Along with the D3300 DSLR, Nikon has also introduced the new AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II kit lens, another iteration of the lens with a completely new design. Compared to its predecessor, the new 18-55mm kit lens is now much more compact and lighter, because of its retracting design similar to some of the Nikon 1 lenses.
The Consumer Electronics Show is taking place in Las Vegas this week, which means lots of announcements of all kinds of gadgets, including cameras and lenses. As usual, we will be picking and covering the most important announcements that are related to the photography industry. One of the biggest news today is the announcement of the Nikon 35mm f/1.8G full-frame lens. Ever since the Nikon 35mm f/1.8G DX lens came out back in 2009 (which got wildly popular for Nikon DX cameras thanks to its excellent performance and low price), many Nikon shooters have been asking for a budget version of the lens for full-frame cameras. Although the professional Nikon 35mm f/1.4G is an excellent chunk of glass (see our in-depth review), it is too expensive for many photo enthusiasts and hobbyists. And that’s exactly the gap that the Nikon 35mm f/1.8G is designed to fill. At an MSRP price of $599, the lens is over 2.5x less expensive than its big brother. It is also twice lighter!
Lothlórien or Mordor, depending on whether you consider Nikon “the dark side” I guess! Been shooting with this combo for about a week now and I am amazed by the results. The Nikkor 58mm f/1.4G (see our lens page in the database) is just one of a kind…very few Nikkor lenses are capable of rendering such beautiful images. Lots of depth, color and beautiful bokeh, as illustrated in some of the images below. Sharpness in the center is also excellent when you nail focus, even wide open. Lola was a bit hesitant about the Df at first (she rarely parts with her Nikon D3s + Nikkor 50mm f/1.8G combo), but once she used it a couple of times on commercial shoots, she quickly changed her mind.
We are back again at reviewing some of the lens classics and this time we have the Nikon NIKKOR-S Auto 50mm f/1.4 (Ai modified), which was first manufactured way back in 1962. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the second one that we are reviewing. Nikon has made so many different 50mm lenses its in 80 years of optical history, that the list of just 50mm lenses can get quite overwhelming. Many of us look at the modern 50mm primes without realizing that among all manufacturers, Nikon has the longest history of making these lenses. In fact, the very first Nikkor 5cm lens was made in 1937 specifically for Canon rangefinder cameras! And it is also worth pointing out that Nikon invented the very first 50mm f/1.4 lens after the World War II. This particular NIKKOR-S classic was designed for Nikon’s rangefinder cameras. Today, it is hard to find a converted version that works on modern DSLRs (mostly non-Ai versions), but you can snatch one for about $50 and get it converted for another $20-30. Or if you bought the new Nikon Df, you will be able to use this lens without having to convert it!
Thanks to your support, we will be publishing a lot more reviews of the old Nikkor classics that we either purchased on auction sites, or loaned from our readers. This is a review of a true classic, the Nikon NIKKOR-H Auto 28mm f/3.5 (Ai modified), which was manufactured way back in 1959. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the first one that we are reviewing. Please note that such reviews of classic lenses will be limited to one page, with a small number of image samples. Still, full lab measurements will be performed on each lens for thorough analysis and comparisons.
Along with the highly anticipated Nikon Df camera, Nikon has also introduced the restyled Nikkor AF-S 50mm f/1.8G Special Edition lens. Such a move might be slightly confusing at first, because Nikon already has a new AF-S 50mm f/1.8G lens in its line-up. So, are there any improvements with this new lens? In short – no. At least not from the optical performance stand-point.
Our readers frequently ask us about the performance of classic Nikkor lenses, some of which were kept from the film days, some inherited and others acquired at an auction or a garage sale. Considering the high cost of modern Nikkor lenses, older lenses can be of great value, especially AF-D and Ai-S manual focus models that could be snatched for 3-4 times less than their modern counterparts. Unfortunately, due to the fact that I never owned those older classics or had any access to them, I have never been able to test and review them. While building our lens database, I realized that it was very difficult to obtain information on older lenses and almost impossible to find product images. So I decided to look at local product listings and auction sites like eBay to find old lenses of good value. Not the hard to find / rare items, but the ones that are commonly found everywhere. Thanks to the gracious support of our readers, I was able to find a few good deals and use some of the money to fund this project.
Photographers are always looking for something new to invigorate their photography. Sometimes visiting the same old haunts or taking the same types of photographs can get stale. When I mention that I love visiting historic cemeteries, I get quite a few strange looks. Some consider it a bit morbid. Others, uncomfortable with the subject of death, can’t seem to fathom going to a cemetery unless they have no choice! Suffice to say that the notion of visiting a cemetery is not usually at the top of people’s “Things I Would Most LikeTo Do This Weekend” lists!
A lot of our readers have been asking me about the new Nikon 18-35mm AF-S lens that was recently announced. I had a chance to use this lens a while ago for over a month and I never got a chance to fully review it. Ahead of the upcoming Nikon 18-35mm review (posted on 07/27/2013), I would like to provide some data for our readers and compare the lens performance to the Nikon 16-35mm f/4G VR. The below information only contains sharpness numbers and does not include all other optical tests such as vignetting, distortion, chromatic aberration, etc. – I will only provide a summary of my findings for now. The full data with illustrations and sample images will be provided in the full review.
Let’s pick up where we left after the first installment of food photography, shall we? This blog post will cover Nikon lenses that you can successfully use for the purpose of photographing food. Please keep in mind that the information I present below is a personal opinion based on my experience so far, which I do not think is subject to change anytime soon, as I like my set-up very much.