Right before the big Photokina show in Germany, Nikon introduced another full frame DSLR in 2014, the Nikon D750. Packing the newest and the most advanced 51-point Multi-CAM 3500 FX II autofocus system, a 24 MP sensor, 6.5 frames per second continuous shooting speed, built-in WiFi and a very lightweight and weather-sealed construction, the Nikon D750 sits between the entry-level D610 and the high-megapixel D810 lines. And with its price point of $2,299 MSRP, the D750 is an attractive choice not only for hobbyists and enthusiasts who want to move up from a DX or an older FX camera, but also for working professionals, who have been leaning away from higher resolution or more expensive cameras like D810 or D4S. Although the Nikon D750 did not replace the older D700 in terms of body build, ergonomics and features, it has a lot more resolution, much faster processor, significantly faster and superior autofocus system, a tilting LCD screen and impressive video capabilities. Thanks to these changes and improvements, the D750 hits the sweet spot in a number of areas and has the potential of becoming the most popular full-frame camera in Nikon’s current DSLR line-up.
After more than two years since the successful launch of the Nikon D800 and D800E cameras, which shook up the photography industry with the high resolution 36.3 MP full-frame sensor, Nikon finally introduced an update to the cameras and combined the two into a single camera body. Although the new Nikon D810 has the same 36.3 MP resolution as its predecessors, it features a new sensor with an expanded native ISO range and comes with significant improvements to camera features, performance and ergonomics. In this review, we will take a closer look at these improvements and compare the performance of the D810 to other Nikon cameras.
This is an in-depth review of the Nikon Df, a retro-style digital SLR camera that was announced in November of 2013. The Df is a very controversial release, I would say perhaps the most controversial one in Nikon’s DSLR history. After Nikon teased the public with its short videos that slowly revealed parts of the camera, many were excited to see something completely different than a traditional DSLR. Videos titled “it is in my hands again” and “no clutter, no distractions”, with constant repetition of “Pure Photography”, hinted at a camera that combines old style Nikon film cameras with a modern digital sensor. Nikon “Df”, a “Digital Fusion” of retro style and modern technology, became an instant hit on the Internet and one of the hottest topics of discussion and speculation on photography sites and forums. As we got closer and closer to the release date, enthusiasts from all over the world started speculating on the features of the yet to be released Nikon Df and pointed at possibilities of seeing a mirrorless camera, electronic viewfinder and a myriad of other technologies we now come to expect from modern mirrorless cameras. Film shooters had their own list of must-have features, including a large bright viewfinder with a split focusing screen for easy focusing with old manual focus lenses. In a very short period of time, the Nikon Df, a fusion of technologies, became an over-hyped camera with very high expectations…
This is an in-depth review of the new, much anticipated Nikon 58mm f/1.4G professional prime lens that was announced on October 17, 2013 along with the Nikon D5300 DSLR. Similar to the legendary classic, the NOCT Nikkor 58mm f/1.2, the AF-S NIKKOR 58mm f/1.4G is a specialized lens for such needs as portraiture, street, event / wedding photography and astrophotography. Thanks to its fast aperture of f/1.4 and a complex optical formula using aspherical elements, nano crystal coat and super integrated coating, along with a fast silent wave autofocus motor, the lens is also ideal for low-light photography needs. Unlike many of the Nikkor lenses that are optimized for maximum sharpness, the Nikon 58mm f/1.4G is the first modern lens of its kind that focuses on producing aesthetically pleasing images, rather than purely focusing on sharpness. I had a pleasure of shooting with this lens for the last 3 months and I wanted to get a full understanding of its strengths and weaknesses, especially when compared to the Nikon 50mm f/1.4G and f/1.8G lenses that I have been relying on for my photography needs. In this review, I will not only provide an in-depth analysis of the lens, but will also compare it head to head against Nikon’s 50mm prime lenses and the Voigtlander 58mm f/1.4 lens that I have been testing in parallel.
Let me start off this hands-on review of the Nikon 1 V2 with a reminder that no one camera can do everything that an owner may require. Regardless of the price paid, every piece of equipment comes with compromises. And, so it is with the Nikon 1 V2. I should also state upfront that I shoot more client videos with my Nikon gear than I do still photographs, so this review does contain a reasonable amount of evaluation from a video perspective.
