If you took workshops and coursework on photography, chances are you’ve heard every mentor talk about understanding composition and learning to crop within the camera. Doing so will yield greatly composed photos and will limit your time in post production. But from time to time, you will come back with badly cropped photos which might have distracting elements in the background and the composition may not look spot on. If you are photographing portraits, even the slightest distraction may draw the viewer’s attention to something else than what you originally intended the viewer to concentrate on. At times like these, instead of deleting the photo, I want to give it another chance. Memories are precious and I do not mind cropping the photo to preserve what is important. Cropping images in post production will give you another chance to re-frame your shots and there are a number of different ways you can do this to achieve desirable results.
Almost every function in Lightroom has a specified keyboard shortcut for quicker access. Using keyboard shortcuts is a great way to speed up your post-processing significantly, but memorizing all of them can be quite tough. You can view these Module-specific keyboard shortcuts by selecting “<…> Module Shortcuts…” from the Help menu at any time, or by hitting Ctrl + / on your keyboard. Mind you, as many as there are of the shortcuts listed in this table (shown for the Develop Module below), there’s actually more of them. You can find all the Lightroom 4 shortcuts in Adobe’s Help page for both Mac and Windows, while Lightroom 5 shortcut list should be available shortly.
After my “Photoshop vs Photoshop Elements” article, many of our readers suggested a comparison between Photoshop Elements (PSE) and Lightroom would be more useful. I must admit, I found such requests to be a little strange, because I believe both of these programs to be very different. The difference lies in both targeted user base as well as complexity and overall functionality. On the other hand, some features are shared between Lightroom and Photoshop, as well as between Lightroom and PSE. In this article, I will describe similarities and differences between these two popular post-processing applications by Adobe to see whether one can serve as a replacement or an alternative for the other.
A short while ago, Adobe made an announcement many photographers (among other Adobe’s software users) found to be rather shocking. Adobe decided to stop developing Adobe Creative Suite and focus on its CC software. CC stands for Creative Cloud. Obviously, it doesn’t mean they will stop developing Photoshop and other popular programs, many of which are among the best on the market. However, CC will carry a number of changes, and, while we can safely assume most of them will be welcome, there is a huge catch. Adobe CC package will be available as subscription-only. That means, in order to use Photoshop and other CC package software, you will need to pay a monthly fee and connect to internet at least once a month (there a several varying conditions), which, for me, sounds much like… renting. We wrote an article on the topic where we discuss Adobe’s decision in more detail – suffice to say, we weren’t exactly thrilled with excitement. I must admit, though, Photoshop wasn’t the main reason for me worrying. After all, I like CS5 and CS6 fine and, with the exception of RAW support, don’t see why I’d need to update anytime soon. What I was worried about most is Lightroom. Was it to undergo the same changes?
By now you have probably heard about Adobe’s decision to stop development of Adobe Creative Suite (which includes such software as Photoshop and Illustrator) and move to a completely different subscription-only model. In short, Adobe does not want to sell packaged versions of its software anymore and wants you to instead pay for select software packages or the whole Creative Suite on a monthly basis. For example, today you can purchase Adobe Photoshop CS6 for $599 and own the license, which means that you can install it on your computer and use it whenever you want without limitations. With the new Adobe pricing strategy, you will no longer be able to purchase Photoshop that way – you will have to get a $20 per month subscription for using Photoshop alone (or $50 for the whole Creative Suite). There will be no other option. Software will be delivered over the Internet and once you get it installed, it will make occasional requests over the Internet to Adobe.com to verify your subscription level. Creative Cloud will work the same way that CS6 works today, except it will require an active subscription. When traveling without any Internet connectivity, the software will work for a limited amount of time (something like 30 days) before ceasing to work and requiring you to connect to the Internet.
Due to popular demand, we are starting our new series of articles on commercial wedding photography. Since I have been helping out my wife with her wedding business, being a second shooter during weddings and engagement sessions, I have been writing down some helpful tips, which I am planning to provide on Photography Life. These tips range from very basic things like preparing for the wedding day, to complex setups involving specific situations, like setting up flashes indoors. Our first wedding photography tip is about properly synchronizing time on cameras when working with second shooters and assistants. If you have been commercially photographing weddings, you might have already been frustrated to see photographs from multiple cameras get mixed up when you import them to an Aperture or Lightroom catalog. It is not pleasant to see ceremony images mixed with images from the dance floor and it is certainly not fun to try to go through hundreds, if not thousands of photos and sort through them one by one. Gladly, there are workarounds to situations where it had already happened, which I will share with you in this article. First things first, let’s talk about the proper way to synchronize time between multiple cameras.
A while ago Adobe announced Release Candidates of Lightroom 4.4 and Camera RAW 7.4. These versions were close to being finished, but may have contained some bugs. Today, Adobe has made the full versions of their updates available. The main goal of these updates is to add support for recently announced cameras (25 of them, actually), but there’s a number of important improvements, too. This is quite a big update. First and foremost, Adobe claims better handling of Fuji’s X-Trans sensor RAW files.
Many of our previous Mastering Lightroom series articles focused on specific Lightroom 4 features and tools, as well as ways of using them in your everyday workflow. I’ve explained how to use the Basic Panel and talked about the Tone Curve in great detail. We’ve also learned how to use External Editors, Spot Removal Tool and Virtual Copies. However, simply learning what each feature does is not our goal with these articles. After all, theory makes sense only when put to practice. In the end, we want to teach you how to actually edit your images, start to finish, no matter the subject or scene or desired result. We want you to be able to use what Lightroom has to offer without thinking about it, just as we should use our cameras and lenses. Learning what each tool does individually is essential, but what matters in the end is how we make them work in conjunction with one another. Perhaps then it is time to shift away from features and theory for a while and move towards editing images to achieve desired look in practice? There are many aspects of Lightroom we haven’t covered so far. Many tools, options, modules and tabs yet await our attention. But this time, instead of explaining specific settings, we will do some simple portrait post-processing focusing most of all on color and tones.
Adobe has made their almost-finished versions of Lightroom 4.4 and Camera RAW 7.4 available for download. These Release Candidates (RC) have been thoroughly tested, but are subject to improvement over the next few months before final versions are available. So far, Lightroom 4.4 RC is a free download for all current Lightroom 4 customers and will expire by 31st of May. Adobe Camera RAW 7.4 RC will expire on 30th of April. Why are these RC updates important? Well, first of all because of the added support for newest camera models:
In every Mastering Lightroom series article, I mention certain strengths of this, in my opinion, superb piece of software. Only every now and then do I find something small to complain about, as I have in my “How to Manage Presets” article. I strongly believe Lightroom offers more or less everything needed to process a well captured image and offers plenty of powerful yet simple photographic tools. However, as our readers have wisely noticed in the comments section of my “How to Use the Spot Removal Tool” article, on rare occasions these tools may not be powerful enough. Here comes another strength of my favorite photo processing application – flexibility. You can use other programs to do what Lightroom can’t, and then go back with the processed image to its familiar and simple environment. In this Mastering Lightroom series article, I will show you how to use external editors with examples provided using the most popular and capable you can buy – Adobe’s own Photoshop.