We’ve all faced situations when we had to shoot hand-held in quite poor lighting conditions using slow shutter speeds, in order to capture a photograph. This challenge is further complicated when using a non-EVF camera since we loose our third anchor point, not being able to bring our camera up against our eyebrow. During a recent photography field-work trip to Nova Scotia I was faced with some very challenging lighting and took the opportunity to use quite slow shutter speeds (and high ISO) with one of my non-EVF Nikon 1 J5 cameras. The objective of this article is to discuss a few of the techniques that can be used when shooting hand-held at slow shutter speeds.
Many photographers have an interest in close-up photography but may find it hard to justify the cost of adding a dedicated macro lens to their existing interchangeable lens camera kit. They may decide to use extension tubes instead. The objective of this article is to demonstrate how extension tubes can be used with a range of different lenses to photograph the same type of subject matter. In this case, I used a combination of two extension tubes (10mm and 21mm) and five different lenses to capture close-up images of bees.
Like many other photographers I enjoy letting my mind wander, seeing if it will lead me to some kind of new photographic experiment that I haven’t tried in the past. The idea of photographing flowers with a prime lens and an extension tube fell out of my old, porous brain this week. So, for a couple of mornings I grabbed one of my Nikon 1 J5s, my 1 Nikon 32mm f/1.2 prime lens (efov 86.4mm) and a 10mm Vello Deluxe extension tube, then headed out for my daily 5km early morning walk. This article shares some images created while experimenting with flower photography at f/1.2. Except for the last image in this article, all photographs are displayed as 100% captures without any cropping.
Before getting into this article, I’d like to state upfront that its intent is NOT to suggest that other people do what I have done in terms of choice of photographic equipment. Just because the 1″ sensor Nikon 1 system is the best choice for my specific needs does not mean it will be appropriate for other photographers. It very well may not be. I regularly get emails and calls at the office from people asking why I prefer shooting with Nikon 1 which I handle on an individual basis. Since I receive a good number of these inquiries each month, I thought I’d also respond in a public forum with this article.
This short article summarizes some of the feedback that I have received from seniors who have downsized their gear, or are thinking about doing so. The desire to downsize camera gear is not restricted to seniors! Some of the actions that seniors are taking may make sense for other photographers as well. It has been quite surprising to witness the number of comments and contacts that have occurred since my senior-related article, Senior Perspectives on Photography. I’d like to thank all of the readers who have contacted me and shared their personal experiences! Not only has it been an enjoyable experience to hear from all of you, but very enlightening as well. One of the common topics that these more ‘mature’ photographers wanted to discuss with me was their decision to downsize their gear. There was certainly a range of approaches that people have used to better align their gear with their photographic interests and their need for smaller, lighter camera gear.
Many photographers enjoy exploring the world around them with macro and close-up photography. The basic difference between these similar genres of photography is the amount of magnification achieved, with a 1:1 magnification generally accepted as an example of macro photography. Images at this level of magnification also have more details than are achieved with close-up photography. The camera gear used for macro photography can be quite specialized and costly which can be a barrier for many photographers. This article features a small selection of close-up photography images all of which were shot hand-held in available light using a set-up that cost about $875 CDN including camera body, lens and extension tubes.
After a few delays, Nikon decided to officially cancel the DL Series of premium compact cameras citing profitability concerns. Sadly, despite the strong set of features these cameras offered for their prices, some of us saw this coming. And based on current market conditions and the serious losses incurred by Nikon in the past few years, the situation is not looking particularly good for the company, which has announced that it will let around 1,000 of its 25,000 workers go in order to restructure its workforce during the difficult times…
There’s an old saying that “time flies when you’re having fun”. That must be true since the past three years for me here at Photography Life have gone by at supersonic speeds.
It has been a few years now that I’ve qualified for a senior’s discount at various retailers. Of course the rules for such discounts do vary by store. Some start offering them at 55. Others at 60. And, at many they don’t kick in until that magic age of 65.
Making a change to one’s camera kit is always a good reason to go out to get some practice using it outside and indoors. I went out to Bird Kingdom in Niagara Falls Ontario a few days ago with my Nikon 1 V3 and CX 70-300mm f/4.5-5.6 lens to practice my hand-holding technique photographing birds using slower shutter speeds.