Recently I’ve been experiencing one of those existential photo crises. Low motivation, cliché results, slumping Instagram likes. When I get bummed about my photography I do what any self-respecting unprofessional photographer would do – put on some soft jazz, pour myself a fine single malt, then pull out my favorite Zeiss lens chart results and pleasure myself. But even that didn’t make me feel better. What’s a listless soul-wrenched photographer to do? Ha, I know what will do the trick – no better way to demonstrate my photographic élan and self-assurance than to dis on a kit lens.
For many years, Nikon has been limiting affordable super telephoto zoom lenses above 300mm to the 80-400mm VR lens, while keeping its high-end super telephoto line of zoom and prime lenses available only for those with deep pockets. With Tamron and Sigma pushing great budget-friendly 150-600mm options, Nikon finally decided to release its first constant-aperture super telephoto zoom competitor in August of 2015. Specifically designed for beginner and enthusiast wildlife / sports photographers, the new Nikkor 200-500mm f/5.6E ED VR became the first hand-holdable Nikon lens to reach 500mm at a relatively low price point of $1,399. This offering, coupled with the upcoming Nikon D500 DSLR (see our D500 announcement post) makes a killer combination for action photography. With an equivalent field of view of 300-750mm and the capability to shoot fast action at up to 10 frames per second on the D500, the Nikon 200-500mm f/5.6E VR is definitely going to become one of the most popular lenses in Nikon’s lens line-up, thanks to its versatility and reach. Although our team at Photography Life has not had a chance to test this particular combination due to unavailability of the D500 in the US, we have been actively using the lens on camera bodies like the Nikon D7200, D750, D810 and D4S for this particular review. We are planning to write a follow-up article covering the use of the lens on the Nikon D500, once we get our hands on the camera. Meanwhile, please enjoy the review of the Nikon 200-500mm VR lens, along with comparisons to Tamron 150-600mm VC, Sigma 150-600mm C / Sport and Nikon 80-400mm VR lenses.
I have been trying to clean up my shelf space for a while now, getting rid of things that I no longer need or use. I recently moved and realized that I have way too much stuff, so I decided to put it up for sale. Some things I have not touched in a while, others I have practically never used – don’t ask me why I got those in the first place! Although the bulk of what is listed below is Nikon gear, it is by no means an indication that I am switching or anything like that. I shoot with a lot of different gear nowadays (mostly for review purposes), but I still shoot Nikon as my primary system for commercial and personal work. Below is what I am planning to get rid of, so if you have any interest, please post a comment below or contact me through this form and let me know what you want. Will ship internationally, as long as the carrier is either UPS or FedEx, fully insured.
UPDATE: Forgot that Nikon does not keep as much value anymore, so everything is reduced by quite a bit!
One of the perks of being on the Photography Life team is all the new gear we get to test. One of the downsides is when a piece of new gear comes along and you fall in love with it and don’t want to give the review copy back. This can get expensive fast. The new Nikkor 500mm f/4E FL VR is that kind of product. My old 500mm, Edie, caught me and Flo in the act and you know how that goes – time for us to part ways.
Edie is one incredibly luscious hunk of well-cared for glass. How well cared for?
It seems like releasing a product without proper testing has become a norm for some camera manufacturers like Nikon. You would think that after all the recalls, service advisories and lawsuits, manufacturers should be thoroughly testing equipment, preferably giving the equipment to real photographers who use and abuse their gear for a living, before trying to market and sell it. Nikon specifically has gone through so much bad press, that one would think it is time for the company to think about its long term strategy with releasing products. Looking at the past few years, it seems like almost every major product announcement has been followed by a plague of service advisories. The Nikon D800 / D800E cameras were definitely the spotlight of the industry, except almost every camera was impacted by the infamous Asymmetric Focus Issue. Nikon went quiet on that one for a while and never truly confirmed the issue.
And I guess the follow-up question would be “Could Verm come up with a more provocative title?” To put you at ease, these sample pics are all saved at web resolution so you needn’t don eye protection. This last weekend I had the pleasure of shooting with the new AF-S Nikkor 500mm f/4E FL ED VR. Here are some quickie sample pics and comments from the first few days of shooting. There’s more to come as I’ll be doing in-depth field tests and comparing results with the “old” Nikkor 500mm.
Is it sharp? I’ll let this spike answer.
If you are wondering how the new Nikon 300mm f/4E PF ED VR lens renders images, take a look at the below high-resolution image samples captured by Robert Bösch and Drew Gurian. To open these images in high resolution, please right click and save them to your computer, or open them up individually in new windows (clicking on the image will show them in low resolution). As I find more high resolution images from this lens, I will post more in this article.
Nikon has just announced a couple of new products during the Consumer Electronics Show 2015, among which is a lens that many of us have been waiting for a long time. I will start the coverage with this lens, because after seeing the details of the announcement earlier today, I knew that it was something to be truly excited about. As many of our readers know, the Nikkor 300mm f/4D AF-S lens has been my favorite budget telephoto lens for many years now. It is optically superb, has amazingly fast and accurate autofocus, works really well with 1.4x and now even with 1.7x teleconverters (with the new generation Nikon DSLRs like D750), it is compact, lightweight and priced just right. In short, it is a lens with amazing value for many wildlife and sports photographers. Despite all these strengths, the lens has not been updated for 15 years and it lacks image stabilization. Although rumors about an update have been circulating on the Internet for a few years now, it has not seen the light of the day, until today. The all-new Nikkor 300mm f/4E PF ED VR is not just an update though, it is a completely different lens.
It has been 30 years since Nikon first introduced the original Nikkor 20mm f/2.8 Ai-S lens and long 20 years since the autofocus version, the Nikkor 20mm f/2.8D was released to the market. Since then, the 20mm prime sadly did not receive much attention, so it was about time for Nikon to refresh the line with a modern version. Nikon finally revealed a replacement on September 12, 2014 and the new lens came with a nice surprise – the Nikkor 20mm f/1.8G ED is not only completely revamped in terms of optical design, but it is also 1.3 stops faster than its predecessors. Personally, I have been very interested in checking out the new 20mm f/1.8G lens, because I found the 28mm f/1.8G to be a bit too long for my taste. And although I love my 24mm f/1.4G (see my detailed review here), it is pretty expensive and often quite heavy to carry around. Thus, a wider, lighter and much less expensive lens sounded very appealing to me. I have had the joy of shooting with the Nikkor 20mm f/1.8G for the past three months and as you will see in this review, the lens deserves high praises for its superb optical performance. Without giving any more spoilers, let’s jump into the review and see where and how it shines.