This is an in-depth review of the Nikon D7100 DSLR that was announced on February 20, 2013, along with the Nikon WR-1 wireless remote controller. Although I have been shooting with the Nikon D7100 for about two months now, I specifically postponed the review, because I wanted to thoroughly test it and also make sure that I test at least two samples of the camera. I have been very concerned about Nikon’s latest rushed product launches with dust, oil and autofocus issues, so my intent was to examine the camera in detail and test all of its capabilities in various environments for this review.
This long overdue review of the Nikon D3200 is based on my 2 months experience with the camera – first when it came out and later when then I received the Nikon D5200 for testing. Due to an extremely busy schedule and a huge number of lens and camera reviews that I went through in 2012, I did not get a chance to review this camera. So before I start working on any other articles, I decided to first post the Nikon D3200 review.
Nikon has a long history of making professional 70-80 to 200mm focal length zoom lenses, but aside from the very old 70-210 f/4 AI-S and AF lenses, it has never had an affordable and lightweight constant aperture f/4 model in its line. With its arch-rival Canon making a 70-200mm f/4L lens since 1999, and the high cost of the 70-200mm f/2.8G VR II model, Nikon was often criticized for not providing an f/4 alternative. After many years of delays, Nikon finally announced a lightweight alternative to the f/2.8 version in October of 2012 – the AF-S Nikkor 70-200mm f/4G ED VR, which is designed to work on both full-frame (FX) and cropped-factor sensor (DX) DSLR cameras.
This is an in-depth review of the Nikon 1 J2 mirrorless camera that came out on August 9, 2012, less than a year after Nikon debuted its mirrorless system with the introduction of the Nikon 1 J1 and V1. Along with the J2, Nikon also released the 1 Nikkor 11-27.5mm f/3.5-5-6 zoom lens, a very compact lens to complement the J1/J2 cameras. In this review, I will go over the features of the camera, talk about its pros and cons and compare it to other mirrorless cameras such as Sony NEX-series, Canon EOS M and Olympus OM-D E-M5. This is the first camera from the “Battle of the Mirrorless” series. The recently evaluated Nikon 1 V2 will be featured in the second part.
After many months of rumors of a budget full-frame camera, Nikon finally announced the Nikon D600 right before the Photokina 2012 show. Priced at $2,099 MSRP, the D600 is currently the cheapest full-frame DSLR from Nikon, around $900 cheaper than its bigger brother, the Nikon D800. The camera is designed for any kind of amateur and professional photography – from landscape and studio, to event and wildlife photography. In this review, I will not only provide detailed information about the camera, but will also try to answer the many questions and requests that we have gotten so far on it, along with comparisons to other DSLRs such as the Nikon D700, D800 and D3s.
This is an in-depth review of the Nikon 24-85mm f/3.5-4.5G VR lens, also known as “AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR”, which was announced together with the Nikon 18-300mm f/3.5-5.6G ED VR DX in June of 2012. The Nikon 24-85mm VR is an affordable consumer-grade lens targeted at photo enthusiasts that need a mid-range zoom lens with optical stabilization for everyday photography. It is an update to the short-lived Nikon 24-85mm f/3.5-4.5G IF-ED that was introduced in 2002 and discontinued in 2006, and it might also replace the older Nikon 24-85mm f/2.8-4D IF that is still in production as of today. With an equivalent focal length of 36-128mm on DX sensor, it is better suited to be used on full-frame cameras. When the full-frame Nikon D600 budget DSLR was announced in late 2012, Nikon included the 24-85mm VR as a kit lens option, so I think we will be seeing this lens bundled with FX cameras in the future.
After testing a set of brand new 28mm lenses for my Nikon 28mm f/1.8G Review a couple of weeks ago, I was rather disappointed by the overall performance of the lens. Both samples that I tested exhibited visible focus shift and field curvature issues, which impacted performance in a “wavy” pattern. This weekend, I decided to give another Nikon 28mm f/1.8G a try and see if it has the same optical issues (borrowed from our team member Bob Vishneski).
This is an in-depth review of the new Nikon 28mm f/1.8G ED lens that was announced in April of 2012 together with the Nikon D3200 DSLR. Lately, Nikon has been busy releasing great and affordable fast prime lenses. First, it was the excellent Nikon 50mm f/1.8G, which turned out to be a better buy than its bigger brother, the Nikon 50mm f/1.4G. Then Nikon surprised us with the Nikon 85mm f/1.8G, which also turned out to be a phenomenal lens. And now we have the Nikon 28mm f/1.8G, which despite a difference in focal length could be a great alternative to the very expensive, but superb Nikon 24mm f/1.4G.
After reading slews of posts by others that received their D800s, I finally received my camera from B&H last week. I have to admit that my initial enthusiasm was a bit tempered by the many reports of the D800 having autofocus issues. I began to wonder, “Just what am I getting – a good D800 or a bad D800?” (think Wizard Of Oz…). Or perhaps more appropriately, did my camera fall into the Caviar, Sardines, or Spam category?
This is an in-depth Nikon 85mm f/1.8G review of the new, much anticipated prime portrait lens that was announced in January of 2012. The Nikon 85mm f/1.8G is a consumer-grade portrait lens for enthusiasts and seasonal pros that need quality optics of a fixed portrait lens at an affordable price point. Its large aperture of f/1.8 is great for low-light photography and the shallow depth of field helps isolate subjects from the background, beautifully rendering the background highlights, also known as bokeh.