend so much time reading reviews, forums and asking friends for advice. I know I did – some eight years ago, I was admiring such cameras as the Canon 30D and 40D, and was seriously eyeing the 400D which was then within the budget of a teenager me. Nikon D200 looked out of this world and the then-announced D300 was a camera of dreams. All of these models, now obsolete from a technological standpoint (much like the D700 I now own and love), were as desirable as any current equipment you can think of. Maybe even more so, since the refresh cycle was longer and digital photography in general not as widespread as it is today.
Yes, the choice of the first camera and lens is a very exciting one. But, inevitably and at some point, a different question arises for just about all of us, and one much less pleasant – should you stick with your first decision or is the grass truly greener somewhere else?
I am in the process of reviewing the Canon 7D Mark II for which I had to borrow the Nikon D7100 to compare image quality and other camera features, so I thought doing an article on the recommended settings for the D7100 would be useful to our readers. Although the Nikon D7100 is not a direct competitor to the 7D Mark II (many are still waiting for a D300S replacement), it is still a solid camera that is used for a variety of different needs by many photographers. And despite its crippled buffer capacity, the D7100 is often used for both wildlife and sports photography needs. Since the camera is rather sophisticated in terms of its capabilities and features, having many different menu and settings, it can look rather overwhelming for a beginner. In this article, I want to provide some information on what I personally use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The below information is provided as a guide for those who just want to get started with a basic understanding of the camera and its many features.
Back in December of last year, we reported the Nikon D750 Flare Shading Issue that occurs on some D750 camera bodies and talked about the cause of the problem. Although we found the issue to be insignificant due to the fact that it only occurs at a particular angle when pointing at a very bright light source, and showed that other cameras can also be potentially prone to the same issue, some of our readers expressed their disappointment and wanted Nkon to address this issue. If you own a Nikon D750 that is affected with this problem and it has been bothering you, Nikon USA today issued an official statement, in which the company announced that it will inspect and service all affected Nikon D750 cameras at no charge starting from the end of January, 2015.
DSLR customers have had a nagging sense that manufacturers were far more interested in having them upgrade their cameras than providing additional capabilities to the customers that already purchased DSLRs. Back in the days of mechanical film cameras, it would have been a challenge for OEMs to deliver upgraded capabilities to existing customers. Customers would have had to bring their equipment into a local shop or send it to the camera manufacturer to be retrofitted with new capabilities – a prospect not very practical or financially attractive for manufacturers or customers. In a digital world, however, enhancing just about any product has become a simple software download and installation process. Thus the idea that any digital product (particularly a sophisticated and expensive one) should remain relatively static over its lifetime has become obsolete. It appears that Nikon may be ready to acknowledge and address this growing concern.
In September of 2014, my wife and I had the great fortune to take the trip of a lifetime to South Africa, Botswana and Zambia. The trip was more than a year in the planning which gave me the chance to think about what camera equipment I wanted to take along. Our itinerary was not one of the ones designed specifically for photographers however I had no doubt we would have plenty of opportunity to take pictures!
If you are wondering how the new Nikon 300mm f/4E PF ED VR lens renders images, take a look at the below high-resolution image samples captured by Robert Bösch and Drew Gurian. To open these images in high resolution, please right click and save them to your computer, or open them up individually in new windows (clicking on the image will show them in low resolution). As I find more high resolution images from this lens, I will post more in this article.
Along with the exciting Nikkor 300mm f/4E PF ED VR, Nikon also announced a boring entry-level camera. After skipping the D5400 for no reason (Nikon marketing at its best), the D5500 was revealed at the CES with very similar specs as the D5300, except it gains a touchscreen and drops the GPS module. Same resolution, same processor, same fps, WiFi, same menu and features for the most part, except for slightly different design that resulted in a smaller and lighter camera. It seems like Nikon has no clue what else to add to the D5x00 line to make it more interesting and this release is one of those “announce to announce” series, yet another camera to add to the camera pollution just to keep the line fresh. Instead of doing something innovative (mirrorless design, EVF, focus peaking, electronic shutter, etc), Nikon adds a pointless touchscreen feature and gets rid of the far more important GPS component. With all this, Nikon increases the price of the D5500 by $100, pushing it towards $900 MSRP.
Nikon has just announced a couple of new products during the Consumer Electronics Show 2015, among which is a lens that many of us have been waiting for a long time. I will start the coverage with this lens, because after seeing the details of the announcement earlier today, I knew that it was something to be truly excited about. As many of our readers know, the Nikkor 300mm f/4D AF-S lens has been my favorite budget telephoto lens for many years now. It is optically superb, has amazingly fast and accurate autofocus, works really well with 1.4x and now even with 1.7x teleconverters (with the new generation Nikon DSLRs like D750), it is compact, lightweight and priced just right. In short, it is a lens with amazing value for many wildlife and sports photographers. Despite all these strengths, the lens has not been updated for 15 years and it lacks image stabilization. Although rumors about an update have been circulating on the Internet for a few years now, it has not seen the light of the day, until today. The all-new Nikkor 300mm f/4E PF ED VR is not just an update though, it is a completely different lens.
It has been 30 years since Nikon first introduced the original Nikkor 20mm f/2.8 Ai-S lens and long 20 years since the autofocus version, the Nikkor 20mm f/2.8D was released to the market. Since then, the 20mm prime sadly did not receive much attention, so it was about time for Nikon to refresh the line with a modern version. Nikon finally revealed a replacement on September 12, 2014 and the new lens came with a nice surprise – the Nikkor 20mm f/1.8G ED is not only completely revamped in terms of optical design, but it is also 1.3 stops faster than its predecessors. Personally, I have been very interested in checking out the new 20mm f/1.8G lens, because I found the 28mm f/1.8G to be a bit too long for my taste. And although I love my 24mm f/1.4G (see my detailed review here), it is pretty expensive and often quite heavy to carry around. Thus, a wider, lighter and much less expensive lens sounded very appealing to me. I have had the joy of shooting with the Nikkor 20mm f/1.8G for the past three months and as you will see in this review, the lens deserves high praises for its superb optical performance. Without giving any more spoilers, let’s jump into the review and see where and how it shines.