Ever since Nikon announced the introduction of the Nikon 1 V3 back in March of 2014 the camera has been met with mixed reactions. Some of the design choices made with this camera left many photographers scratching their heads wondering what the engineers at Nikon were thinking when they put the concept for the Nikon 1 V3 together. Specifically many people questioned the use of a microSD memory card, making the EVF and grip detachable, introducing yet another new battery, and coupling the Nikon 1 V3 with a new 10-30 PD zoom that does not accept filters. As a result many people simply dismissed the Nikon 1 V3 out-of-hand and did not give it a serious look. That is unfortunate since the Nikon 1 V3 actually is a very good camera that brings a lot of new features and capabilities to the Nikon 1 system. It’s too bad that the camera did it in a three-steps-forward two-steps-back kind of way. Had Nikon not made those rather quirky design choices I think the camera would have been met with a much stronger and more positive reaction from the marketplace.
It has been 30 years since Nikon first introduced the original Nikkor 20mm f/2.8 Ai-S lens and long 20 years since the autofocus version, the Nikkor 20mm f/2.8D was released to the market. Since then, the 20mm prime sadly did not receive much attention, so it was about time for Nikon to refresh the line with a modern version. Nikon finally revealed a replacement on September 12, 2014 and the new lens came with a nice surprise – the Nikkor 20mm f/1.8G ED is not only completely revamped in terms of optical design, but it is also 1.3 stops faster than its predecessors. Personally, I have been very interested in checking out the new 20mm f/1.8G lens, because I found the 28mm f/1.8G to be a bit too long for my taste. And although I love my 24mm f/1.4G (see my detailed review here), it is pretty expensive and often quite heavy to carry around. Thus, a wider, lighter and much less expensive lens sounded very appealing to me. I have had the joy of shooting with the Nikkor 20mm f/1.8G for the past three months and as you will see in this review, the lens deserves high praises for its superb optical performance. Without giving any more spoilers, let’s jump into the review and see where and how it shines.
After Nikon introduced the super lightweight and inexpensive Nikkor 35mm f/1.8G lens for DX cameras, many Nikon shooters started requesting a similar lens for full-frame cameras. Those who did not want to spend over $1500 on the professional Nikkor 35mm f/1.4G did not have a lot of options from Nikon aside from either using the 35mm f/1.8G DX lens on full-frame, or using the older Nikkor 35mm f/2D lens. Sigma’s timing on the Sigma 35mm f/1.4 Art was spot on for a number of people with its lower price point and superb optical performance, but it also came with both size and bulk considerations. On January 6 2014, Nikon finally announced the Nikkor 35mm f/1.8G ED lens to fill that gap. At $599 MSRP, the lens is not only significantly cheaper than the f/1.4 version, but it is also twice lighter and more compact. I had a chance to use this lens for a few months this year and although I could not work on a full review earlier due to time constraints and other commitments, I was very pleased with its optical performance.
The past 12 months has seen some very interesting developments in the ultra-zoom lens market with the launch of the Tamron 150-600mm f/5-6.3 VC and two new 150-600mm f/5-6.3 lenses from Sigma. These lenses, combined with the Canon 100-400 f/4.5-5.6 (both the old and new version), Nikkor 80-400 f/4.5-5.6 VR, Sigma 150-500 f/5-6.3, and Sigma 50-500 f/5-6.3 give buyers a larger selection of reasonably affordable long telephoto zoom lens options than ever before. But there is at least one aspect that is shared between all these lenses despite different brands and parameters – they are all enormous. In this particular review, however, I am going to talk about what is the smallest lens of this class for interchangeable lens cameras, and that is the diminutive (in comparison to the others) 1 Nikon CX 70-300mm f/4.5-5.6 which has an equivalent field of view of 189-810mm.
Exactly after two years since the Nikon D4 announcement, Nikon made the D4s public at the 2014 Consumer Electronics Show (CES) on January 6, 2014. Although the camera was not ready for a full announcement, Nikon wanted to have something to show at the CES, so it only hinted about the development of the camera and its intentions to preview it. The camera was officially announced at the end of February and the first units started to ship shortly after in March. The Nikon D4s is a modest upgrade over the D4, with very slight ergonomic changes, expanded ISO range, faster image processor, faster wired / Ethernet speed, improved battery capacity and a bunch of new firmware options. As an incremental update, the Nikon D4s basically solidified the already superb D4 and made it even better.
