For many years, Nikon has been limiting affordable super telephoto zoom lenses above 300mm to the 80-400mm VR lens, while keeping its high-end super telephoto line of zoom and prime lenses available only for those with deep pockets. With Tamron and Sigma pushing great budget-friendly 150-600mm options, Nikon finally decided to release its first constant-aperture super telephoto zoom competitor in August of 2015. Specifically designed for beginner and enthusiast wildlife / sports photographers, the new Nikkor 200-500mm f/5.6E ED VR became the first hand-holdable Nikon lens to reach 500mm at a relatively low price point of $1,399. This offering, coupled with the upcoming Nikon D500 DSLR (see our D500 announcement post) makes a killer combination for action photography. With an equivalent field of view of 300-750mm and the capability to shoot fast action at up to 10 frames per second on the D500, the Nikon 200-500mm f/5.6E VR is definitely going to become one of the most popular lenses in Nikon’s lens line-up, thanks to its versatility and reach. Although our team at Photography Life has not had a chance to test this particular combination due to unavailability of the D500 in the US, we have been actively using the lens on camera bodies like the Nikon D7200, D750, D810 and D4S for this particular review. We are planning to write a follow-up article covering the use of the lens on the Nikon D500, once we get our hands on the camera. Meanwhile, please enjoy the review of the Nikon 200-500mm VR lens, along with comparisons to Tamron 150-600mm VC, Sigma 150-600mm C / Sport and Nikon 80-400mm VR lenses.
I am currently in Death Valley NP, shooting with a bunch of new gear including the Nikon 24-70mm f/2.8E VR, so I wanted to provide my early thoughts on this lens. Some of our readers sent me concerned emails, asking what I think about the 24-70mm f/2.8E VR, since apparently some others were quite unimpressed with this lens, even putting it into the category of “one of the worst lens releases of 2015”. I am not sure where these statements come from (sadly, my Internet connection here is really bad), but based on two samples of the Nikkor 24-70mm f/2.8E VR that I currently have access to, the new updated version seems to be an absolute gem. Based on my limited time pixel-peeping some of the images I have captured so far, it seems like Nikon has optimized the new 24-70mm differently when compared to its predecessor.
With the Black Friday and Cyber Monday super-sale days approaching, manufacturers and retailers have been making advanced preparations to make it more than just a single day or two-day sale event. Today, both Nikon and Canon are offering something truly appealing for those who are just starting out. The Nikon D3200 combo with two kit lenses is discounted by a whopping $480 to bring the deal down to $396.95, which is a steal! If you have family members who are interested in photography (I am thinking of buying this kit for my son), this would make a very nice holiday gift. And price-wise, the 55-200mm VR II alone retails for $350 and if you add the price of the 18-55mm VR II, you are already at $600, so in this case, Nikon is not only giving away the D3200, but you are also getting a $200 reward for buying this entry-level kit!
It seems like releasing a product without proper testing has become a norm for some camera manufacturers like Nikon. You would think that after all the recalls, service advisories and lawsuits, manufacturers should be thoroughly testing equipment, preferably giving the equipment to real photographers who use and abuse their gear for a living, before trying to market and sell it. Nikon specifically has gone through so much bad press, that one would think it is time for the company to think about its long term strategy with releasing products. Looking at the past few years, it seems like almost every major product announcement has been followed by a plague of service advisories. The Nikon D800 / D800E cameras were definitely the spotlight of the industry, except almost every camera was impacted by the infamous Asymmetric Focus Issue. Nikon went quiet on that one for a while and never truly confirmed the issue.
When testing out the Nikon 58mm f/1.4G, I really wanted to get a hold of the legendary Noct-NIKKOR 58mm f/1.2 lens to see how the two lenses from different generations compare optically. Unfortunately, I could not obtain a good sample of the Noct-NIKKOR at the time, but after scouting eBay for a while, I finally found a pristine copy of the lens from a photographer in California. Being a collector item, the lens was barely used and had been sitting for years in a closet – exactly what I had been wanting to get. I really wanted to make sure that the lens performed as close to its original specifications as possible, because I was on the quest to measure its optical performance, particularly at its super wide f/1.2 aperture. Let’s take a look at the lens in more detail.
This will just be a short article with my very first photograph taken with this wonderful lens and my first impressions. I have the 600mm f/4G VR and it has been an amazing lens for me and wildlife photography. I was worried when I bought the new lens as I really was in love with the old one and wasn’t sure if the new one would be as good. Obviously, I can’t evaluate and determine that in one day – I wish I could, but here is what I can share so far with you guys and gals.
In addition to the high-end 500mm and 600mm super telephoto lenses, Nikon also announced the AF-S DX Nikkor 16-80mm f/2.8-4E ED VR, a high-quality lens designed specifically for smaller APS-C / DX cameras. I have not had a chance to post this announcement due to my busy travel schedule earlier this week, but thought it would be important to post it at PL, since it is a pretty interesting announcement. The Nikkor 16-85mm f/3.5-5.6G ED VR has been a pretty popular lens for DX cameras for many years now, but after the release of high-resolution 24 MP cameras, the lens has been showing its age, with fairly average sharpness, particularly in the corners. The new 16-80mm f/2.8-4E has a completely new optical formula, designed to outperform the 16-85mm in every way.
Buying photography equipment for the first time is a daunting task. Useful guides exist to help beginners choose a good camera, but few newcomers realize that the camera itself is only the first of many pieces of equipment necessary to create a full setup for photography. In this guide, I will suggest a complete kit — everything from lens cloths to computer monitors — that will provide a beginner with high quality images (and room to grow) for a price of around 2000 US dollars.
The Royal Botanical Gardens in Burlington Ontario (Canada) recently hosted a display of frogs from around the world. Frogs: A Chorus of Colours was an interesting, educational exhibit as well as an opportunity to capture some images.