Everyone’s favorite part of photography is camera equipment. I’m kidding, of course — although that is the impression you’ll get from certain photographers. But no one can deny that some gear is necessary in order to take pictures. At the very least, you need a camera and lens, but there are also important considerations like software and other accessories. This article dives into the most necessary and important camera equipment you need for photography, including some of our top recommendations.
Statistical data is now available for the period up to September 2017 from CIPA. I thought readers may like to read a quick overview of how the camera market has been performing thus far in 2017. The positive news is that the camera market is tracking for some increases in 2017 in most product categories.
If you are a Nikon shooter, you might have found the announcement of the 70-300mm f/4.5-5.6E VR AF-P puzzling. While it looks great on paper, the lens seems to be ahead of its time, since the only cameras the lens is fully compatible with are the recent DX cameras. What is the point of announcing a full-frame lens, if it is limited to only a few DX cameras and practically no FX cameras? To me, it shows that Nikon is getting ready to announce something really big, something many of us Nikon shooters have been waiting for – a full-frame mirrorless camera. As I was looking at the details of the new 70-300mm VR AF-P, I realized that this lens would be an ideal candidate for a mirrorless camera. It is small, sharp and lightweight, which is exactly what a lightweight and compact Nikon mirrorless system needs. On top of all this, Nikon’s president has already hinted at an upcoming mirrorless release (link in Japanese, use Google Translate), although nothing was said about the format / sensor size. While this is my personal speculation, the release of the full-frame 70-300mm f/4.5-5.6E VR AF-P to me is an indication of a full-frame mirrorless coming to the market.
In this article, we will go over what exposure compensation is on a digital camera and how you can take advantage of it to make adjustments to your exposure when shooting in camera modes such as aperture priority, shutter priority, program mode and other scene modes of your camera. Every modern camera today has a built-in capability to adjust exposure settings in order to make it easier to properly expose images. In simple terms, the idea is to be able to control the brightness of an image, so that it does not end up looking too bright or too dark. To be able to do this, one has to use the Exposure Compensation feature, which is typically provided either as a dedicated button on a camera, or as a dial that one can move from positive exposure compensation to negative. Let’s take a look at how you can utilize this great feature on your camera and take a full control of your exposure.
While I wait until quarterly data is available from CIPA to do full camera market updates on my photography blog, I thought Photography Life readers may like to have a quick look at how 2017 is shaping up for the digital camera market. The charts in this short article are based on April YTD 2017 CIPA statistics. I’ve included YTD actuals for 2017 as well as my market estimates for 2017. These estimates were calculated after examining some basic trends that the camera market has been demonstrating for the past decade.
There have been some interesting shifts in the relative importance of various segments of the camera market over the past number of years. I thought readers may like to view a few charts based on CIPA data as they relate to the relative importance of various regional camera markets.
As a brief follow up to Nasim’s excellent post, Sony “Overtakes” Nikon in Full-Frame Sales, this brief article shares some recent CIPA statistics regarding the shipment of mirrorless interchangeable lens cameras. Depending on how a person interprets this data will determine whether the mirrorless interchangeable camera market is ‘growing’.
For the past few years now, the digital photography camera market has been on a steady decline. Some people blame it on smartphones taking over the big chunk of camera sales, while others have related other factors to the decreased camera sales. While we have written a number of articles on this topic, I personally don’t think that there is only one factor that can be singled out as the root cause – I believe there are a number of different factors contributing to the shrinking sales. One of such factors could be “Last Camera Syndrome”, which many photographers seem to be experiencing lately. With image sensors pretty much hitting the innovation wall, we have only seen camera manufacturers pushing more resolution and feature upgrades lately, which does not seem to sit well with potential buyers. And if we take a look at the entry-level cameras, they all seem to only contribute to the camera pollution, with nothing new and exciting, just refreshed model numbers for the sake of grabbing news headlines. We no longer see big leaps in image quality as we had previously seen in the past, with more photographers settling on one camera – their last camera.
This short article summarizes some of the feedback that I have received from seniors who have downsized their gear, or are thinking about doing so. The desire to downsize camera gear is not restricted to seniors! Some of the actions that seniors are taking may make sense for other photographers as well. It has been quite surprising to witness the number of comments and contacts that have occurred since my senior-related article, Senior Perspectives on Photography. I’d like to thank all of the readers who have contacted me and shared their personal experiences! Not only has it been an enjoyable experience to hear from all of you, but very enlightening as well. One of the common topics that these more ‘mature’ photographers wanted to discuss with me was their decision to downsize their gear. There was certainly a range of approaches that people have used to better align their gear with their photographic interests and their need for smaller, lighter camera gear.
This is an in-depth review of the Fuji X-Pro2 mirrorless camera, an upgrade to the top-of-the-line X-Pro1 of the X-series cameras that was announced in January of 2016. It is hard to believe that it has been five years since Fuji first announced its mirrorless X system with the launch of the Fuji X-Pro1, along with the first three lenses. It was a pretty rough ride for Fuji, since the system looked very appealing and yet the initial feedback and reviews indicated that the camera was full of bugs and autofocus issues. But despite the negative reactions, Fuji did not give up, since it wanted to make the X system successful at all costs. Within a year, the X-Pro1 was transformed into a whole different camera – major firmware issues were taken care of and the AF system became much more polished and reliable. Fuji decided not to leave its original customers behind, letting them get the latest and greatest through “Kaizen” firmware upgrades. And although Fuji released a bunch of new X-series cameras, the X-Pro1 continued to receive firmware feature upgrades for another 4 years, something no other manufacturer has done in the past. That level of commitment did not go unnoticed by the photography community, creating a large and loyal Fuji fan base. After a long wait, Fuji finally revealed the much anticipated X-Pro2 that many photo enthusiasts and professionals have been waiting for. Last Christmas, an amazing gift from FujiFilm Italia gave me the opportunity to experience the Fuji X-Pro2. Since Nasim also had some thoughts to share with PL readers after using the camera for a few months, we decided to combine our efforts into a single review.