Most photographers have heard of infrared photography and many have shot with infrared film or digital cameras converted to infrared. However, few have had the opportunity to experiment with infrared flash photography. For me, the cool thing about shooting with infrared flash is that you can shoot candid street photography, and also handheld architectural night shots.
In this Nikon D850 vs D810 vs D800 / D800E comparison article, I will go through all the differences in specifications between these DSLR cameras and talk about what has been added, changed or improved with each generation. While both Nikon D810 and D800 / D800E cameras have been very popular among many enthusiasts and professionals for the past few years, the Nikon D850 is clearly a huge step up in many ways for the D8x0 line of cameras. It is the first high-resolution Nikon DSLR that is aimed at many different photography genres, from landscape and macro, to sports and wildlife photography. Let’s take a look at what the D850 brings to the table when compared to its predecessors.
It seems like releasing a product without proper testing has become a norm for some camera manufacturers like Nikon. You would think that after all the recalls, service advisories and lawsuits, manufacturers should be thoroughly testing equipment, preferably giving the equipment to real photographers who use and abuse their gear for a living, before trying to market and sell it. Nikon specifically has gone through so much bad press, that one would think it is time for the company to think about its long term strategy with releasing products. Looking at the past few years, it seems like almost every major product announcement has been followed by a plague of service advisories. The Nikon D800 / D800E cameras were definitely the spotlight of the industry, except almost every camera was impacted by the infamous Asymmetric Focus Issue. Nikon went quiet on that one for a while and never truly confirmed the issue.
The Royal Botanical Gardens in Burlington Ontario (Canada) recently hosted a display of frogs from around the world. Frogs: A Chorus of Colours was an interesting, educational exhibit as well as an opportunity to capture some images.
During a recent trip to the Myrtle Beach area of South Carolina I took the opportunity to try something new, and captured a number of images of brown pelicans. Although I’ve seen these birds a number of times in the past I never tried photographing them before, and as with any bird species there was a learning curve involved.
DSLR customers have had a nagging sense that manufacturers were far more interested in having them upgrade their cameras than providing additional capabilities to the customers that already purchased DSLRs. Back in the days of mechanical film cameras, it would have been a challenge for OEMs to deliver upgraded capabilities to existing customers. Customers would have had to bring their equipment into a local shop or send it to the camera manufacturer to be retrofitted with new capabilities – a prospect not very practical or financially attractive for manufacturers or customers. In a digital world, however, enhancing just about any product has become a simple software download and installation process. Thus the idea that any digital product (particularly a sophisticated and expensive one) should remain relatively static over its lifetime has become obsolete. It appears that Nikon may be ready to acknowledge and address this growing concern.
The battery grip has to be the most overpriced accessory in photography. Think about it – it’s a plastic/composite case filled with batteries and a few switches – that’s it. How come a Nikon MB-D12 costs $399 and the batteries aren’t even included? The Nikon D3300 body costs a bit more and it comes with a battery (and a 24mp sensor + EXPEED 4 processor, etc. etc). Heck, for 50 bucks you can buy a similarly-sized plastic case filled with batteries and switches that has 16 programmable modes, multiple movable parts and will do a heck of a job massaging your back when you are in pain, post-processing those wedding photos from the couple that will probably get divorced before you are done. So why use a battery grip?
On Labour Day weekend, I had the opportunity to go to the International Air Show at the Canadian National Exhibition in Toronto and photograph various aircraft in flight. I arranged for use of a new Tamron 150-600mm VC lens (see our detailed review) and used it with my Nikon D800. This article provides some thoughts on how that combination performed, as well as sharing some of the techniques I used to capture the images in this article.
One of the tests that we will be including in our upcoming Nikon D810 review is a dynamic range comparison between the D810 and the D800E. Instead of making our readers wait for this comparison, we decided to publish it in a separate article. Whether one shoots landscapes or portraits, dynamic range is important, because it allows recovering of both shadow and highlight details in RAW images. With the release of the Nikon D810, one might wonder if it is any better than the D800 / D800E cameras in dynamic range performance. Since the D810 has a base ISO of 64, we decided to provide ISO 64 and ISO 100 samples to see if there is any discernible difference between the two. We also provided ISO 3200 samples to show differences in dynamic range at high ISOs between these cameras.