Here is another quick specifications comparison between the new Nikon D600 and the D800 that was announced earlier in 2012. I am sure many photographers will be interested in seeing feature differences between the resolution king, the D800, and the $900 cheaper D600. Looks like both cameras are quickly becoming popular among many amateur and professional photographers, so what feature advantages does the former offer over the latter? Let’s take a look in this Nikon D600 vs D800 comparison. Please keep in mind that this comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is provided in the Nikon D600 Review right here.
My wife, Tanya, and I recently vacationed in the Canmore/Banff area of Alberta, Canada. We settled on this location after reading a variety of reviews and looking over some stunning photos of the many attractions and wildlife. We planned a series of activities that would take us to some of the most scenic, historical, and cultural locations, provide some challenging hiking expeditions, and enable us to take a “few” photographs along the way. After receiving a new Nikon D800 (review), which I tested thoroughly, I was eager to put it to work in the field. Most of the photos in this article were taken with the D800, although some were shot with my infrared D90 (converted by Lifepixel.com). For those of you reading this on an RSS feed, you may want to consider linking to the main Mansurovs site, as there are quite a few photos associated with this post.
Update – I now have a new D800 that is working correctly. See comment 142 below for the details.
“Abandon all hope, ye who enter here.”
A number of our readers have been anxious to hear the results of my and others’ D800 repair experiences, particularly since they have sent their D800s in for repair but haven’t had them returned. Others are considering whether they should send their cameras to Nikon or return them to the retailer (if within the 30 day return window). What are the chances are of a successful repair? It is difficult to estimate. Based on a number of emails I have received and some posts on the various Nikon forums, it seems that Nikon’s success in repairing the D800 is mixed at best. Some people have enthusiastically given their D800 repairs a thumbs up. On a more disturbing note, however, others have reported sending their D800s back to Nikon’s Service Centers multiple times only to see them come back in the same shape as when they left. Those in the latter group are understandably very upset. A number of people are actively investigating the various “Lemon Laws” as possible mechanisms to force Nikon to provide new D800s. On just about every Nikon forum, at least one person has floated the idea for some form of petition, boycott, or other collective action that might cause Nikon to change its current strategy for dealing with the D800 autofocus issue. Everyone is wondering what it is going to take for Nikon to address this situation.
There has been quite a bit of buzz around the Nikon D800 / D800E focusing issues and one of the most recurring topics of discussions seems to be around the asymmetric focus issue (left AF focus issue). As I have already explained in my “how phase detection autofocus works” article, any DSLR is prone to having AF issues, simply because of the way the phase detect sensor works.
Does anyone else believe this announcement by Nikon is long overdue?
The original post had the disclaimer located after the press release which caused some people to believe that it was a spoof – which it was not. Within a few minutes of the article being posted, I moved the disclaimer to the top to eliminate any confusion, but the RSS feed still went out with the original copy and it took some time for us to change the facebook article. What follows is my recommendation for how Nikon should handle this situation, given the number of D800/D800Es that appear to be affected, and the obvious concerns from current and potential D800/D800E customers.
After reading slews of posts by others that received their D800s, I finally received my camera from B&H last week. I have to admit that my initial enthusiasm was a bit tempered by the many reports of the D800 having autofocus issues. I began to wonder, “Just what am I getting – a good D800 or a bad D800?” (think Wizard Of Oz…). Or perhaps more appropriately, did my camera fall into the Caviar, Sardines, or Spam category?
The last two weeks have been very busy for me. I am working on multiple reviews of Canon, Nikon and Fuji lenses and you will be seeing many lens reviews coming up this summer. At the same time, I have been shooting with the Nikon D3200, D4 and D800E DSLR cameras, so I will be sharing my thoughts on these fairly soon as well. One question that keeps popping up over and over again from our readers, revolves around the autofocus problems on Nikon DSLRs. Specifically, these questions are on front focus/back focus problems with lenses, the left AF focus point issue found on some Nikon D800 bodies, use of 2x teleconverters with the new Advanced Multi-CAM 3500FX (on D4 and D800/D800E), etc. Since there is a lot to cover, I will be publishing articles on each topic with my findings and thoughts I have thus far.
With the ever increasing rate of technological innovation in the photography arena, it is not too difficult to get caught up in the latest camera model, lens, or other gizmo, all designed to take our photography to the “next level.” The recent hype and debates surrounding noise levels and resolution differences between the Nikon D800 and Canon 5D Mark III alone could likely fill a few petabytes of disk space. In the midst of our obsession with the “latest and greatest,” we need to remember that photography is, at least on some level, supposed to be… well… fun! One of the best ways I know to inject a bit of fun into my photography exploits, is to attach a fisheye lens to my DSLR. These marvels provide a unique curved distortion (in some cases a full 360 degrees) that add a bit of character and spice to otherwise rather common photos and provide a unique perspective.
I have just updated the Fuji X-Pro1 Review with detailed camera comparisons with the Canon 5D Mark III and Nikon D800. RAW support has finally become available with the latest updates from Adobe for both Lightroom and Photoshop, so I was able to extract RAW files from all cameras to do a comprehensive analysis. My findings? The Fuji X-Pro1 RAW images look as impressive as the JPEG images. Despite the fact that I down-sampled the Nikon D800 and Canon 5D Mark III images, which should give them an advantage in terms of handling noise, the pixel level quality of the Fuji X-Pro1 sensor is still superior at low ISOs! At first, I thought that I did something wrong in Lightroom – maybe accidentally applied noise reduction to Fuji X-Pro1 images. However, after looking through the images in detail and resetting to RAW file defaults, I was surprised to find out that the Fuji X-Pro1 RAW files indeed looked cleaner. Here is an example comparison at ISO 200 between the Fuji X-Pro1 and the Canon 5D Mark III:
The more time I spend in my photography pursuits, the more I appreciate cameras that capture and photos that exploit their maximum dynamic range potential. Digital cameras have undergone dramatic improvements over the last 12+ years, but they still don’t come close to the human eye’s dynamic range capabilities. By some estimates, the human eye can distinguish up to 24 f-stops of dynamic range. Higher end DSLRs such as the Nikon D800 by comparison, can capture up to a theoretical max of 14.4 f-stops of dynamic range. The usable dynamic range of most DSLRs, however, is closer to 5-9 f-stops, considering the impact of noise, which can render some of the DSLRs’ f-stop range impractical to exploit. Thus your eyes – at least for now – are still far more capable than the best DSLR relative to recognizing various tonal gradations. As I will demonstrate via my new model, “Doris” (shown below) of the Pittsburgh Zoo, even photos taken with high quality DSLRs sometimes need a bit of extra processing to match what your eyes can see. The photo below is the result of a processing technique I often employ to boost dynamic range when it is apparent that my camera’s sensor failed to capture what I remember seeing.