In this in-depth field review, we are going to have a look at the Nikkor 18-55mm f/3.5-5.6G AF-P VR, the latest Nikon basic DX standard kit lens launched in September of 2016. It is an all-plastic lens featuring the newest stepping motor, which focuses faster and quieter than the traditional silent wave motor used on most standard Nikon lenses. The optical design features two aspherical elements for better sharpness and chromatic aberration control.
This is an in-depth review of the Nikon 28mm f/1.4E ED lens that was announced in May of 2017 along with two other lenses, the Nikon 10-20mm f/4.5-5.6G VR AF-P and 8-15mm f/3.5-4.5E ED Fisheye. The AF-S NIKKOR 28mm f/1.4E replaces the classic 28mm f/1.4D lens, which was known for its outstanding optical performance capable of rendering sharp and beautiful images on both full-frame and cropped sensor cameras. With the updated 28mm f/1.4E, Nikon completely revamped its optical formula and put the latest coating and electronic features on the lens to yield the best performance on demanding high-resolution cameras, for both photography and videography needs. Thanks to its wide aperture of f/1.4, the Nikon 28mm f/1.4E is not only a prime choice for low-light photography, but also for wide-angle portrait photography, with its ability to isolate subjects from the background and yielding pleasing images with shallow depth of field.
This is an in-depth review of the Nikon 28mm f/1.8G lens that was announced in April of 2012 together with the Nikon D3200 DSLR. After releasing a number of great and affordable primes such as the Nikon 50mm f/1.8G and the 85mm f/1.8G (both of which turned out to be phenomenal), Nikon rolled out the 28mm f/1.8G lens to target photographers who are looking for a fast, inexpensive and lightweight wide-angle prime lens that can be suitable for a variety of different genres of photography.
Ever since Nikon debuted the 24mm f/1.4G ED lens five years ago, the lens has been a popular choice among professionals and serious amateurs, thanks to its excellent optical formula and coating technologies that yield crisp and pleasing images. However, its high price point and the relatively heavy weight made it a rather specialized tool, so a cheaper and lighter f/1.8 version of the lens was much needed to complement the 20mm f/1.8G and the 28mm f/1.8G lenses. Nikon filled this gap with the Nikkor 24mm f/1.8G ED in August of 2015, finally addressing the needs of many photographers like me, who had been wanting such a lens for a while now. When I finally received my copy of the lens, I wondered how it would compare optically not only to its older f/1.4G brother (which I used to own and love), but also to other popular 24mm primes such as the Sigma 24mm f/1.4 Art and the Samyang 24mm f/1.4. After getting a hold of all three, I hit the road with the purpose to find out which lens would serve as my dedicated 24mm prime in the future. In this review, I will not only discuss the Nikon 24mm f/1.8G lens in detail, but also compare it to the above-mentioned 24mm primes.
This is an in-depth review of the Nikon 24mm f/1.4G ED lens that was announced in February of 2010 together with the Nikon 16-35mm f/4G VR lens. The Nikon 24mm f/1.4G lens is a professional-grade lens for enthusiasts and professionals that need the highest quality optics of a fixed wide-angle lens with a large aperture of f/1.4 for low-light situations and shallow depth of field to isolate subjects from the background. The lens incorporates modern optical design and technology, and it is designed for both FX and DX sensors (equivalent of 36mm on DX), yielding amazing clarity and contrast in most challenging lighting conditions. The Nikon 24mm f/1.4G follows the footsteps of the legendary Nikon 28mm f/1.4D lens, which was known for its exceptional quality and sharp optics, even at large apertures. The new Nikon 24mm f/1.4 is no exception – it performs remarkably at most apertures and it has very impressive sharpness from center to extreme corners, especially when stopped down a little. Nikon has incorporated the latest technology and optical formulas to this lens, including AF-S silent-wave focus motor and Nano crystal coating. The lens is also sealed against dust and tough weather conditions. Just like most Nikon professional lenses, the lens has a 77mm filter thread, which is great news for landscape and architectural photographers.
It has been 30 years since Nikon first introduced the original Nikkor 20mm f/2.8 Ai-S lens and long 20 years since the autofocus version, the Nikkor 20mm f/2.8D was released to the market. Since then, the 20mm prime sadly did not receive much attention, so it was about time for Nikon to refresh the line with a modern version. Nikon finally revealed a replacement on September 12, 2014 and the new lens came with a nice surprise – the Nikkor 20mm f/1.8G ED is not only completely revamped in terms of optical design, but it is also 1.3 stops faster than its predecessors. Personally, I have been very interested in checking out the new 20mm f/1.8G lens, because I found the 28mm f/1.8G to be a bit too long for my taste. And although I love my 24mm f/1.4G (see my detailed review here), it is pretty expensive and often quite heavy to carry around. Thus, a wider, lighter and much less expensive lens sounded very appealing to me. I have had the joy of shooting with the Nikkor 20mm f/1.8G for the past three months and as you will see in this review, the lens deserves high praises for its superb optical performance. Without giving any more spoilers, let’s jump into the review and see where and how it shines.
A number of DSLRs and mirrorless cameras today come with an important feature called “Electronic Front-Curtain Shutter” (EFCS) or “Electronic First Shutter Curtain” (EFSC), both of which are designed to eliminate camera shake originating from the shutter mechanism of the camera (commonly known as “shutter shock”). Shutter shock is an issue on all modern cameras, both DSLR and mirrorless, particularly when using longer focal length lenses and specific shutter speeds. In this article, we will explore the effects of shutter shock on your images and how you can totally eliminate it with the Electronic Front-Curtain Shutter mode.
Nikon is under a lot of pressure in 2018, because this is the year that the public is anticipating hot new products from the company, especially the highly anticipated full-frame mirrorless camera that the company is currently working on. The very first product that Nikon has launched in 2018 is a lens – it is the Nikon AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR – a beast of a lens targeted specifically at sports and wildlife photographers and videographers. Many Nikon 200-400mm f/4G VR shooters have been waiting for a replacement to the lens and it looks like Nikon didn’t just deliver an update – the 180-400mm is a whole new lens with a completely revamped optical design and engineering. At $12,399 MSRP, it is the second most expensive lens in Nikon’s line-up after the exotic Nikon 800mm f/5.6E VR and for a good reason, if you were to look into what Nikon has packed into it. Without a doubt, it is a marvel of a lens, something that is soon to become one of the most desirable lenses in Nikon’s arsenal. Read on to find out why.
Black Friday is right around the corner and I wanted to make one article where I will collect the best available deals from a variety of difference sources. Please note that I will be updating this post very often with the latest info, some of which is going to be time-sensitive. I would recommend to bookmark this page and revisit it several times on a daily basis until the end of Cyber Monday to make sure that you are able to take advantage of all the promotions.
Updated 11/24/2017: New Apple MacBook Pro deal, while supplies last. Added a bunch of PC part deals.
Most photographers have heard of infrared photography and many have shot with infrared film or digital cameras converted to infrared. However, few have had the opportunity to experiment with infrared flash photography. For me, the cool thing about shooting with infrared flash is that you can shoot candid street photography, and also handheld architectural night shots.