In one of my recent articles I talked about the beginning of the digital age and the consequences it brought to our understanding of photography. With all its greatness, with all the speed and quality and versatility, it became irreplaceable in our everyday lives and businesses. Along with that, however, digital photography also brought up a few problems, likely the biggest of which was the growing interest in new technologies rather than photography itself. This problem seemed to push the very goal of having a camera and a lens completely out of our minds. New gear was the thrilling, fun part. Comparing one to another has become our everyday activity. And yet, if we manage to get past that, if we manage to actually get out there and shoot rather than just read and read and read about new lenses and cameras day after day, we get the point of digital. We get to enjoy it as we should. We get to see digital, in a way, how we see the 18-200 or 28-300 class lenses – the do-everything, good enough for anything, the daily choice. But here lies another potential problem – with all the great all-round lenses, why do we love those boring 50mm f1.4 primes so much? I find myself shooting, and shooting, and shooting again. I find myself having hundreds, if not thousands, of photographs, and I like them. But a super-zoom is no prime lens. There’s always something vital missing. I may have just found out what it was for me. Before we dive into my very personal and subjective Mamiya RZ67 Pro review, lets talk film for a minute.
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