I have been testing the new Nikon D610 that I received today for the past 5 hours, running all kinds of tests on it. And by now, I have over 10 thousand actuations on the camera. The goal of this particular test was to see if the updated Nikon D610 has any dust issues as the Nikon D600 it replaced. Armed with the Nikon 70-200mm f/2.8G VR II, I have been shooting the Nikon D610 at f/22 (minimum aperture) in my lab continuously. I am happy to report that Nikon seems to have addressed the dust issue, thanks to the new shutter mechanism that they are now using on the camera. Take a look at the below before and after shots (left: Before, right: After):
In this article, I will show feature differences between the new Nikon D5300, which is considered to be an upper-entry level DSLR and the current entry-level D3200 (see our review). What does the higher-end D5300 bring to the table and what are the key differences between these models? Let’s take a closer look. Please keep in mind that this Nikon D5300 vs D3200 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Nikon D5300 review.
Now that the Nikon 58mm f/1.4G lens is out (check out our detailed preview), more and more information is showing up on this very interesting lens, including high resolution image samples. Unfortunately, Nikon did not provide any high-resolution images on its product page, so I thought it would be a good idea to post other images that I was able to find through Nikon Asia’s website. Although I thought that the sample images were not a very good representation of the lens performance (f/1.4 samples do not appear to be perfectly focused), the images definitely do have that unique look to them. Bokeh looks exceptionally good, even stopped down to f/2! Check out the below high-resolution image samples:
The most exciting announcement of the week for me personally, is the new Nikon 58mm f/1.4G, a lens that I have been waiting for many years now. This is a specialized, one of a kind lens that is basically the modern version of the Noct NIKKOR 58mm f/1.2, a legendary manual focus lens with extreme performance that still sells for over $3000 used today. Although Nikon currently offers two f/1.4 and f/1.8 modern 50mm primes with autofocus capability in its lens lineup, the 58mm f/1.4G is a lens at a whole different level that is specifically designed to yield maximum sharpness and microcontrast, along with beautiful bokeh at the maximum aperture of f/1.4.
In this article, I will show feature differences between the new Nikon D5300 and the previous generation D5200. What does the updated D5300 bring to the table and what are the key differences? Let’s take a look! Please keep in mind that this Nikon D5200 vs D5300 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Nikon D5300 review.
This week is quite busy, with so many great products being introduced by different brands including Sony, Sigma and Fuji (an announcement to be posted tomorrow). Nikon is also announcing a couple of products before the Photo Plus convention in New York (which I am planning to attend and fully cover). The first announcement is for the Nikon D5300, an upper entry-level DSLR aimed for beginners and amateurs. It has been only a year since Nikon refreshed the line with the D5200 and now the camera is updated again with some new interesting features and improvements to make the line more compelling compared to the competition.
Nikon has just announced the Nikon D610 camera, an update to the popular entry-level full-frame DSLR. It has been a little over a year since the Nikon D600 came out. Considering the typical refresh cycle of 2-3 years for lower-end camera bodies, this is a pretty unusual update that is meant to address the dust issue that we previously discussed in our Nikon D600 review. After a number of complaints from major review sites, including DPReview, Nikon finally acknowledged the flaw and issued a service advisory. To keep the image of the D600 line good, Nikon decided to release a refresh sporting mostly identical features. And to sweeten up the deal, Nikon made a few tweaks to the camera, making it even more attractive. But the biggest surprise is the price of the new D610 – it is now $100 cheaper than what the D600 was when initially launched, at $1999!
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about matching colors from a Nikon DSLR in Lightroom.
Nikon has just made a very surprising move and released a rugged Nikon 1 mirrorless camera, the AW1. I have not been excited by a Nikon announcement in a long time now as they have, just like Canon and Sony, been releasing products that have barely changed since their last iteration. Not this time. The Nikon 1 AW1 is the first camera in its niche, and I hope it is not going to be the last. Of course, a waterproof interchangeable lens camera makes little sense without appropriately rugged lenses. Therefore, two lenses – a 10mm f/2.8 AW and a 11-27.5mm f/3.5-5.6 AW – have also been announced. A proper new addition, this, and will make Nikon 1 system very tempting for some.