It has been close to three years since Nikon announced the D4 and our readers might be wondering why I am only now reviewing the camera, especially given the fact that it has already been replaced by the Nikon D4s. While working on the D4s review, I thought that it would be a good idea to revisit the older D4 – better late than never! Since the camera came out, I have used it on several occasions for both personal and business needs, and a number of our team members have owned or still own the D4. Hence, the information and images that I gathered for this review represent a collective effort between our team at Photography Life.
Right before the big Photokina show in Germany, Nikon introduced another full frame DSLR in 2014, the Nikon D750. Packing the newest and the most advanced 51-point Multi-CAM 3500 FX II autofocus system, a 24 MP sensor, 6.5 frames per second continuous shooting speed, built-in WiFi and a very lightweight and weather-sealed construction, the Nikon D750 sits between the entry-level D610 and the high-megapixel D810 lines. And with its price point of $2,299 MSRP, the D750 is an attractive choice not only for hobbyists and enthusiasts who want to move up from a DX or an older FX camera, but also for working professionals, who have been leaning away from higher resolution or more expensive cameras like D810 or D4S. Although the Nikon D750 did not replace the older D700 in terms of body build, ergonomics and features, it has a lot more resolution, much faster processor, significantly faster and superior autofocus system, a tilting LCD screen and impressive video capabilities. Thanks to these changes and improvements, the D750 hits the sweet spot in a number of areas and has the potential of becoming the most popular full-frame camera in Nikon’s current DSLR line-up.
After more than two years since the successful launch of the Nikon D800 and D800E cameras, which shook up the photography industry with the high resolution 36.3 MP full-frame sensor, Nikon finally introduced an update to the cameras and combined the two into a single camera body. Although the new Nikon D810 has the same 36.3 MP resolution as its predecessors, it features a new sensor with an expanded native ISO range and comes with significant improvements to camera features, performance and ergonomics. In this review, we will take a closer look at these improvements and compare the performance of the D810 to other Nikon cameras.
This is an in-depth review of the Nikon Df, a retro-style digital SLR camera that was announced in November of 2013. The Df is a very controversial release, I would say perhaps the most controversial one in Nikon’s DSLR history. After Nikon teased the public with its short videos that slowly revealed parts of the camera, many were excited to see something completely different than a traditional DSLR. Videos titled “it is in my hands again” and “no clutter, no distractions”, with constant repetition of “Pure Photography”, hinted at a camera that combines old style Nikon film cameras with a modern digital sensor. Nikon “Df”, a “Digital Fusion” of retro style and modern technology, became an instant hit on the Internet and one of the hottest topics of discussion and speculation on photography sites and forums. As we got closer and closer to the release date, enthusiasts from all over the world started speculating on the features of the yet to be released Nikon Df and pointed at possibilities of seeing a mirrorless camera, electronic viewfinder and a myriad of other technologies we now come to expect from modern mirrorless cameras. Film shooters had their own list of must-have features, including a large bright viewfinder with a split focusing screen for easy focusing with old manual focus lenses. In a very short period of time, the Nikon Df, a fusion of technologies, became an over-hyped camera with very high expectations…
This is an in-depth review of the new, much anticipated Nikon 58mm f/1.4G professional prime lens that was announced on October 17, 2013 along with the Nikon D5300 DSLR. Similar to the legendary classic, the NOCT Nikkor 58mm f/1.2, the AF-S NIKKOR 58mm f/1.4G is a specialized lens for such needs as portraiture, street, event / wedding photography and astrophotography. Thanks to its fast aperture of f/1.4 and a complex optical formula using aspherical elements, nano crystal coat and super integrated coating, along with a fast silent wave autofocus motor, the lens is also ideal for low-light photography needs. Unlike many of the Nikkor lenses that are optimized for maximum sharpness, the Nikon 58mm f/1.4G is the first modern lens of its kind that focuses on producing aesthetically pleasing images, rather than purely focusing on sharpness. I had a pleasure of shooting with this lens for the last 3 months and I wanted to get a full understanding of its strengths and weaknesses, especially when compared to the Nikon 50mm f/1.4G and f/1.8G lenses that I have been relying on for my photography needs. In this review, I will not only provide an in-depth analysis of the lens, but will also compare it head to head against Nikon’s 50mm prime lenses and the Voigtlander 58mm f/1.4 lens that I have been testing in parallel.