While a good, sturdy tripod is often best for stabilizing your gear, there are times when a monopod is more convenient and/or can be a big help in supporting larger camera/lens combinations. In keeping with Nasim’s mention in the Focus and Recompose Technique article that we would be doing some posts on basics and Tips for Beginners and since we have had a couple of monopod reviews, it occurred to us that some people may not know how to properly use a monopod, so we decided to share some pointers. The main differences between the three methods that we will discuss here is where you place the foot of the monopod.
For low light shooting or when using a large lens, a tripod is generally your best bet but wildlife and sports photographers often will opt for a monopod when a tripod is not convenient or when they need a break from hefting a heavy rig. In this review, we will take a look at the Oben CTM-2500, a 5-section lightweight carbon fiber monopod as well as a tilt head, the Oben VH-R2. Both items have been kindly provided by B&H.
This is a review of the Oben CTM-2400 4-Section Carbon Fiber Monopod. I have often thought a monopod would be useful to have in low-light situations such as wedding receptions. There are times when there’s almost enough light to get the shot, but my shutter speed is low enough that I’m worried about motion blur. A tripod can be cumbersome, especially at a wedding reception, so a monopod seems like the ideal compromise between having a stable camera and not taking up a lot of floor space with a tripod.