My wife, Tanya, and I recently vacationed in the Canmore/Banff area of Alberta, Canada. We settled on this location after reading a variety of reviews and looking over some stunning photos of the many attractions and wildlife. We planned a series of activities that would take us to some of the most scenic, historical, and cultural locations, provide some challenging hiking expeditions, and enable us to take a “few” photographs along the way. After receiving a new Nikon D800 (review), which I tested thoroughly, I was eager to put it to work in the field. Most of the photos in this article were taken with the D800, although some were shot with my infrared D90 (converted by Lifepixel.com). For those of you reading this on an RSS feed, you may want to consider linking to the main Mansurovs site, as there are quite a few photos associated with this post.
Infrared, or “IR” photography, offers photographers of all abilities and budgets the opportunity to explore a new world – the world of the unseen. Why “unseen”? Because our eyes literally cannot see IR light, as it lies just beyond what is classified as the “visible” spectrum – that which human eyesight can detect. When we take photographs using infrared-equipped film or cameras, we are exposed to the world that can often look very different from that we are accustomed to seeing. Colors, textures, leaves and plants, human skin, and all other manner of objects can reflect IR light in unique and interesting ways, ones that cannot be mimicked with tools such as Photoshop (yes – there are limits to what Photoshop can do!). Like any form of photography or art however, it is a matter of taste. I would strongly urge people to explore the world of IR. As the number of cameras-equipped devices proliferates and the associated technologies improve, IR photography may offer the opportunity for photographers to expand into new arenas and differentiate their offerings from those of others.
Ever since Nikon released the new Nikon D7000, I have been getting a lot of emails from people who are asking if they should go with the D7000 or with the older Nikon D90 that has been dropping in price. To make it easier for our readers, I decided to post a quick comparison between the two in this “Nikon D7000 vs D90” article.
I recently borrowed a Nikon D90 with a Nikon 35mm f/1.8G DX lens from a good friend to perform some tests of this combo at home. The weather has been bad for photography lately and I really have not had a chance to take the camera and the lens out to do some real shooting. A couple of days ago, Lola decided to try it out for her food photography while she was preparing my favorite baked pear salad and cooking a new chicken soup with eggs.
Recently, I have been asked by my readers to suggest what Nikon DLSR camera and lens to get for someone who is switching over from a point and shoot camera. Since I spent a considerable amount of time responding to the emails, I decided to write a quick post on what DSLR and lenses I suggest to buy.
Nikon has just announced the new Nikon D5000, so I decided to post a quick comparison between the Nikon D5000 and Nikon D90 in this “Nikon D5000 vs D90” article.
All neat features in digital photography start off in point and shoot (P&S) cameras as an experiment. Whoever comes up with the idea first, gets to sell more P&S cameras (which, by the way, largely outweigh DSLR sales) because people love more usable features. Once the feature is solid and becomes a standard, it then gets introduced into the semi-professional market, eventually becoming a standard feature in professional cameras.