This is an review of the classic Nikon NIKKOR 50mm f/1.2 Ai-S by one of our readers, Christian Duguay from Montreal, Canada. A quick note from Nasim: while I was going through testing some of the older manual focus lenses (including the 50mm f/1.2 Ai-S), Christian contacted me via email and sent some of his thoughts on the lens. After a couple of emails back and forth, I requested him to write a review of the lens, so that we could share it with our readers. Christian accepted the challenge and we both agreed that it could be a good idea if we both worked on it – I would provide all optical test results, while he would write the text and provide sample images. So in a way, this is a collaborative effort between the two of us. Enjoy!
This is an in-depth review of the Nikon D610, a very minor update that replaced the existing Nikon D600. Since full-frame DSLR cameras typically have a 2-3 year life cycle before they are refreshed with newer models, the D610 was an unusual update, as it replaced a camera that was only 13 months old – something that typically only happens with entry-level/consumer DSLRs. The thing is, the Nikon D610 is what the D600 should have been when it was initially launched. Plagued by a shutter mechanism issue which shred small particles from the shutter that fell directly onto the camera sensor (causing “dust bunnies” visible at small apertures), the Nikon D600 got a lot of negative press from its owners and camera reviewers. We were among the first ones to report the dust issue in our Nikon D600 review and later received many reports from our readers that confirmed the same issue. In a couple of months, the Internet was full of all kinds of examples of the same issue. Nikon ended up issuing a service advisory that categorized the behavior as “natural accumulation of dust” and suggested to try using the “Clean Image Sensor” feature of the camera, along with manual cleaning with a blower bulb. As a last resort, if those two options failed, Nikon recommended to consult with service centers to get the camera examined and serviced. Unfortunately, despite all the reported issues, service orders and returns from unhappy customers, Nikon never acknowledged the problem.
This is an in-depth review of the Nikon 18-35mm f/3.5-4.5D IF-ED, a variable aperture zoom lens that was released a long time ago, in year 2000. The lens has been recently replaced with the Nikon 18-35mm f/3.5-4.5G ED, which I recently reviewed and praised for its superb performance. I decided to post this particular review, because it might be useful for those that are considering purchasing the lens at a bargain price, now that it has been replaced and will soon be discontinued. Plus, I have all the data I need for a detailed review.
This is an in-depth review of the Nikon 18-35mm f/3.5-4.5G lens, which was announced on January 27, 2013 together with the super telephoto Nikon 800mm f/5.6E VR. The lens replaces the existing 18-35mm f/3.5-4.5D, an old autofocus lens released back in August of 2000. With its rather weak optical design optimized for film cameras, the old version was never quite considered to be among Nikon’s top performing lenses. It suffered from decreased corner performance, strong distortion, vignetting and chromatic aberration issues, making it a weak candidate for modern DSLR cameras. After 13 long years, Nikon finally completely revamped the design of the lens and reintroduced it to the market as a budget lens for modern full-frame cameras. The AF-S NIKKOR 18-35mm f/3.5-4.5G ED went through drastic changes in optical design and now looks nothing like its predecessor both physically and optically.
The original review of the Nikon 300mm f/4D AF-S lens was published back in 2009 and was very short. I decided to completely rewrite it, with all the latest information, MTF data, more feedback and sample images, so you are looking at an updated version. If you are a birder, you have only two budget choices for Nikon – either the Nikon 300mm f/4D IF-ED AF-S or the much more expensive Nikon 80-400mm VR that was introduced in 2013. All other semi-professional lenses by Nikon are not good enough/long enough for birding. The old 80-400mm f/4.5-5.6D VR was too slow to focus and a lot of people including myself expressed their frustration with it for fast moving birds. I have been using the Nikon 300mm f/4D lens for over 6 years now and have been very pleased with the results. I take it with me everywhere I go and have used it more than any other telephoto lens so far. It is relatively light and I primarily use it handheld for shooting birds and other wildlife of Colorado.