Five months ago, I bought my first ultra-wide lens — the Nikon 14-24mm f/2.8 — after holding out for years. I’ve always flirted with the idea of such a crazy perspective, but I kept finding reasons not to purchase one myself. A 24mm lens had worked well as my widest angle for years, and I rarely found myself wanting anything more. Now that I’ve seen the other side, though, Have my attitudes changed? After going on two major trips with the 14-24mm f/2.8, the insane perspective has started to grow on me, but I still have plenty of reservations. Here’s how I’d sum things up, including my recommendations for anyone else considering making such a leap for themselves.
One of the challenges of nighttime photography — particularly Milky Way and star photography — is to get enough depth of field. If you’re focused at the horizon, and you’re using the widest possible aperture on your lens, how could your foreground possibly be sharp? Yet, if you look at galleries online, you’ll see countless photographers capturing perfectly sharp photos of a landscape underneath the night sky. What techniques are they using? In this quick guide, I’ll lay out a few useful tips for capturing sharp landscape photos at night.
Cityscape photography has become increasingly popular in recent years as downtown revival and walkability have been prioritized by city governments. Humans are intrinsically attracted to the patterns, lines, and vivacity of urban landscape images. Additionally, photographing cityscapes requires only a modest investment in camera gear, with a sturdy tripod and a decent wide-to-normal zoom lens being the most critical. Having spent the past five years living close to bustling city centers I have come to love photographing cityscapes. Research and trial-and-error are my teachers. In this article, I will share some common mistakes made by cityscape photographers, including several tips on how to take better cityscape photos yourself.
If you like taking landscape photos at night, you’ll surely be familiar with one of the main challenges: successfully focusing on the stars. Often, you can’t use autofocus, since there isn’t enough light for your camera’s focusing system to lock onto anything. Unfortunately, even manual focus doesn’t always work, which means you may need to use some out-of-the-box techniques to make it work. This article goes through some of the most useful tools that you have at your disposal.
For landscape photography, most of the time, you’ll end up using your camera’s base ISO. That’s the power of a tripod; it lets you set long enough shutter speeds to capture a bright photo, even in dark environments at low ISO values. However, settings like this do not work for all images. Sometimes, depending upon the landscape, you’ll need to raise your ISO in order to capture a successful photograph. This article dives into the most common of those situations.
Nighttime photography is something that a lot of photographers enjoy; I certainly do, along with countless others. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. However, more than almost any other genre, night photography also challenges your camera equipment to its most extreme. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their low-light performance and depth of field. I cover 20 lenses in this article, so it’s pretty extensive — hopefully, you’ll learn something new about the equipment you need in order to capture good star and nighttime landscape photos.
Everywhere in the world, across the course of a year, the sun will be below the horizon just about 50% of the time. Although it can take a while for sunset to fade away completely, it’s safe to say that we spend a huge portion of our lives under dark skies. Normally, nighttime isn’t something that people equate with being awake, of course, but landscape photographers are strange people. In fact, moonlight and the Milky Way can lead to some of the best photos you’ll take, and they are well worth exploring with your camera. In this article, I’ll go through the characteristics that make some lenses better than others for star and nighttime landscape photography.
After almost a week of filming, we just packed up and left Grand Teton National Park. We were very lucky to capture some great light, and we had a few clear nights to take good Milky Way photos as well. We’re now heading to Yellowstone for some photos — hopefully avoiding the crazy tourists — and then going north to film some videos throughout Montana.
A couple of days ago, John Bosley and I flew out to Colorado to meet up with Nasim. We’re in the first stages of another exciting video for Photography Life: an advanced landscape photography tutorial. We’ve had this particular project in mind for a while, and it feels great to start putting our plans into action. After landing in Denver, the three of us stopped for some food and camping supplies, and then we hit the road to Grand Teton National Park. [Read more…]
I recently checked the shot count on my three Nikon 1 V2 bodies. Then I added up the number of photographs I’ve taken with Nikon 1 bodies like the V3 and J5 that I borrowed from Nikon Canada in order to write some reviews. I discovered that I’ve taken over 100,000 images with Nikon 1 gear since the late summer of 2013 when I bought my first V2. Hmmm…no wonder my shutter finger is sore from time to time.